Three decades after their 1989 album on the Tanga-Tanga label, Silanganan Ingay, turntablist Otomo Yoshihide reunites with improviser Junji Hirose, who more typically performs on saxophone, but in this duo uses his self-made sound instruments created by combining a variety of devices and everyday objects, recording these three "Scenes" live at Pool, in Tokyo.

Expanding their instruments into sonic sculpture, this first meeting between acclaimed Japanese improvisers Satoko Fujii, performing inside and out of the piano, and electric guitarist Otomo Yoshihide, demonstrates their incredible compatibly as heard in these live recordings at Tokyo's Pit Inn, part of an annual festival organized by Fujii & trumpeter Natsuki Tamura.

After their Doubtmusic CD "Live at Hall Egg Farm", capturing the trio of Masahiko Satoh on piano, Otomo Yoshihide on electric guitar & whistle, and Roger Turner on drums & percussion in Fukaya City, this new chapter in the trio's activities finds them live at Shinjuku Pit Inn, in Tokyo the following year, for two energetically active and captivating conversations.

Recorded at the 2017 Improfest (Festival Internacional de Improvisacao e Arte Sonora) in Sao Paulo, the quartet of Marco Scarassatti, Antonio Panda Gianfratti, Paulo Hartmann, & Otomo Yoshide bring viola de cocho, percussion, self-made instruments, turntable, guitar, and prepared chiquita to a superb concert of wide-ranging improvisations named by geographical location.

UK free improvising drummer Roger Turner meets Japanese guitarist Otomo Yoshihide at the Hara Museum, Tokyo in the winter of 2013 for a performance that balances introspective improvisation with assertive and authoritative playing for a captivating and dynamic album.

The final night of Otomo and Sachiko's first residency at London's Cafe OTO in 2009 saw the pair joined by the long-running trio of Evan Parker, John Edwards and Tony Marsh and special guest John Butcher, for an exceptional set of creative improvisation.

Recorded live at Victoriaville in 2008, Rene Lussier, Martin Tetreault, and Otomo Yoshihide collide guitars, turntables, and a spy-mic in a sharp, unpredictable set, shifting between searching interplay and bursts of tightly-locked exchange, their contrasting approaches sparking inventive textures and raw electroacoustic energy.

A riotous 1994 Victoriaville meeting of John King on electric guitar and voice, David Moss on drums, electronics and voice, and Otomo Yoshihide on electric guitar, turntables and table games, racing through thirteen compact improvisations that collide noise, fractured rock riffs, samples, vocal theater, parody and sudden flashes of melody with sharp collective reflexes and gleefully unstable stylistic jump cuts.