The Squid's Ear Magazine
Squidco Harvest Sale!
Friday through Sunday Save 10%-15% on all new items!




Hubbub (Blondy / Denzler / Guionnet / Mariage / Perraud): abb abb abb (Relative Pitch)

With prior albums on For4Ears and Matchless, the French electroacoustic (with an emphasis on "acoustic") free improvising quartet Hubbub of Frédéric Blondy (piano), Bertrand Denzler (tenor sax), Jean-Luc Guionnet (alto sax), Jean-Sébastien Mariage (guitar), and Edward Peraud (percussion) present two extended, perfectly paced improvisations of stunning interplay and incredible technique.
 

Price: $12.55
Price Was: $13.95
Squidco Harvest Sale:
Save $1.40




Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





product information:

Personnel:



Frederic Blondy-piano

Bertrand Denzler-tenor saxophone

Jean-Luc Guionnet-alto saxophone

Jean-Sebastien Mariage-electric guitar

Edward Perraud-percussion


Click an artist name above to see in-stock items for that artist.




UPC: 5904224873080

Label: Relative Pitch
Catalog ID: RPR1191
Squidco Product Code: 35219

Format: CD
Condition: New
Released: 2024
Country: USA
Packaging: Cardboard Gatefold
Recorded at Eglise Saint-Merry, in Paris, France, on August 5th, 2019, by Baptiste Chouquet.

Descriptions, Reviews, &c.

"Hubbub, the quintet of French improvisers Frédéric Blondy (piano), Bertrand Denzler (tenor sax), Jean-Luc Guionnet (alto sax), Jean-Sébastien Mariage (guitar), and Edward Peraud (percussion), is an ongoing collaboration that convenes sparingly but purposefully. Since their first recordings on renowned labels For4Ears (Ub/Abu) and Matchless (Hoop Whoop)-the latter one of the finest examples of ensemble free music-they've released just five full-length documents with the same lineup, each one capturing the absolute best they have to offer in that phase of their evolution.

abb abb abb follows 2019's Poitiers and continues its forays into moody, slow-paced soundscaping. Throughout these two extended sessions, the five musicians paint in precise strokes with brushes wide and narrow. Mariage especially makes use of the full textural range of the electric guitar, his tremolo rattle and droning decay skirting along the fringes of the action before taking over with pensive full tones. The nearly forty-minute "abb" is largely drone-based, a structure given body by Peraud's extended techniques, each of his scrapes and swipes carefully attuned to the resonance of the kit's various pieces. This track shares a lot of DNA with the contemporary Norwegian ensembles I love most, particularly No Spaghetti Edition and its offshoots; 2020s Hubbub would sound right at home on Sofa's roster. "abb abb" is a more active, not nearly as skittery as the group's early explorations but still a feast of delicious dissonance. The sax interplay is a highlight here, as are Blondy's ivories toward the end, a captivating final stretch that concludes with a perfectly timed percussion knell."- Jack Davidson, Noise Not Music


Get additional information at Noise Not Music

Artist Biographies

"Frédéric Blondy Born in Bordeaux in 1973.

On completing his studies in Mathematics and Physics at Bordeaux University, Frédéric Blondy dedicated himself full time to music, firstly as a jazz pianist and subsequently as a student at the Bordeaux National Conservatory where he studed piano, harmony, analysis and composition. Since moving to Paris he has worked with Marie-Christine Calvet at the "International Piano Center", refining a body-based approach to the instrument.

As musician, Frédéric Blondy has performed in many festivals and venues in Europe, North America, Middle East and Asia, working with, amongst others Paul Lovens, Rhodri Davies, Lê Quan Ninh, Michel Doneda, Joëlle Léandre, Urs Leimgruber, Thomas Lehn, Daunik Lazro, Radu Malfatti, John Tilbury, Otomo Yoshihide, Mats Gustafsson,.... and developed a thorough work with ensembles like Hubbub, Ethos.

As composer, he wrote music for films, videos, and danse and works with several ensembles.

In 2011 he created the Orchestre de Nouvelles Créations, Expérimentations et Improvisations Musicales (ONCEIM - ensemble of 30 musicians) to develop links between improvisers skills and written music. He is actually artistic director and composer for this ensemble.

He runs for several years a regular workshops on improvisation and contemporary sound practices, first at the Instants Chavirés then as part of the Rendez-Vous Contemporains of Saint Merry.He is a regular speaker at the Cité de la Musique in Paris for workshops on contemporary sound practices and new creation tools.

