Investigating the experimental legacy of Victorian polymath Alexander J. Ellis, author of the 1880 paper, The History of Musical Pitch, composer Seamus Cater uses 74 tuning forks tuned to represent Elliss research of just ratios of 480Hz, in three compositions focusing on the most consonant tones of the system, and balancing them through minimalist chamber work from a 7-piece ensemble.

A double album of experimental works and songs, virtual meetings curated by composer Dante Boon, recorded in the performer's individual cities as ensembles formed from musicians who have never met, including the Moscow duo The Same Ensemble of Sasha Elina and Kirill Shirokov, Amsterdamn's Seamus Cater's Tree Space, Berlin's Konzert Minimal, and sound artist Gabi Losoncy.

Pianist and composer Dante Boon performs his own work "Years, Numbers", alongside Antoine Beuguer's "Pour Etre Seul(e), Sans Reserve" and Taylan Susam's "Tombeau", and Bueger's "Nov. (piano)", four works of graceful and introspective beauty using minimal approaches to tone, chord, or spaciousness, recorded live at University Of Wisconsin-Whitewater in 2014.