"Henry Threadgill (born February 15, 1944) is a Pulitzer Prize-winning American composer, saxophonist and flautist, who came to prominence in the 1970s leading ensembles with unusual instrumentation and often incorporating a range of non-jazz genres.

Threadgill studied at the American Conservatory of Music in Chicago, majoring in piano, flute, and composition. He studied piano with Gail Quillman and composition with Stella Roberts. He has been a bandleader and composer for over forty years. He was awarded the 2016 Pulitzer Prize in Music for his composition In for a Penny, In for a Pound, which premiered at Roulette Intermedium on December 4, 2014

Threadgill has performed and recorded with several ensembles: Air, Aggregation Orb, Make a Move, the seven-piece Henry Threadgill Sextett, the twenty-piece Society Situation Dance Band, Very Very Circus, X-75, and Zooid."

"Craig Weinrib (1988) lives and works in New York. He graduated from Columbia University in 2010 with a degree in English Literature. Since then he has collaborated with some of the most progressive artists in the world, including Henry Threadgill, Ravi Coltrane, and David Virelles. He now works with Henry Threadgill's Double-Up, Roman Filiú's Quarteria, the Ben van Gelder Quartet/Quintet, and the Sam Harris Trio; he also appears with Jonathan Finlayson and Sicilian Defence, the Dayna Stephens Quintet, and the Matt Brewer Quintet, among others.

As a recording and performing artist, Weinrib has appeared with Henry Threadgill, Ravi Coltrane, Mark Turner, Jason Moran, Greg Osby, Ambrose Akinmusire, David Virelles, Roman Filiu, Aaron Parks, Dayna Stephens, Curtis Fowlkes, Lage Lund, Ben Street, Sam Harris, Ben van Gelder, Rafiq Bhatia, Jonathan Finlayson, Matt Brewer, Larry Grenadier, and Joe Wilder, among many others."

"Stephanie Griffin is an innovative violist/composer based in New York City. She founded the Momenta Quartet in 2004, is a member of Ensemble Ipse and the Argento Chamber Ensemble, and has received prestigious composition fellowships from the Instituto Sacatar (Brazil), the Bronx Arts Council, the Jerome Foundation and the New York Foundation for the Arts. She holds a doctorate from The Juilliard School and teaches at Brooklyn and Hunter Colleges."

""Trailblazing" cellist Mariel Roberts (Feast of Music) is quickly gaining recognition as a deeply dedicated interpreter and performer of contemporary music. Recent performances have garnered praise for her "technical flair and exquisite sensitivity" (American Composers Forum), as well as her ability to "couple youthful vision with startling maturity". (InDigest Magazine). She holds degrees from both the Eastman School and the Manhattan School of Music, where she specialized in contemporary performance practice while studying with Alan Harris and Fred Sherry. Mariel is a performer of international reach who has played throughout the US and Europe appearing both as a soloist and with ensembles such as Signal, Wet Ink Ensemble, Dal Niente, SEM Ensemble, the NouveauClassical Project, and the Wordless Music Orchestra. Mariel's premeire solo album, nonextraneous sounds, was released on Innova Records in September 2012. The record, consisting of brand new works commisioned by Mariel, received high accolades from sources such as TimeOut NY, TimeOut Chicago, The American Composers Forum, New Sounds with John Schaefer, and WQXR radio."