More occasionally he is requested in many festivals in Europe, North America and Japan to lead courses and presenting lectures aboutimprovisation and contemporary sound practices.

He has made almost twenty recordings published on different European labels. He is a regular guest on national radio for concerts or to participate in broadcasts. His concerts are regularly recorded and broadcast by national radios : France Musique, SWR, BBC,...

He is also involved in the promotion of improvised and contemporary music as well as visual arts through Rendez-Vous Contemporains of Saint Merry and the festival Crak in Paris inviting international artists for concerts, performances, screenings, meetings..."

-Frederic Blondy Website (https://www.fredericblondy.net/bio.html)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.
"Bertrand Denzler is a tenor saxophone player. He has played in Europe and Latin America both as a solo act and with musicians such as Xavier Charles, Peter Frils Nielsen, Jean-Luc Guionnet, Barry Guy, Ninh Lê Quan, Urs Leimgruber, Günter Müller, Bob Ostertag, Norbert Pfammatter, Hasse Poulsen, Mark Sanders, Mathieu Werchowski, and Otomo Yoshihide. He is a member of the groups Hubbub, Nanocluster, Laps, Denzler-Mariage, A3/1, and Chamaeleo Vulgaris. He has put out a number of compact discs on various labels."-ActuelleCD.com (http://www.actuellecd.com/en/bio/denzler_be/)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Jean-Luc Guionnet is an elusive figure. A Parisian artist active in many fields (music, visual arts, cinema), he has mostly worked in electro-acoustics but also has a career in free improvisation, playing alto saxophone, soprano saxophone, church organ, and piano. He has collaborated with Éric La Casa, Éric Cordier, and André Almuro on tape music. His main free improv and jazz projects include Hubbub, Schams, Return of the New Thing, and the Joe Rosenberg quintet.

Guionnet made scientific studies before shifting to fine arts. He studied musique concrete under Iannis Xenakis and Michel Zbar, but also pursued studies in philosophy (esthetics) with Geneviève Clancy. His first works date from the late '80s and are mostly collaborations with filmmaker André Almuro (some have been issued by Ground Fault). Then came a lasting partnership with electro-acousticians Éric Cordier and Éric La Casa. Together they wrote the series "Afflux." Guionnet also produces the Ateliers de Création Radiophoniques ("creative radio workshops") for France Culture. His eclecticism has kept him at bay of recognition -- because to the eye of the press it strips him from some credibility and because running careers in philosophy (he was co-director for the review Terre des Signes from 1993 to 1996), painting (he exhibited from 1992 to 1997), and music simultaneously tends to be time-consuming.

The release of an eponymous CD by Dan Warburton's free jazz quartet Return of the New Thing in 1999 on the respected label Leo Records introduced Guionnet to a wider audience. Since then his activities as an improviser have constantly stretched toward the fringes of experimentalism. His participation in the French-Swiss group Hubbub and his duo with guitarist Olivier Benoit (&Un, 2002) follow the school of Berlin reductionism."

-All Music, François Couture (http://www.allmusic.com/artist/jean-luc-guionnet-mn0000231714)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Born in Paris in 1973 and raised in the middle class suburbs, it's on the clotheslines at the end of the garden that Jean-Sébastien Mariage gets introduced to the guitar, well before the transmutation of his BEPC in black Stratocaster, changed very quickly for the Gibson Les Paul he has not dropped since. At 17 and up to 23, he follows the improvisation workshops of the one he still considers today as his music master, Patricio Villarroel. From his brief stint at the Sorbonne, a musicology course, he will remember little more than having heard, during the acoustics lessons, recordings of songs by Amazonian Indians or Vatican bells : it is that at the same time, true musical adventure began - first professional experience at age 19 with a dance company, then meeting at 20's Frederick Galiay, bassist with whom he founded Chamæleo Vulgaris, and first concerts under the aegis of Instants Chavirés. He goes on concerts, then thinks it would be good for him to enter the concervatory (sic), since that's where you learn to play concerts : he studied classical guitar for six years , until the national contest in 2000. There followed a good twenty recordings and hundreds of concerts, solo or in various formations, stamped free improvisation, free rock, even free jazz or noise, with the greatest achievements of French and international improvisers - not to mention collaborations with dance (Karol Armitage or Yukiko Nakamura), theater, poetry and visual arts, but also with composers such as Rhys Chattam, Elianne Radigue, Stephen O'Malley, Frederick Galiay, Peter Ablinger.... In short, a journey is, according to, purist or monomaniac : there has never been, there is, and there will never, probably, that the guitar, he can only do that, but knows how to do everything with it - especially what he is the only one who can do, of course. To know : calmly, with authority, to emerge from the chaos a matter, whatever it is to accept it, to welcome it even, then conscientiously to work it, to polish it... but always to the maximum, and then to a blow of one make him make throat. Leave the earth. Tear the time."

