Investigating the experimental legacy of Victorian polymath Alexander J. Ellis, author of the 1880 paper, The History of Musical Pitch, composer Seamus Cater uses 74 tuning forks tuned to represent Elliss research of just ratios of 480Hz, in three compositions focusing on the most consonant tones of the system, and balancing them through minimalist chamber work from a 7-piece ensemble.

Pianist and composer Dante Boon performs his own work "Years, Numbers", alongside Antoine Beuguer's "Pour Etre Seul(e), Sans Reserve" and Taylan Susam's "Tombeau", and Bueger's "Nov. (piano)", four works of graceful and introspective beauty using minimal approaches to tone, chord, or spaciousness, recorded live at University Of Wisconsin-Whitewater in 2014.

A double CD with five beautiful pieces that engage with the work of the extraordinary French-Swiss poet Gustave Roud, with performers including Dante Boon, Stefan Thut, Andrew McIntosh and Jurg Frey himself, 10 compositions that Frey wrote in the manner that Roud would, roaming with a sketchbook and developing the pieces based on impressions of his surroundings.