Reducing Georg Graewe's Sonic Fiction concept to an agile chamber group with Frank Gratkowski, Laura Strobl and Gerry Hemingway, joined by Earl Howard on electronics and alto saxophone, this 2025 Cologne session unfolds through nine intricate improvisations where acoustic counterpoint, extended timbres and electronic transformation continually reshape the ensemble's shifting sonic relationships.

Continuing OM's fusion of rock energy and free improvisation after the death of founding drummer Fredy Studer, soprano saxophonist Urs Leimgruber, guitarist Christy Doran and bassist Bobby Burri are joined by percussionists Gerry Hemingway and Tony Buck for a live set of dense electroacoustic interplay, surging rhythmic force and open-ended collective invention, carrying the group's "ElectroAcoustiCore" language into a new era.

Gerry Hemingway leads a site-specific quartet with pianist Izumi Kimura, multi-reedist Frank Gratkowski and bassist Christian Weber, weaving composed structures, extended techniques, improvisational formations and wood-scrap percussion from Bau 4 itself into a tribute to the venue's founders, balancing melodic fragments, rhythmic propulsion, microtonal color and vivid ensemble transformation.

Portuguese tenor saxophonist Rodrigo Amado leads his cross-generational quartet The Bridge — with pianist Alexander von Schlippenbach, bassist Ingebrigt Håker Flaten, and drummer Gerry Hemingway — in three expansive performances that fuse the deep traditions of free jazz with spontaneous collective improvisation, balancing melodic soulfulness, structural interplay, and decades of shared creative experience.

The second duo release from pianist Izumi Kimura and drummer/percussionist Gerry Hemingway —also known for their powerful trio collaborations with bassist Barry Guy —furthers their exploration of structured improvisation through patient, intricately shaped performances, including an evocative reimagining of Blind Willie Johnson's "Dark Was the Night", blending lyrical depth with dynamic sonic experimentation.

A remarkable solo concert from German pianist George Graewe, performing at Kunstmuseum Bochum in 2022, presenting intricate and expansive free improvisations that showcase his dynamic range, rhythmic precision, harmonic sophistication, and the lyrical abstraction that has defined his work across contemporary jazz and modern improvisation.

After a long break from their last recording, the long-lasting (since 1977!) BassDrumBone trio of Mark Helias on bass, Gerry Hemingway on drum and Ray Anderson on trombone came together for a packed 2023 concert at Zurcher Gallery, the enthusiasm resonating into this studio session days later as the trio recorded a mix of collective improvisations and one composition from each.

Reimagining familiar and more obscure works of Duke Ellington through the lense of contemporary improvisation, including "Mood Indigo", "Black and Tan Fantasy", "Self Portrait of the Bean", "Burmingham Breakdown", &c., from the powerful Who Trio of Michel Wintsch on piano, Banz Oester on double bass and Gerry Hemingway on drums, captured live at the 2023 Jazz Festival Willisau.

Five years after their extraordinary debut album Illuminated Silence, the trio of pianist Izumi Kimura, bassist Barry Guy and drummer Gerry Hemingway present four compositions for free improv, two pieces reflecting on the current state of warfare, with two from pieces Kimura and one each from Guy and Hemingway, the liner notes from each artist explaining the impetus for their work.

Taking what he describes as a road he's never been on, percussionist and improviser Gerry Hemingway turns in an astute album of original songs, Hemingway's voice expressive on work he explains was originally influenced by Dylan, Geeshie Wiley, Lou Reed or Monroe Brothers, the album developed over four years with a cast of collaborators including Ralph Alessi, Earl Howard, Michael Moore, &c.

Recorded two decades apart, first in 1998 as a combination of recordings in the studio and live @ The Knitting Factory, and then in 2019 in the studio, the trio of Miya Masaoka on Koto, dan bau & electronics, Reggie Workman on bass, percussion, musical saw & digeridoo and Gerry Hemingway on drums & electronics, show both their consistency and evolution as masterful, creative improvisers.

