An evocative solo album from Yoshio Machida, who performs and overdubs steelpan, piano, bass, drums, and electronics in serene, poetic soundscapes where the transparent timbre of steelpan and keys weave ambient textures of nostalgic beauty, influenced by Buddhist notions of emptiness and form, recalling the refined aesthetics of ECM while creating a deeply personal aural refuge.

A collection of Yoshio Machida's soundtracks for NHK documentaries on artists Shinro Ohtake, Junichiro Tanizaki, and Maruyama Okyo recorded between 2020 and 2023, presenting a wide stylistic range from acoustic chamber works and dreamy piano reverberations to glitch electronics, steel pan melodies, funk beats, and jazz, highlighting Machida's versatility as composer and performer.

A purely electric album by Yoshio Machida recorded in 2023, made entirely with the EMS Synthi AKS; with its patch-matrix routing, built-in 256-step sequencer, spring reverb, three oscillators and analog coloration, Machida improvises tempo and phrasing as if in conversation with a string quartet, layering organic, nostalgic, chamber-like textures entirely without outboard gear.

Both members of the Tokyo band SuperDeluxe, drummer Yoshio Mashida performing on steelpan, gamelan and metal-slit drums, and 5-string banjo player Cal Lyall, performing largely on a tabletop guitar setup augmented with electronics, have developed a lovely and relaxed, compelling language of improvisational forms using structural ideas-based on minimal scalar patterns.

Japanese steelpan player Yoshio Machida leads this pan-national pop band in their second album, blending electronics and popular forms of music referencing and using electronic and acoustic rock, funk, synthpop, and spoken word, with the majority of the band Serbian artists, and guest musicians including Tatsuhisa Yamamoto (Jim O'Rourke), Paranel, and Misha.

Japanese Steelpan player Yoshio Machida's 11th solo album, performed on the metal slit drum, made from a small gas tank tuned to the C scale over 2 octaves, which he takes into warm territories of rich overtones and melodic invention influenced by Kora, Gamelan, Kulintang and Myanmar musics.

Live recordings of the trio of Yoshio Machida on steelpans and gamelan, Hiroki Chiba on double bass and electronics, and Jorge Queijo on drums & percussion, performing live at Foxhole and Apollo in Tokyo, 2015, free improvisation with Eastern attitudes and European propulsion.

The alternative dub steelpan trio of Yoshio Machida (steeldrums, voice, percussion, electronics), Tatus (bass, voice & electronics) and Norihide Saji (drums, laptop & electronics) for 10 tracks of embraceable tunes including a cover of Miles Davis "All Blues".

The improvising steelpan ensemble of Yoshio Machida (steel drums, percussion, electronics, PanKAT), Tatsu (bass, electronics) and Norihide Saji (drums, laptop, electronics) in their 3rd release, an alternative dub album, or music created by poly-rhythm and sound effects.

Using bass, drums, steelpan, electronics and programming, the trio of Tatsu, Norihide Saji and Amorfon label leader Yoshio Machida create a "pulse dub" album of polyrhythms and phase, producing warm, complex and embraceable music that includes a cover of Bjork's "Hyperballad".

Yoshio Machida's steelpan live recordings in Europe and Japan between 2001-2008; including early pieces by combination of self-made steelpan Gamelan sound and computer to recent acoustic steelpan pieces.

Drummer and percussionist Tatsuhisa Yamamoto meets steelpan player Yoshio Machida for an album of rhythmic and melodic intersections with electronic underpinnings.

Tokyo based transboundary sound & visual artist Yoshio Machida in his 2006 4th release of steel pan music, here solo or multi-tracked without electronics in 7 pieces including one inspired by Satie.

Miimo are a Japanese dub & electronica group consisting of Yoshio Machida, Norihide Saji and Tatsu, whose tracks have appeared in documentaries and TV spots throughout Japan.

Miimo are a Japanese dub & electronica group consisting of Yoshio Machida, Norihide Saji and Tatsu, whose tracks have appeared in documentaries and TV spots throughout Japan.

2006 recordings from this avant Serbian folk band singing in English, Serbian, French, German, Czech and Japanese, naive and intellectual approaches to songwriting.

A series of improvised performances with the central idea of acoustic and electronic artists experimenting with the electronic medium in a live setting with musicians with whom they have never played with before.