Exploring the fluid coordination and shifting forms of collective motion, pianist Magda Mayas leads her octet Filamental — featuring Zeena Parkins, Rhodri Davies, Aimée Theriot, Anthea Caddy, Angharad Davies, Christine Abdelnour, and Michael Thieke — in an intricate program of ensemble-driven free improv where shared memory, evolving textures, and intuitive interplay coalesce into dynamic, murmuration-like structures.

The Berlin trio of Miako Klein (recorders), Magda Mayas (piano), and Biliana Voutchkova (violin, voice) further refine their fully improvised approach into an immersive sonic practice, where sustained textures, extended techniques, and collective restraint blur individual voices into a cohesive, ever-shifting sound world, captured at the Studio for Electroacoustic Music at the Akademie der Kunst in Berlin.

Recorded in Verona, Italy, pianists Francesca Gemmo and Magda Mayas engage in an intricate dialogue between piano and prepared piano, blending Gemmo's contemplative lyricism and impressionist echoes with Mayas's inventive explorations of touch, timbre, and texture, creating a vivid and unpredictable sonic landscape of tension, nuance, and resonance.

An immersive meeting of Berlin pianist Magda Mayas and Australian flutist Jim Denley, ffollowing up on their 2017 Relative Pitch release, Tempe Jetz, as they weave flutes, piano, and percussive objects into a delicately balanced exchange where subtle gestures and resonant detail create a patient yet gripping exploration of texture, breath, and sonic space.

Inspired by John Coltrane�s A Love Supreme, the second album from the Berlin-based quartet Das B — Mazen Kerbaj (trumpet), Mike Majkowski (bass), Magda Mayas (piano), and Tony Buck (percussion) — subverts the tribute format with a radical re-imagining built on free improvisation, textural exploration, and structural homage, resulting in a deeply immersive and conceptually rich work.

Captured live at the Werkstatt für Improvisierte Musik in Zurich, Switzerland, this debut release from Jason Kahn (electronics) and Magda Mayas (piano, objects) presents three improvised pieces that blend their complementary palettes into a poetic and intricately detailed electroacoustic dialogue, reflecting their 13-year collaboration with a mix of introspection, spontaneity, and mutual respect.

Drawing inspiration from the archives of philosopher Walter Benjamin, Zeena Parkins leads an extraordinary ensemble of experimental and avant-garde musicians — including William Winant, Tony Buck, Magda Mayas, and Joan La Barbara — in two intricate multi-part compositions that weave acoustic and electronic textures through improv, experimental, and contemporary forms.

The 2nd release from Magda Mayas' Filamental octet of Mayas, Zeena Parkins, Michel Thieke, Christine Abdelnour, Angharad Davies, Rhodri Davies, Aimée Theriot and Anthea Caddy, is a fascinating studio composition developed from individual recordings provided by each musician, assembled into two detailed and cohesive works of impressive contours and almost ceremonial beauty.

The current Polwechsel quartet of Werner Dafeldecker, Michael Moser, Martin Brandlmayr and Burkhard Beins — merging improvisation and contemporary forms for outstandingly paced and conceptualized performance — are joined by luminaries John Butcher, Klaus Lang, Magda Mayas, Andrea Neumann and Peter Ablinger, released in a deluxe 4-LP box set with a 32-page booklet.

The 5th of NI-VU-NI-CONNU's 5-LP John Butcher series and part of a 2 night residency at ausland in Berlin coinciding with his 65th birthday, tenor & soprano saxophonist John Butcher is joined by the long-running duo Spill of pianist Magda Mayas and drummer Tony Buck (The Necks) for two extended works of evolving, absorbing introspection and eruption.

A pairing of two innovative players, Berlin-based pianist Magda Mayas and Australian sound and wind artist Jim Denley, Mayas playing inside and out of the piano and Denley on alto sax and bass flute, both providing field recordings adding unexpected elements in a set of extremely balanced recordings that entrance the listener with unlikely and captivating settings.

"Four hands on one piano" from the duo of pianist Chris Abrahams (The Necks) and Magda Mayas, both improvising in Berlin at the Vivaldi Saal performance space using their piano, harpsichord, and harmonium.

Berlin pianist Magda Mayas, working with Tony Buck as recording engineer, performs inside and out of the piano in an amazing display of timbre and technique.

Necks drummer and percussion Tony Buck in a duo from December 2007 performing at the dOeK Festival in Bimhuis, Amsterdam with extended technique pianist Magda Mayas.

European improvisers & associates with an amazing international network of well-known performers, in an improvising quartet of profound acoustic interaction.