Engaging an expanded version of the ensemble from his Mutual Aid Music, trumpeter Nate Wooley provides scores for his players in various configuration that challenge concepts of group composition, instrumental sound and resonance, idealized tones and the human voice, the development of melody and harmony in compositions, &c.; performers include Wooley, Seymore Wright, John McCowen, Gabby Fluke-Mogul, Cory Smythe, Luke Stewart, Eric Wubbels, &c.

The second outing for trumpeter and composer Nate Wooley's Columbia Icefield band with Mary Halvorson on guitar, Susan Alcorn on pedal steel guitar, Ryan Sawyer on drums, plus violist Mat Maneri and bassist Trevor Dunn joining for one track; an album of sublime and subtly complex sondscapes in beautiful abstractions that evolve to exceptional group and solo interplay.

Tight interaction in an incredible weaving of creative ideas and technical prowess from the duo of tenor saxophonist Ivo Perelman and trumpeter Nate Wooley, the two New York-based improvisers recording in the studio in Brooklyn in 2020 for ten dialogs, a perfect distillation of their work together after four CDs in larger group efforts; captivating.

Recalling their brokenresearch LP from 2007, trumpeter Nate Wooley and drummer/percussionist Paul Lytton focus on unusual techniques and approaches to their instruments, using amplifiers and electronics to investigate new frontiers in interactive improvisation, each creating inexplicably interesting, masterfully interwoven sonic material.

The NY electronics duo exclusiveOr (Sam Pluta and Jeff Synder) join forces with the International Contemporary Ensemble and Architeuthis Walks on Land (Katherine Young and Amy Cimini) for this tour-de-force ensemble work, combining composed forms, electro-acoustic improvisation, noise, and lush harmonies, in a fascinatingly detailed album of creative musicianship.

Recorded during Ken Vandermark's residency titled "The Unexpectable", in Krakow in 2017 at Klub Alchemia, plus concerts at Hevre and Black Box in Germany, with duos, trios and quartets in a variety of configurations with artists including Ken Vandermark, Nate Wooley, Ikue Mori, John Butcher, Kent Kessler, Steve Noble, Mette Rasmussen, Eddie Prevost, Joe McPhee &c.

"Battle Pieces" uses trumpeter Nate Wooley's "social music" system, where each piece is constructed for a soloist who improvises with no score while the remaining player choose at will from over 75 compositions over which the soloist must find their path; here at Roulette in NYC with Nate Wooley, Sylvie Courvoisier, Ingrid Laubrock, & Matt Moran.

Two trumpeters--Nate Wooley from New York City, and Torben Snekkestad from Norway, also performing on soprano sax--met in Copenhagen in 2015 for this live concert "KoncertKirken--Blagards Plads", a monumental meeting of exploratory and investigative improvisation, using unusual and unorthodox techniques on their instruments to present 3 unique and singular dialogs.

Guitarist Fred Frith performed 80 concerts at NY's The Stone between 2006-2016, in diverse configurations of duos, trios, quartets and large ensembles with some of the planet's finest improvisers, of which 23 recordings, titled from NY Times headlines of each concert's day, are presented in this essential 3-CD package, which includes a 24 page booklet detailing the collection.

Cornetist Taylor Ho Bynum draws on a variety of techniques from improvised conduction to big band orchestration to deconstructed fanfares, with a large 15 member ensemble of impressive improvisers embodying a diversity of generations, backgrounds, ethnicities, and gender, presenting three large scale compositions that are ambitious and wonderfully accomplished.

Cornetist Taylor Ho Bynum draws on a variety of techniques from improvised conduction to big band orchestration to deconstructed fanfares, with a large 15 member ensemble of impressive improvisers embodying a diversity of generations, backgrounds, ethnicities, and gender, presenting three large scale compositions that are ambitious and wonderfully accomplished.

