The Thessaloniki trio Vasilis Liolios, Aris Giatas and Yiannis Tsirikoglou, aka Eventless Plot, pays great attention to sonic details through experimental sound and sonic expression, here in a two-part work performed on percussion, analog modular synth, tapes/Revox A-77, field recordings, electromagnetic mic & objects, joined by double bassist Antonis Argyriou for the 2nd part.

Two mysteriously veiled electroacoustic improvisations recorded live at Maison des musiques, in Brussels, Belgium between performers Nicola Lancerotti, an Italian-born double bassist & sound artist, and sound artist Chiara Bacci, using glitch, veiled voices, synthetics and acousmatic sources, packaged in a sparkly green tinted cassette with download code.

A series of sound installations derived from a single recording made in the empty spaces in which they are later presented, with no people present during the recording including the composer, filtered to isolate and amplify certain of the room's resonant frequencies, creating a series of drones which are the only sound materials used; no musical instruments are involved.

Ten sonically beautiful pieces derived from recordings made in empty spaces, transforming the sounds that leak in from the outside world using filters and amplification to find sonic resonance in those sounds and in the room's natural frequencies, like light filering into the space, each piece then played back in the same room at low volume as part of an installation presentation.

Two western-US, like-minded sound artists and improviser who started their musical lives as drummer/percussionists, Jeph Jerman and Ted Byrnes present nine relatively succinct tracks of unusual and unidentifiable sources, typically formed around a rhythmic center and always actively engaging, finding logic in curious or even chaotic interaction.

Drawn from the same period around 1976 which produced legendary free jazz saxophonist Steve Lacy's albums Clangs and Trio Live, the collected recordings in the two volumes of Ictus Record's Archives series were recorded while touring Italy with percussionist Andrea Centazzo, this 2nd volume from a concert in Udine presenting duos with Centazzo and a trio with bassist Kent Carter.

Drawn from the same period around 1976 which produced legendary free jazz saxophonist Steve Lacy's albums Clangs and Trio Live, the collected recordings in the two volumes of Ictus Record's Archives series were recorded while touring Italy with percussionist Andrea Centazzo, this first volume presenting a concert in Udine with Lacy performing solo and in duos with Centazzo.

Evolving from a standards-based jazz band formed in 2010 into a collective free improv band of great depth and complex rhythmical approach, with an innate lyrical sense garnered from their roots, the Puerto Rican trio of alto saxophonist Jonathan Suazo, guitarist Gabriel Vicéns, and drummer Leonardo Osuna present a double album of spontaneous composition and sophisticated conversation.

Translating to "Voices from Heaven and Hell", the meeting of two Berlin artists--Amelia Cuni, whose vocal work is described as in/voluntary singing; and Alex Mendizabal, a sound artist who here electronically manipulates the voice of Cuni--using texts from poet Erin Honeycutt as the two apply diverse, fascinating and sometimes unnerving approaches to voice, utterance and expression.

One of a pair of complementary CDs (Navajo Sunrise and Navajo Sunset) this 2010 trio recording of a live performance at Area Sismica, Ravaldino in Monte, Italy between Daniel Carter on alto sax & piano, William Parker on bass & shakuhachi and Federico Ughi on drums, is a solid example of the sensitivity and collaborative power of the Downtown NY creative jazz scene.

Early tape collage works from Fluxus founder and member of the Experimental Media Foundation Philip Corner, five distinct pieces recorded and developed between 1962 to 1963 in New York's Lower East Side, including Lucinda Pastime" for a a dance piece by Lucinda Childs, and "Oracle, a Canata on Images of War" commissioned by the Living Theatre; includes a 16-page booklet.

Hailing from the Downtown NY scene's early years, the incredibly forward-thinking sextet of Polly Bradfield on violin, Andrea Centazzo on percussion, Eugene Chadbourne on guitars, Tom Cora on cello, Toshinori Kondo on trumpet and John Zorn on reeds are heard in a live performance for WKCR Radio in New York City during Ictus label leader Centazzo's US tour.