Taking what he describes as a road he's never been on, percussionist and improviser Gerry Hemingway turns in an astute album of original songs, Hemingway's voice expressive on work he explains was originally influenced by Dylan, Geeshie Wiley, Lou Reed or Monroe Brothers, the album developed over four years with a cast of collaborators including Ralph Alessi, Earl Howard, Michael Moore, &c.

For 35 years saxophonist & composer Christoph Gallio has directed the exemplary Swiss jazz group Day & Taxi, here in a trio format with bassist Silvan Jeger and drummer Gerry Hemingway, Gallio on soprano, alto & C melody saxophones, heard in this 2021 live performance at Stadtbistro Isebahnli, in Baden, Germany for nine diverse, creative and delightfully quirky pieces.

The Consort in Motion ensemble of Samuel Blaser on trombone, Joachim Badenhorst on bass clarinet, clarinet & tenor saxophone, Drew Gress on double bass, Russ Lossing on piano, Rhodes & Wulitzer and Gerry Hemingway on drums & percussion adapt the late medieval court music of Guillaume de Machaut and Guillaume Dufay into arrangements for modern creative improvisation.

Meeting regularly since 2018, these three Luzern, Switzerland improvisers have developed a shared language of collective creative improv, the best known of the three being drummer & percussionist Gerry Hemingway working with two younger generation musicians, acoustic & electric guitarist Florestan Berset and vocalist Vera Baumann, here in their first wonderfully paced album.

The collective Who Trio of pianist Michel Wintsch, bassist Bänz Oester and drummer Gerry Hemingway take on the music of Billy Strayhorn & Duke Ellington in eight studio recordings and one live performance, interpreting in a collective fashion rather than straight readings of each work, allowing a unique level of freedom to be applied to these essential jazz compositions.

A melodically subtle and sophisticated album of twenty improvisations composed by saxophonist Christoph Gallio and performed with Gerry Hemingway on drums and Silvan Jeger on electric bass, with Friederike Mayrocker providing words on several tracks, the compositions as short as 19 seconds and a long as 7:40, each dedicated to visual artists and colleagues.

Performing together since 1989, at first frequently and now as very special events, this concert at Concertgebouw in Brugge of pianist Georg Graewe, cellist Ernst Reijseger, and drummer and marimba player Gerry Hemingway, is a superb example of the both telepathic and confidently confrontational interplay of their chamber-oriented and superbly paced improvisation.

Twelve dialogs of burning, intuitive and astute free improvisation from three players steeped in the form--Simon Nabatov on piano, Barry Guy on double bass, and Gerry Hemingway on drums & marimba, performing live at LOFT in Cologne, Germany in 2015, an essential example of modern creative playing that surprises and enlightens with repeated listens.

After percussionist and composer Gerry Hemingway migrated to Luzern, Switzerland he joined forces with the creative improvising community in that city, in particular with guitarist Manuel Troller and saxophonist and bass clarinetist Sebastian Strinning, the trio taking the name Tree Ear, blending free and idiomatic improv in bold, uncommon and spellbinding ways.

A fantastic album of free improvisation between two creative and versatile players captured live at Kerkje van Oostum, Groningen, The Netherlands in 2015--percussionist Gerry Hemingway and trombonist Samuel Blaser--both using immense talent and unorthodox approaches to their instruments as they shift from unexpected atmospheres to lyrical richness.

After percussionist and composer Gerry Hemingway migrated to Luzern, Switzerland he joined forces with the creative improvising community in that city, in particular with guitarist Manuel Troller and saxophonist and bass clarinetist Sebastian Strinning, the trio taking the name Tree Ear, blending free and idiomatic improv in bold, uncommon and spellbinding ways.

Trombonist Samuel Blaser leads a trio of Benoit Delbecqu (piano & keys) and Gerry Hemingway (drums & percussion) through 11 tracks that merge modern improvisation with conceptual compositional elements creating intense, introspective & intelligent music.

Percussionist Hemingway with John Butcher on tenor and soprano sax performing live in 2005, demonstrating their extended language in a brilliant and eccentric dialog.