The Squid's Ear Magazine
The Squid's Ear Magazine
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4 products found   Page 1 of 1   -- Go to Page
Thomas, Pat / Dominic Lash / Tony Orrell: BleySchool [VINYL]
Thomas, Pat / Dominic Lash / Tony Orrell:
BleySchool [VINYL]

(577 Records -- USA )


Price: $20.00    


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Referencing the deceptively simple and memorable melodies of pianist Paul Bley, the trio of Pat Thomas on piano, Dominic Lash on double bass, and Tony Orrell on drums & percussion pay homage to the late pianist through his own work, plus compositions from Cara Bley, Ornette Coleman, Duke Ellington, and one collective improvisation; a sensitive and lyrical modern jazz album.

Musson, Rachel / Pat Thomas / Mark Sanders: Shifa: Live at Cafe Oto [VINYL + DOWNLOAD]
Musson, Rachel / Pat Thomas / Mark Sanders:
Shifa: Live at Cafe Oto [VINYL + DOWNLOAD]

(577 Records -- USA )


Price: $20.00    


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"Shifa", or "Healing", is the London-based trio of saxophonist Rachel Musson, pianist Pat Thomas, and drummer Mark Sanders, here in a live concert at Cafe Oto in 2018 of two collective improvisations of arching sax lines, rolling and potent drumming, powerful block chords and intricate lines, from dark to joyful moments, an intoxicating tonic for the ears.

Valid Tractor (Pat Thomas / Dominic Lash / Lawrence Casserley): On The Validity Of Tractors
Valid Tractor (Pat Thomas / Dominic Lash / Lawrence Casserley):
On The Validity Of Tractors

(FMR -- UK )


Price: $15.95    


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Each track on this album is named for a tractor brand (Eicher, Kubota, &c.) and the liner notes are directions regarding a tractor's maintenance, as the ea-trio of UK improvisers Pat Thomas on piano & electronics, Dominic Lash on double bass, and Lawrence Casserley on a signal processing instrument provide 10 inventive improvisations that validate a sound working condition.

Wachsman / Thomas / Turner / Frangenheim: Gateway '97
Wachsman / Thomas / Turner / Frangenheim:
Gateway '97

(Creative Sources -- Portugal )


Price: $16.95    


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An excellent quartet of UK and European improvisers recording at Gateway Studio, London in 1997, a set of 8 intriguing recordings emphasizing the acoustics end of free improvisation with accented electronic interventions.



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