Drummer Isaiah Ceccarelli's debut album is inspired by voyages in the French Alps and the Pyrenees and features artists Jean Derome, Francisco Lozano, Steve Raegele, and Clinton Ryder.

A series of 20 short tracks by cellist Melanie Auclair that combine music with ambient sound with players such as Lori Freedman, Antoine Berthiaume, Luc Sicard, etc.

Clarinetist Lori Freedman brought together 3 distinct trios over the course of 3 consecutive nights with a total of 6 other Montreal musicians for live encounters of improvisation.

Twelve pieces for guitar performed by Tim Brady, including three updated versions of previous pieces, new compositions by Brady, and four pieces composed by other artists.

Arthur Bull (guitars) and Daniel Heikalo (guitars, percussion) in six guitar duets and five other tracks in which the guitars pair up with Heikalo's percussion.

"Each album or performance by My Cat Is an Alien is an invitation to leave on a cosmic journey, without resorting to the numerous cliche's of the space music genre. Think instead of a synth-less Ash Ra Tempel coming across the quiet impr...

Guitarist Antoine Berthiaume leads the trio of Michel Donato (bass) and Pierre Tanguay (drums) in this lively album of eleven original compositions.

Inspired by jazz standards, bassist and composer Pierre Cartier combines the voice of Quebec's poets with new jazz to tackle the theme of love.

Trio improvisations with guitar, violin, and an assortment of noise elements, thoughtful pieces that use space wisely as they prepare for vicious attacks of sound.

Vocalists DB Boyko and Christine Duncan turn gibberish into improvised poetry while accompanied by drummer Jean Martin who uses multi-timbered objects to create beautiful and absurd music.

A solo session of Pierre-Yves Martel on prepared double bass with no over-dubs or post-processing.

Composer Philippe Lauzier (sax, clarinet) plays with Miles Perkin (double bass, voice) and Robbie Kuster (percussion) in this debut album that blends improvisation with original compositions.

Composer Danielle Palardy Roger presents a work for a 13-voice mixed choir, two speakers, two soloists, and two percussionists in a satirical elegy that is an account of a man's last agonizing moments.

A chamber opera that tells the story of the life of the Canadian doctor and humanitarian Norman Bethune by interweaving extracts from Bethune's own letters with poetry of the 1930s.

"Active for over a decade, the trio New Windshas carved a distinctive niche in the arena of New Music by exploring the ambiguous territory in-between composition and improvisation while employing the particular tonalities and timbres of ...

"... I regard the NOW Orchestra as one of the finest large creative ensembles active in the last decade. The combinations of high levels of individual creativity and virtuosity with a strong sense of collectivity is a rare and treasured combination that the NOW Orchestra manifests very strongly..."-George Lewis, Earshot Jazz

Clarinetist Robert Marcel Lepage in a "sweet and slightly skewed homage" to the American clarinetist and swing player Pee Wee Russell.

Eleven jazz standards performed by the trio of Jean Derome (sax, flute, voice, Normand Guilbeault (double bass) and Pierre Tanguay (percussion).

Jocelyn Robert's first release on Ambiances Magnetiques in a four-disc set that shows off his solo work and highlights the contributions from other artists who have worked with him through the years.

Michel F Cote in a hybrid release of country and actuelle music that is unpredictable and funny with help from artists such as Bernard Falaise, Frank Martel, Billie Folliday, etc.

An Italian group exploring song writing, chamber rock, sound poetry and electroacoustic improvisation with lyrics that are inspired by contemporary female poets.

The trio of Roberto Fega (electronics), Elio Martusciello (guitar, electronics) and Graziano Lella (laptop) in a series of compositions and improvisations that explore the syncretism between different musical codes.

The trio of Antoine Berthiaume (guitar, percussion), Quentin SirJacq (piano, percussion) and Norman Teale (electronics) mix jazz, contemporary, and rock in an improvisational context.

Following 1. Grrr and 2. Tok, this is the third and final part of a series of live recordings from the improvising turntable duo of Martin Tetreault and Otomo Yoshihide.

Picking up where 1. Grrr leaves off, this album is the second addition of the turntable duo of Martin Tetreault and Otomo Yoshihide in a collection of live, improvised recordings.

Vocalist Paul Dutton in a release of "richly textured multiphonic vocal virtuosity, laced with rasps, rumbles, honks, howls, and wheezes" featured in both structured and improvised tracks.