Commissioned by Anthony Braxton's Tri-Centric Foundation, trumpeter Nate Wooley developed a modular compositional structure of small melodic, rhythmic, harmonic, conceptual, textural, and timbral fragments, allowing Ingrid Laubrock (sax), Sylvie Courvoisier (piano), and Matt Moran (Vibes) exceptional freedom in improvisation, here in their 2nd recording live at Koeln's Loft.

A free jazz session recorded in Brussells between trumpeter Nate Wooley and half of the Daniele Martini Quartet--saxophonist Martini himself and drummer Joao Lobo--stepping in and out of modal jazz with a contemplative approach, using extended techniques to great effect, Lobo handling the foundation and rhythm in absolutely impressive ways.

First recorded meeting of Chris Corsano (drums), Sylvie Courvoisier (piano), and Nate Wooley (trumpet) in the studio in Brooklyn, 2015, for a completely open, sensitive set of improvisations that are constantly on the edge, at times explosive, and always in a focused dialog.

Trumpeter Nate Wooley's major 3-part work makes oblique reference to dodecaphony, ambient tape music, and the minimalist rock of Terry Riley, conceived as a tribute to Wooley's mentor Ron Miles, who performs alongside Devin Gray & Rudy Royston (drums), Cory Smythe & Jozef Dumoulin (piano).

Cellist Daniel Levin Quartet leads his quartet with Nate Wooley on trumpet, Matt Moran on vibes, and Torbjorn Zetterberg on bass, in open-minded modern compositions that blend jazz, chamber, and experimental improvisation of reserved and riveting character.

"Battle Pieces" was conceived as a background for an improviser, using linguistics, tape processes & aleatoric concepts to fashion an ever-shifting composition that supplies the soloist with information within the context of an ever-changing series of densities, velocities and silences.

The free improvising quartet of Nate Wooley (trumpet), Dave Rempis (sax), Pascal Niggenkemper (bass), and Chris Corsano (drums), bridging ridiculously great technical skills with creative curiosity and forward thinking concepts for superb results.

Spring 2014 issue of Canada's best new music magazine, with articles on Margaret Noble, Nate Wooley, Victor Gama, plus articles, reviews, and a 13 track CD with tracks including Noble, Wooley, Gama, &c.

New York-based trumpeter Nate Wooley and London-based saxophonist Seymour Wright in a series of 9 duos using the fringes of their instruments in exploratory and introspective dialog of great depth and intensity.

Bassist Ingebrigt Haker-Flaten is joined by key improvisers Joe McPhee (sax), Joe Morris (guitar) and Nate Wooley (trumpet) for this improvised studio recording, free improvisation with the influence of swing and blues.

An incredible trio of two New York improvisers - Joe Morris on guitar and trumpeter Nate Wooley - with European free improv legend pianist Augusti Fernandez, for 7 remarkable free improvisations of astounding skill.

Joe Morris wrote this book to discuss aspects of free music, including responses to his questionnaire written by Joe McPhee, William Parker, Jamie Saft, Ken Vandermark, Marilyn Crispell, Nate Wooley, Jack Wright, Matthew Shipp, &c.

Newly Distributed in 2021: Trillium E is the first-ever studio recording of an Anthony Braxton opera, a deluxe 4-disc set of this surreal and witty installment in Braxton's ongoing Trillium cycle, and includes a booklet with libretto, photos, and critical essays.

A cross of Tokyo and NY rock scenes, Dynamite Club is led by vocalist Kentaro Saito and drummer Mike Pride, in their 2nd release with help from Nate Wooley, Aaron Ali Shaikh, &c.

Tsahar's New York Underground Orchestra with an all-star set of New York players including Okkyung Lee, Oscar Noriega, Matt Lavelle, Tatsuya Nakatani, &c. &c performing Tsahar's 10 part "labyrinth".

Drummer Eisenstadt in a NY based African influenced quintet with trumpeters Taylor Ho Bynum and Nate Wooley, Mark Taylor on French Horn and Josh Sinton on baritone sax.

Tenor saxophonist Gauci & trumpeter Nate Wooley with the dual bass backbone of Mike Bisio and Ingebrigt Haker Flaten in original compositions using extended instrumental techniques.