Originally released in 1977 during an extremely creative period for both UK free improvising guitarist Derek Bailey and Italian percussionist Andrea Centazzo, this 3rd album on the Ictus label finds both players defining each of these extraordinary improvisations through instrumental timbres, dynamics and metronome speeds chosen to suit each piece.

Antonio Bertoni's solo Ongon project, trying to remove the mistreatment that the Moroccan Gnawa Music suffers due to the heavy western productions, as he performs on the trance-inducing bass instrument guimbri, his hypnotic and exotic music set into a rich weaving of electronics, samples and concrete synthesis built ad hoc by Bertoni himself; reference Natural Information Society.

String player Antonio Bertoni (Leo Records, Astral Sprits) in his solo Ongon project seeks to bring back the shamanic elements of Moroccan Gnawa Music, particularly using the trance-inducing bass instrument guimbri, his hypnotic and exotic music set into a rich weaving of electronics, samples and concrete synthesis built ad hoc by Bertoni himself.

The Berlin-based collective Takatsuki Trio of Rieko Okuda on piano, Antti Virtaranta on double bass and Joshua Weitzel on guitar & Shamisen are expanded to a Quartett in two extended live sets at Berlins' Kuhlspot Social Club in 2020, first in an expansive set with trumpeter Axel Dorner, and then an intensely active set with tenor saxophonist & clarinetist Tobias Delius.

An extended improvisation performed live at Kuhlspot Social Club in Berlin from the Takatsuki Trio of Rieko Okuda on piano, Antti Virtaranta on bass and Joshua Weitzel on guitar & shamisen (a 3-stringed traditional Japanese instrument), captured at their monthly series expanding the trio to a "Quartett" for fresh perspective, here with alto saxophonist Silke Eberhard.

Following their first record with this powerful blues rock & jazz album, the Italian/US J & F Band of Tiziano Tononi (drums), Joe Fonda (bass), drummer/percussionist Jaimoe and Pach, Peewee Durante (keys), Alberto Mandarini (trumpet), Beppe Caruso (trombone) and Gianluigi Paganelli (tuba), with guest guitarist David Grissom and vocalist Lamar Williams Jr.

A powerful and effusive jazz rocking and danceable album of instrumentals and songs from the Italian/International J & F Band of drummer Tiziano Tononi, bassist Joe Fonda, plus guitarists David Grissom, Bobby Lee Rodgers & Scott Sharrard, keyboardist Pee Wee Durante, violinist Emanuele Parrini and saxophonist Jon Irabagon, recording in New Haven, CT; get it on!

A fun and lyrical jazz album that references a host of culture and style, performed in collaborations with the NAD core of keyboardist and "soundmaster" Nicola C. Salerno and guitarist Roberto Zorzi and artists including the ROVA Saxophone Quartet, presenting original compositions and eclectic covers from Ornette Coleman, Chocolat, and even Pink Floyd's "Interstellar Overdrive"!

A merging of free jazz and free improvisation in the UK/US West Coast quintet of legendary AMM drummer Eddie Prévost, guitarist Henry Kaiser on "ismguitar", N.O. Moore on "guitarisism", Blinker Golding on saxophone and Olie Brice on double bass, in a rollicking album of electric jazz recorded in the studio in London for two exhilarating "Doors" of quick shifting improv.

The "guess" was guitarist and electronics artist Dave Tucker's educated guess that these four musicians--himself, pianist/keyboardist Pat Thomas, guitarist Thurston Moore and drummer/percussionist Mark Sanders--would create someting extraordinary if he brought them together for a concert at London's Cafe OTO, this boundary-pushing album the indisputably successful result.

Working in a Derek Bailey vein of solo guitar improvisation, Portland, Maine improviser E. Jason Gibbs presents 14 performances on the acoustic guitar, cohesive pieces of confident development that reference not only the London improviser, but also shades of Americana and a unique voice and set of strategies uniquely his own.

English experimental composer and musical performer John White recorded the pieces on this 2 CD retrospective set between 1980 and 1995, a combination of serious, popular and novelty pieces, often exploring areas of contradiction, particularly linear and rhythmic, within an unlikely sound-world in which parameters such as volume, timbre, texture and speed remain fixed.

