Composer Jean-Luc Guionnet wrote "Distances ouies Dites" ("Distances: Hearsay") for the 7-piece Dedalus Ensemble, who are positioned in separate rooms at Le Consortium, each having to use the features of the room and distance from each other to confer liked musical ideas.

Thomas Bonvalet takes the banjo into unusual territory with Jean-Luc Guionnet performing on the organ at the protestant temple of Bergerac, France, in a beautifully terrifying album recorded during the MONC cultural arts centre's festival of avant-garde culture in 2010.

Stepping away from the saxophone, composer/improviser Jean-Luc Guionnet presents two large compositions for the organ, each taking a single CD to explore the organ's border effects, resonances, natural saturations, all artefacts that sign the acoustic, analogic, digital, process.

Jean-Luc Guionnet and Eric La Casa in a work for the Uninstal Festival interviewing inhabitants of Glasgow in their home spaces, the results organized into compositions blending spoken word, music, improvisation and field recordings; each CD unveils the process of the composition.

Bringing the lineage of saxophone trios into the 21st century, saxophonist Jean-Luc Guionnet, bassist Clayton Thomas and drummer Will Guthrie performed this extended recording live in Lille, France.

Four recordings of subtle improvisation for saxophone & percussion, recorded for Radio Nationale Slovene in Ljubljana, and in the library of Jean-Paul Manganaro, Paris.

Four reed players of the European improv community in a series of compositions exploring drones, flutters, grainy tones, and powerfully radical approaches to the sax.