The seventh entry in Sonic Youth's SYR series documents a pivotal experimental moment from the band's 2000 All Tomorrow's Parties performance, with Kim Gordon, Thurston Moore, Lee Ranaldo and Steve Shelley expanding a 20-minute "New Drone" into the voice-inflected J'accuse Ted Hughes, paired with a 2003 Echo Canyon studio work featuring Jim O'Rourke's bass, electronics and sound processing.

The fifth collaboration between composer-performers Eiko Ishibashi and Jim O'Rourke, reshaping material from their 2023 European tour into a vivid electroacoustic dialogue, layering live improvisations, acoustic fragments, and evolving digital textures into a kaleidoscopic sound world of subtle juxtapositions and fluid, unpredictable structures of color, resonance, and playfully reimagined form.

The UK ensemble Apartment House commissioned this work from composer & experimenter Jim O'Rourke based on their performance of other O'Rourke works, here interpreting a new graphic score designed like a sonic mobile, creating a minimal yet episodic piece of flexible interpretation as the performers whistle, hum and quietly sing in combination with bowed harmonics.

Mats Gustafsson, Johan Berthling and Andreas Werlin are joined by Jim O'Rourke to add a driving guitar & electronic layer to the "hypnotic jazz psychedelia and sonic mayhem" of Fire!

Bringing together four adventurous improvisers — guitarists Henry Kaiser and Jim O'Rourke, violinist Mari Kimura, and saxophonist John Oswald — this studio session captures a spontaneous meeting of distinctive voices, where intertwined guitars, expressive violin lines, electronics, and saxophone textures unfold through exploratory collective free improv shaped by shifting timbres, subtle interactions, and open-ended sonic experimentation.

Captured live at the 1997 Festival de Musique Actuelle de Victoriaville, this improvising quartet brings together Lee Ranaldo on guitar, voice, and electronics with drummer-vocalist William Hooker, organist Jim O'Rourke, and saxophonist Gianni Gebbia, unfolding a spontaneous performance where spoken word, surging percussion, drifting guitar textures, organ electronics, and saxophone lines merge into a shifting, immersive dialogue of experimental rock energy and free improv exploration.