"Christopher Hoffman is best known as a composer and cellist to an assortment of ensembles, composers, film-makers, songwriters, dancers, improvisers and noizers. He is also a producer, engineer and film composer. Christopher writes for his ensembles Multifariam, The Silver Cord Quintet, Magic Wells and Company of Selves. He currently performs in Henry Threadgill's Zooid (recipient of the 2016 Pulitzer Prize), Dimples & Double-Up Ensemble, Tony Malaby's TubaCello Quartet and Jeremiah Cymerman's Pale Horse"

"Tuba player and trombonist Jose Davila is a versatile New York-based musician whose work spans across a broad spectrum of musical genres; everything from traditional to cutting-edge jazz, to salsa and classical music. He is currently a member of Henry Threadgill's Zooid and bands led by guitarist Liberty Ellman and alto saxophonist Steve Lehman. His work with both Threadgill and Ellman extends the tuba from its traditional role as part of the rhythm section to a front-line solo voice. His playing can also be heard on the Grammy-nominated salsa recording "Un Gran Dia en el Barrio” from the Spanish Harlem Orchestra and "Remembranzas” and "Siguendo la Tradicion” from Soneros del Barrio.

Davila has also worked in the bands of Ray Charles, Andrew Hill, Tito Puente, Celia Cruz, Marc Anthony, Eddie Palmieri, Ray Anderson, Butch Morris, Ted Nash, along with the Lincoln Center Afro Latin Jazz Orchestra and the American Symphony and New York City Opera Orchestras.

A native of Puerto Rico who was raised on the East Coast, Jose received his formal musical training from the University of Connecticut and Mannes College of Music."

"Cuban-born pianist David Virelles grew up in a musical home, his father a singer-songwriter and his mother a flutist and music teacher. Even though classically trained at the conservatory, he also heard many types of music in the culturally rich Santiago while growing up. Eventually, Virelles also discovered Bud Powell, Thelonious Monk and Andrew Hill, and started studying the connections between this music and Cuban rhythms.

In 2003, David became the first recipient of the Oscar Peterson Prize, presented by Peterson himself. Since his arrival to NYC, he has appeared on live concerts and recordings with musicians as diverse as Steve Coleman, Mark Turner, Henry Threadgill, Andrew Cyrille, Chris Potter, Wadada Leo Smith, Tom Harrell, Milford Graves and Ravi Coltrane.

David's 2012 release Continuum (Pi Recordings) united Andrew Cyrille, Ben Street and Román Díaz. This album ended on many "Best Of The Year" lists, including The New York Times. Since then, he has released three more albums on the Munich label ECM to critical acclaim, documenting a wide sonic range - Mbóko, Antenna, and his latest Gnosis."

"Sara Schoenbeck is a bassoonist who dedicates herself to expanding the sound and role of the bassoon in the worlds of classical, contemporary notated and improvised music. The Wire magazine places her in the "tiny club of bassoon pioneers" at work in contemporary music today and the New York Times has called her "riveting, mixing textural experiments with a big, confident sound."

Originally from California, Sara spent her time on the west coast freelancing in various orchestral bassoon sections such as Santa Barbara Symphony, California Symphony, Redlands, Mancini Orchestra, the Dakah Hip Hop Orchestra and touring as a member of creative music ensembles Gravitas Quartet with Wayne Horvitz, Ron Miles and Peggy Lee, Anthony Braxton's 12+1(tet) and Vinny Golia's Large Ensemble. Sara also recorded for various sound and film projects including the Matrix 2 and 3 and Spanglish.

Sara now calls Brooklyn home and performs regularly with Petr Kotek's SEM ensemble, the composers group WetInk, Wordless Music Orchestra, LPR, Anthony Braxton's Tri-Centric Orchestra, Gravitas, Harris Eisenstadt's Golden State Quartet,the Lyrica Chamber Orchestra as well as performing with many other creative and inspiring musicians in the New York scene.

She has performed at major venues and festivals throughout North America and Europe, including Carnegie Hall, Lincoln Center Out of Doors, the Kitchen, Iridium, Disney Hall, SXSW, New Orleans Jazz Festival, Berlin Jazz Festival, Free Music Festival in Antwerp Belgium, Biennale Musica in Venice Italy, Montreal Jazz Festival, Ottawa Jazz Festival, the Vancouver International Jazz Festival and the San Francisco Jazz Festival to name a few. Sara received her BFA from the San Francisco Conservatory of Music and MFA from the California Institute of the Arts."