The third in a series of pieces inspired by ideas in the history of music theory, from composer Marc Sabat and inspired by Renaissance Italian Composer/Theorist Gioseffo Zarlino, performed in a 9-piece ensemble that cycles through voices, strings, harp, and flute, with instruments entering cycles at midpoints of prior loops to create weaving and graceful intersections.

Composer Eva-Maria Houben in a collaborative work with bass flutist Rebecca Lane and bass clarinetist Samuel Dunscomb, the composer performing on piano and orgran, for two renderings of "Observing Objects", a patient work of long notes and tones interspersed with silence, lower registers in the winds balanced by the piano or organ's upper register.