An unusual and engrossing concert of free dialog using tightly controlled technique between two legendary free jazz improvisers: percussionist Paul Lytton performing on tabletop percussion and "bits and pieces", and saxophonist Georg Wissel performing on augmented alto saxophone and tenor saxophone, from reserved intricate detail to forcefully passionate expression.

The first release from Corbett vs. Dempsey drawing on the Paul Lytton Archives, this recording of electronic & acoustic improvisation from UK percussionist Paul Lytton and German guitarist Erhard Hirt was recorded in Belgium in 1981 for the German Po Torch label, founded in 1976 by Paul Lovens & Paul Lytton to release forward-looking forms of free improvisation.

A concert recording on the occasion of the 10th anniversary of Einstein Kultur in Munich from the quartet of Erhard Hirt on guitar & computer and Paul Lytton on drums, percussion & objects (half of the Quartet XPACT) plus Harri Sjostrom on soprano & sopranino saxophones and Philipp Wachsmann on violin & electronics, presenting a remarkable set of collective ea-improvisations.

Originally formed in 1985, this free improv ensemble continues in a new rendition of the Örchestrü, with original members Mark Charig (cornet), Paul Lytton (percussion), Alfred Zimmerlin (cello) and Phillipp Wachsmann (violin) joined by new members including Axel Dorner (trumpet), Phil Minton (voice), and Melvyn Poore (tuba), for two exceptional examples of advanced collective and cooperative improvisation.

Two days of concerts in 2018 at Alchemia Club, in Krakow, Poland and a recording at Radio Krakow the next day from English composer, band leader and a bass player Barry Guy, in varying configurations at Alchemia of duos & trios with some of Europe & The UK's leading improvisers, culminating in an 11-piece ensemble at Radio Krakow performing the large work "For To End Yet Again".

Recalling their brokenresearch LP from 2007, trumpeter Nate Wooley and drummer/percussionist Paul Lytton focus on unusual techniques and approaches to their instruments, using amplifiers and electronics to investigate new frontiers in interactive improvisation, each creating inexplicably interesting, masterfully interwoven sonic material.

Three British free jazz giants, having worked in a number of configurations and as a trio over many decades, are caught live in the Russian Drama Theater during the 2017 Vilnius Jazz Festival--Evan Parker on soprano & tenor saxophones, Barry Guy on bass, and Paul Lytton on drums, for four improvisations of nuance and surprise, incredible mastery, and profound conversation.

The 2nd release from the trio of Chicago cornetist Josh Berman, UK drummer/percussionist Paul Lytton and Chicago bassist Jason Roebke, featuring material recorded during the trio's April 2018 European tour, in two extended side-long improvisations from Padova, Italy and Trondheim, Norway, in sets of profound technique and creative prowess; exceptional.

A box set documenting the October 2015 3-day event held at Porgy and Bess in Vienna for the 50th birthday of saxophonist Mats Gustafsson (The Thing, Fire! and innumerable duo/trio/ensemble formations) with a who's-who of collaborators invited to join in various formations.

Superb improvisation from three masters - Evan Parker on sax, Barry Guy on bass and Paul Lytton on drums - performing at the Maya Recordings Festival, September 23 - 25, 2011 at Theater am Gleis, Winterthur, Switzerland.

Superb improvisation from three masters - Evan Parker on sax, Barry Guy on bass and Paul Lytton on drums - performing at the Maya Recordings Festival, September 23 - 25, 2011 at Theater am Gleis, Winterthur, Switzerland.

Nate Wooley and Paul Lytton continue their collaborations, extending their new duo recordings with live tracks from The Stone in NYC with Ikue Mori, and at Chicago's Hideout with Ken Vandermark.