-Inversus Doxa (http://www.inversus-doxa.fr/Biography?lang=fr)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Edward Perraud born in Nantes in 1971

Percussionist, Drummer, composer, improviser and researcher.

He began playing guitar at the age of eight, then learned the trombone and classical percussion at the CNR of Rennes. After a master's degree in musicology at the University of Rennes, he joined the IRCAM doctoral program in 1996 with Hugues Dufour where he obtained a DEA (EHESS / ENS / IRCAM). He entered the CNSM of Paris in the class of Michael Levinas the same year where he obtains in 1998 a 1st prize of musical analysis.

Classical music, contemporary music, jazz (Daniel Humair for 3 years at the CNSM in Paris), Indian (he studied with Patrick Moutal and Ramon Lopez at the CNSM and then Calcutta with Biplab Battacharia at the tablas) Gilles Léothaud in ethnomusicology at the CNSM) and free improvisation, profoundly mark his percussionist play.

He is also a member of the improvised "Hubbub" ensemble with Frederic Blondy, Jean Sébastien Mariage, Bertrand Denzler and Jean-luc Guionnet since 1999. He also founds the duo BIG with his alter ego Frederick Galiay (electric bass) The duo bass / drums under multiple facets: Big drum & bass, Big world, Big Pop.

There are now fifty records on numerous labels worldwide (Germany, USA, Portugal, England, Switzerland, etc ...). He created his own label in 2005 (Quark-records) which today has more than twenty references. In 2008, he founded a duet with the singer Elise Caron: "Bitter Sweets" which explores all forms of improvisation possible in the most varied styles. In 2011, he formed his group: "Synaesthetic Trip" with Benoit Delbecq, Bart Maris and Arnault Cuisinier, his first group as a leader who will be unanimously acclaimed by critics. A second album of his quartet will be released in 2015.

For more than 20 years he has played with many European and American musicians such as Tony Malaby, Bruno Chevillon, Olivier Benoit, Sylvain Kassap, Yves Robert, Thomas de Pourquery (Supersonic), Beniat Achiary, Fred Frith, Paul Rogers, Donnet, Joelle Leandre, John Edwards, Johannes Bauer, Louis Sclavis, Claude Tchamitchian, Bernard Lubat, Michel Portal, Vincent Courtois, Daunik Lazro, Marc Helias, Joe Rosenberg, Project The Bridge by Alexandre Pierrepont which promotes the exchange between American and French musicians.

Das Kapital (Daniel Erdmann, Hasse Poulsen, Edward Perraud) founded in 2001 (Concerts in Russia, Mexico, Honduras, Salavador, Kazakhstan, Kyrgyzstan, Belarus, Finland, Estonia, Lithuania, Denmark, Germany ...), which won the prize for the best Jazz record of 2011 in Germany (Preiss der deutsche Kritik) with his homage to composer Hanns Eisler.

He obtains with Thomas de Pourquery Supersonic as drummer and for his label Quarkrecords the price of the disc of jazz of the year 2014 to the victories of the music.

In autumn 2014 he was called by the actor Philippe Torreton with whom they duet the show "Mec" in tribute to Allain Leprest.

Supporting self-giving, he claims a journey away from the chapels where everything must be possible. He has been a photographer and has been exhibiting for several years (Caen, Tours, Nantes ...)"

-Edward Perraud Website (translated by Google) (https://www.edwardperraud.com/Bio.html)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. abb 38:49

2. abb abb 19:23

Related Categories of Interest:


Improvised Music
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
European Improvisation, Composition and Experimental Forms
Quartet Recordings
New in Improvised Music
Staff Picks & Recommended Items
New in Improvised Music
Recent Releases and Best Sellers

Search for other titles on the label:
Relative Pitch.