The Brooklyn trio of Yuma Uesaka on tenor saxophone & clarinets, Cat Toren on piano & synthesizer, and Colin Hinton on drums, percussion, gongs, glockenspiel, & vibraphone, in a sophisticated album of modern creative improvisation with a lyrical attitude and a confidently introspective approach, all three players contributing original compositions to this debut album.

The third of a 3-album trilogy, Playfield offers the musical equivalency of a walk through the diversity of New York in a loft-style extended improvisation from the octet of Daniel Carter on horns, reeds, Luisa Muhr on voice, Ayumi Ishito on saxophone, Eric Plaks on Nord piano, Aron Namenwirth and Yutaka Takahashi on guitar, Zach Swanson on bass, and Jon Panikkar on drums.

A beautifully hypnotic album of wind music, especially on the Pan-Ney, an instrument developed by Berlin composer Werner Durand, along with electronics and a piece using the talking drum as performed by Marika Falk, presenting early works from the 1990s that bridge both improvisation and composition with an embraceable sound that reveals underlying complexity.

Saxophonist Herve Perez and double bassist Gus Garside spent much of the pandemic lockdown recording these intimate duos, interpretations of a 13th Century Poem, "The Guest House" by Rumi, recording in their respective homes using software designed for real-time audio collaboration, as they developed this introspective set of dialogs with strong lyrical affinity between the two.

Guitarist/composer Guillaume Gargaud of Le Havre, France steps away from his more typical electric guitar work for an album of acoustic guitar improvisations, freely associative playing of rich harmonic and melodic development, from ostensibly meandering fragility to powerful chord work, revealing a strong and confident center through imaginative progressions that captivate his listeners.

Originally released in 1980, this album reissues late trumpeter Bill Dixon's recording from Barigozzi Studio, in Milano, Italy in 1980, performing Dixon's tapestry-like compositions with Dixon on trumpet & piano, Arthur Brooks on trumpet, Stephen Haynes on trumpet, Stephen Horenstein on tenor & baritone saxophones, Alan Silva on bass, and Freddie Waits on drums.

A solo percussion album from Francesco Gregoretti, employing traditional instruments and unusual object to create unique audio environment that use predictable rhythmic elements against capricious approaches, giving his playing a personal style fueled by resonance and natural feedback; an album that balances chaotic and structured environments in riveting ways.

Drawing from contemporary composers including Tom Johnson, Philip Glass, Steve Reich, Terry Riley, Adrian Democ, James Tenney, &c, this is the 3rd chapter of Italian flutist Manuel Zurria's project/research on "minimalisms" in contemporary music, taking an active interpretation of the classification over 16 informed and adventurous recordings.

Pianist Marco Dalpane and soprano Sabina Meyer create a virtual cabaret of songs using the music of Erik Satie and John Cage, interlacing pieces by each in a delicate set of songs that draw the two composers together through a surprising commonality, the lyrics provided from texts written by J. Peladan, C. Mendes, H. Pacory, J.P. Contamine de Latour, &c.; lovely.

An extended and rich confluence of strings from R Keenan Lawler and John Krausbauer, using resonator guitar and banjo, sustained tones that intertwine in a beautiful and optimistic drone, minimalistic yet drenched in a profusion of harmonic detail; a beautiful and elusive dream mixing between an Indian raga and an alien electronic environment.

A beautifully hypnotic album of saxophone, accompanied by Pan-Ney, Shruti Box and Organ, recorded in overdubs by composer/wind player Werner Durand in this 2nd chapter of his trilogy focused on the Pan-Ney, a self-built instrument for repetitive foundations, as Durand draws on elements of nature, mythology, dance, religion, literature and folklore.

Recorded in the mid-90s, Livebatts! was a project of John White (Cornelius Cardew, Scratch Orchestra) developed to exploit "toy" keyboards of the 80s--cheap battery-driven instruments that hold tremendous potential for "serious" music-making--used here in a playful quartet with vocalist MJ Coldiron, Andrea Rocca (guitar & samples) and Nancy Ruffer (electrified flute).

