Sonic exploration and studio composition from Kobe, Japan-based, Canadian sound artist Tim Olive, using amplified objects, cast-off electronics and home made instruments including metal teeth, tuning forks, clockwork motors, electromagnets, cassette playback heads and magnetic pickups, recording each and layering them in the studio to create corrosively captivating aural journeys.

Selected from several hours of real-time interaction and presented as recorded with minimal editing, this album presents the first-time meeting of Kobe, Japan sound artist Tim Olive with St. Petersburg, Russian synthesist and electronic musician Sergey Kostyrko, recording in the studio together, the title aptly referencing the season of spring when roads are laid bare.

During his 2018-19 Canadian tours, Tim Olive joined Vancouver residents Joda Cl�ment and Mathieu Ruhlmann for two trio performances, after which they went into the studio to record these four detailed improvisations using synthesizer, harmonium, glockenspiel, field recordings, feedback, magnetic pickups, preamps, octave generators, ukelin, cymbal, tapes, and objects.

After a performance in 2019, Kobe-based Canadian sound artist Tim Olive and Calgary percussionist, experimenter and Bug Incision lAfter a performance in 2019, Kobe-based Canadian sound artist Tim Olive and Calgary percussionist, experimenter & Bug Incision label leader Chris Dadge recorded these two studio pieces using Dadge's amplified percussion, small instruments & electronics, as well as Olive's magnetic pickup/electronics system, running through a number of guitar & bass amplifiers.abel leader Chris Dadge recorded these two studio pieces using Dadge's amplified percussion, small instruments & electronics, as well as Olive's magnetic pickup/electronics system, running through a number of guitar & bass amplifiers.

Stymied by Covid-19, the planned May 2020 tour of sound artists Tim Olive and Phil Maguire was cancelled, motivating each to create four 10-minute solo pieces which were then overlayed to create four "distant duo" pieces, merging Olive's textured home-made electronics and Maguire's reductive approach to audio simplicity and spare sonic environments.

The first meetings of Jason Kahn (analog electronic) and Tim Olive (one-string magnetic pickup device) recording in a studio session in Kyoto, 2012 for four eventful and intricately structured works with a distinct developmental momentum.