Recommended & Related Releases:
Onceim (Orchestre de Nouvelles Creations, Experimentations et Improvisations Musicales
Laminaire
(Relative Pitch)
ONCEIM is the French ensemble of over 30 distinguished musicians directed by Frédéric Blondy, drawing on jazz, free improv, experimental and contemporary music as they evolve impressively detailed works from subtle restraint to controlled swells, heard in live performances from 2018 at Eglise Saint-Merry in Paris and at La Muse en Circuit in 2020, plus a 3rd studio session from 2020.
Doneda, Michel / Frederic Blondy / Tetsu Saitoh
Spring Road 16
(Relative Pitch)
PROMO w/ MARK THRU BARCODE
Bosshard, Patricia
Onceim-CoO
(Potlatch)
Bosshard, Patricia
Onceim-CoO
(Potlatch)
Two major works of evolving acoustic soundscape from Swiss violinist & composer Patricia Bosshard realized by the 27-member Orchestra des Nouvelles Creations, which includes Bosshard, Stephane Rives, Bertrand Denzler, &c.; "Sillon" employs a percussive pulse over 27 independently transforming grooves; "Reflets" a harmonic composition for bowed strings, including three double basses.
GGRIL + Jean-Luc Guionnet
Tatouages Miroir
(Tour de Bras / Circum-Disc)
Jean-Luc Guionnet composes for the Le Grand Groupe Régional d'Improvisation Libérée (GGRIL) directed by bassist Éric Normand, with an 11-piece ensemble recording in the studio for a work of tension and release through fitful sections that explores contrast and unison, space and contraction, guided by a wonderful sense of mystery and surprise.
Guionnet, Jean-Luc
Solo A La Decollation
(Tour de Bras)
Emphasizing unusual aspects of the pipe organ, composer and typically reedist Jean-Luc Guionnet (Hubbub, Return of the New Thing) performs solo on the organ at the Church of the Decollation of Saint-Jean Baptiste in L'Isle-verte, Quebec, Canada, taking a sound-oriented approach to the instrument with a minimalist attitude through four extended performances.
La Casa, Eric / Jean-Luc Guionnet / Arnau Horta / Seijiro Murayama / Michaele-Andrea Schatt
Installations [CD + 24 page booklet]
(Swarming)
A fascinating set of stereophonic electroacoustic compositions based on the recordings and mixes used for four sound installations in four galleries in France, impeccably captured and creatively edited: Eric La Casa & Jean-Luc Guionnet; Michaële-Andréa Schatt & Eric La Casa; Seijiro Murayama & Eric La Casa; and Arnau Horta & Eric La Casa.
Seen, The
For Sake Of Joy Of Study Of Oneself Together
(Confront)
Inspired by a work by John Stevens from 1991, Mark Wastell developed this work merging narration and improvisation by transcribing the text from Steven's performance, preseanted here by an electroacoustic ensemble including Phil Durrant, Dominic Lash, Bertrand Denzler, Jennifer Allum &c, yielding an enveloping and fascinatingly mysterious piece presented in two versions.
Guionnet, Jean-Luc + Eric La Casa
Reflected Waves [60 pages 21x25 cm + DVD video 1h48mn]
(Passage d'encres)
Eric La Casa and Jean Luc Guionnet recorded this conceptual work in Melbourne, Australia, combining different scales of time, space, & attention, with different working strategies to create a gallery installation, and this book & DVD package exploring the acoustic phenomenon of "standing waves" to engage with the physical relationship between sound and space.
Galiay, Frederick (Viard / Sebastien / Boudart / Galiay)
Time Elleipsis
(Ayler)
Dramatic, darkly thrilling music with moments of sheer beauty from French electric bassist Frederick Galiay and his Camaeleo Vulgaris ensemble, a sextet performing Galiay's compositions in a potent mix of electric guitar, electrified baritone sax, synthesizer, and two drummer/percussionists, recorded after a dozen live concerts honing the material to this riveting studio version.
Denzler, Bertrand
Arc
(Potlatch)
Created by Felicie Bazelaire, CoO is a string ensemble drawn from the French new music ensemble ONCEIM; CoO develops new repertoire for strings, collaborating with composers like Bertrand Denzler, who wrote this innovative composition "Arc" in two parts, a work applying unusual techniques to bowed strings, particularly lower bass tones, for fascinating results.
Denzler / Grip / Johansson
Zyklus 1 [2 CDs]
(Umlaut Records / SAJ)
Exploring new ways of interplay within a classic jazz trio setting, "Zyklus 1" or "Cycle 1" is the 3rd album from the trio of Bertrand Denzler on tenor saxophone, Joel Grip on double bass, and Sven on Ake Johansson on drums, a double CD + poster of four improvisations that reference "Time" through masterful technique and superb collective free jazz.
Trio Sowari
Third Issue
(Mikroton Recordings)