John Krausbauer's composition employs 3 West Coast accordionists (Krausbauer, Kate Short and Aaron Oppenheim) in an extended compositional framework allowing for improvisation, of hallucinatory, shimmering sound that accentuates the intersections of tone and harmonics; minimalist and entrancing in the mode of Pauline Oliveros, Wada, Palestine, Radigue, &c.

An excellent first meeting of two guitarists recording on a February afternoon and released in the sequence recorded with no edits or changes, from Jim McAuley on guitar and Scot Ray on lap steel slide guitar with effects, an innately lyrical blending of styles masking the strong technical skills and long histories of these two superlative players.

Surplus 1980 Collectiv Ensembl takes the current members of drummer Moe! Staiano's Surplus 1980 along with associated musicians, including Kyle Bruckmann, John Shiurba, Vicky Grossi, Paul Costuros, &c, with vocals from Dutch vocalist G.W. Sok (The Ex), in an album of avant post-punk rock, sophisticated but determined and pointed music, an unusual hybrid of impressive styles.

Half of the Italian improvising duo My Cat Is an Alien, Roberto Opalio uses prepared mini-keyboard, handmade shortwave receiver, alientronics, and vocalizations to create this improvised prelude and statement, a shifting work that draws the listener into mesmerizing sonic environments of alien origin and transports them deceptively between ringing and textured vistas.

Italian drummer and percussionist Tiziano Tononi leads a large ensemble performing the music of American Rock Band The Allman Brothers, who Tononi cites as a major influence in his life for both their style, and for incorporating jazz, blues, southern rock and New Orleans cross-rhythms.

Recorded during the 2013 Angelica Festival at Teatro Comunale, Terry Riley's 3 Generations Trio bring Riley on synth, piano and Indian influenced vocals together with son Gyan on guitar and Tracy Silverman on electric violin for an immersive and meditative performance.

Reissue of Italian improvising rock band of Jacopo Andreini (sax), Pino Montecalvo (bass), Carlo Lupori (drums), Efisio Biancofiore (guitar), Edi Leo (trumpet), active from 1993 to 2005, in their first demo tape recorded live in studio in 1994 plus two 7" split with NO and God Is My Co-Pilot.

First meeting of Japanese pianist Satoko Fujii and New York bassist Joe Fonda, initiated at the suggestion of Fonda, recording in Portland, Maine at the Dimensions in Jazz Series, a beautifully recorded and intimate duo of superb dialog between two seasoned improvisers.

Italian saxophonist Stefano Ferrian in a duo with pianist Simone Quatrana, Ferrian bounding terse phrases against Quatrana's concise but tenacious dissections of pattern and rhythm, using angularity, counterpoint and expansive harmonics in a rewarding dialog.

Italian soprano saxophonist Gianni Mimmo meets Boston guitarist Garrison Fewell for 10 freely improvised duets of strong dialog balancing technical and lyrical skills with an ebullient intensity and warm spirit, engaging the listener in their joyful dialog.

Violinist Emanuele Parrini leads his quartet with Dimitiri Grechi Espinoz on alto sax, Giovanni Maier on double bass, and Andrea Melani on drums, performing Parrini's 3 part "The Blessed Prince", and original compositions from bassist Maier; lyrical and innovative modern jazz.

A mix of free jazz, rock, and avant-garde experimental music from clarinetist Francesco Chiapperini in a quartet with Gianluca Elia on tenor sax, Dario Trapani on electric guitar, and Anotonio Fusco on drums; lyrical modern jazz with a good dose of free chaos.

A live recording from 1999 in Vancouver, two extended improvisations from drummer Tiziano Tononi's UDU Calls Trio featuring William Parker on double bass; Tiziano Tononi on drums, congas, gong, bells & whistles; Daniele Cavallanti on saxophone, Ney flute and bells.

Blending elements of punk, no wave and free improvisation reminding of Crass, The Ex, Gang of Four, &c., the cry of free jazz driven by strong bass lines and groove guitar riffs, this Italian band sings in English on a mix of socially conscious songs and observant themes.