Only their 3rd album since 2005, the trio of Phil Durrant (modular and software synthesizers), Bertrand Denzler (tenor saxophone) and Burkhard Beins (percussion and objects) went into the studio in Berlin to record four tracks that bring the distinct skills of each player into focus while accentuating the tremendous concentration and interplay each brings, a real achievement.
Guionnet, Jean-Luc + Eric La Casa
Reflected Waves [60 pages 21x25 cm + DVD video 1h48mn]
(Passage d'encres)
Eric La Casa and Jean Luc Guionnet recorded this conceptual work in Melbourne, Australia, combining different scales of time, space, & attention, with different working strategies to create a gallery installation, and this book & DVD package exploring the acoustic phenomenon of "standing waves" to engage with the physical relationship between sound and space.
Gourdon, Yann / Maxime Petit / Jean-Luc Guionnet
Soli - Fanzine [3 CD + BOOK]
(BeCoq)
A strange and bizarrely beautiful "fanzine" of three CDs, one each from hurdy gurdy drone artist Yann Gourdon, bass guitarist Maxime Petite, and Jean Luc Guionnet on organ, with illustration by artists Fredox, Celine Guichard, and 38Fillette; an odd and absorbing package.
La Casa, Eric with Jean-Luc Guionne
Soundtracks
(Herbal International)
Three soundtracks to movies from sound artist Eric La Casa, developed for directors Luke Fowler, Christian Jaccard and Marie-Christine Navarro, organizing sounds from field recordings, with Navarro's soundtrack complemented by organ recordings from Jean-Luc Guionnet.
Guionnet, Jean-Luc / Thomas Bonvalet
Loges De Souffle
(BeCoq)
Thomas Bonvalet takes the banjo into unusual territory with Jean-Luc Guionnet performing on the organ at the protestant temple of Bergerac, France, in a beautifully terrifying album recorded during the MONC cultural arts centre's festival of avant-garde culture in 2010.
Zoor
Volumes A + B
(Umlaut Records)
The French trio of saxophonist Bertrand Denzler, guitarist Jean-Sebastien Mariage and drummer Antonin Gerbal in two extended works beginning and ending on a sustained plateau while maintaining a constant state of anticipatory suspense using no electronics, treatments or effects.
Denzler, Bertrand / Antonin Gerbal
Heretofore
(Umlaut Records)
The duo of tenor saxophonist Bertrand Denzler and percussionist Antonin Gerbal, 2/3 of the Zoor trio, in an album of free improvisation contrasting simple and complex sounds, organic and mechanical rhythms while evoking asymmetric, geometric or enigmatic shapes.
Guionnet, Jean-Luc
Non-Organic Bias [2 CDs]
(Herbal International)
Stepping away from the saxophone, composer/improviser Jean-Luc Guionnet presents two large compositions for the organ, each taking a single CD to explore the organ's border effects, resonances, natural saturations, all artefacts that sign the acoustic, analogic, digital, process.
Guionnet, Jean-Luc & Eric La Casa
Home: Handover [4 CD SET]
(Potlatch)
Jean-Luc Guionnet and Eric La Casa in a work for the Uninstal Festival interviewing inhabitants of Glasgow in their home spaces, the results organized into compositions blending spoken word, music, improvisation and field recordings; each CD unveils the process of the composition.
Blondy, Frederic & DJ Lenar
play Mauricio Kagel Ludwig van
(Bolt)
Mauricio Kagel's 1970s avant cinema film "Ludwig Van" about Beethoven's music, is reinterpreted by pianist Frederic Blondy and turntablist DJ Lenar, improvising at Zacheta National Gallery of Art, in Warsaw, Poland, 2011, and assembled in studio.
Guionnet, Jean-Luc / Eric La Casa / Philip Samartzis
Soleil d'Artifice
(Swarming)
The first 2009 release for French The Swarming label is the trio of saxophonist Jean-Luc Guionnet, and electronic artists Eric La Casa and Philip Samartzis, using unusual procedures and investigations to create impressive and dynamic sonic journeys.
Altenburger / Blondy / Gauguet
vers l'ile paresseuse
(Creative Sources)
Incredible understated improvisation from the trio of cellist Martine Altenburger, pianist Frederic Blondy,and saxophonist Bertrand Gauguet, exceptional journeys from three accomplished players.
Guionnet / Rodrigues / Rodrigues / Murayama
Noite
(Creative Sources)
Saxophonist Guionnet guides this quartet of sax, viola, cello, & percussion, including label leader Ernesto Rodrigues, delicate yet detailed improv of a high order.
Warburton, Dan
Profession Reporter
(Aural Terrains)
Warburton's latest in his Walk Series, using field recordings from Morocco to study the fragile barriers between composition, improvisation, natural, and man-made sound.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC