The Squid's Ear Magazine


Lopes, Luis Abyss Mirrors: Echoisms (Clean Feed)

Citing references including Sun Ra, electric Miles, Ornette, Wadada Leo Smith, Stockhausen & Gabriel Prokofiev, guitarist Luis Lopes's Abyss Mirrors brings together artists drawing on European & Brazilian performers from Clean Feed, Shhpuma and Creative Sources for these evolving and often ecstatic collective, experimental improvisations; unpredictably edgy and exciting!
 

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Personnel:



Luis Lopes-electric guitar

Flak-electric guitar

Jari Marjamaki-electronics

Travassos-electronics

Felipe Zenicola-electric bass

Yedo Gibson-tenor saxophone, alto saxophone, soprano saxophone

Bruno Parrinha-alto saxophone, soprano saxophone

Helena Espvall-cello

Maria da Rocha-violin

Ernesto Rodrigues-viola


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UPC: 5609063006285

Label: Clean Feed
Catalog ID: CF628CD
Squidco Product Code: 33150

Format: CD
Condition: New
Released: 2023
Country: Portugal
Packaging: Cardboard Gatefold
Recorded at Namouche studios, in Lisbon, Portugal, on May 26th and 27th, 2022, by Joaquim Monte.

Descriptions, Reviews, &c.

"From the music recorded in two days at Namouche Studios Lisbon, and reaching the public through this CD, comes a constantly changing sound and atmospheric passages, managed with the tense restraint of someone who listens and understands their place within a great formation and moments of collective ecstasy with no final destination. Movements of elusive harmony that revolve around themselves in line with the haunting lyrics of 'He Loved Him Madly' by Miles, along with a whirlwind of strings that brings that liberation of Alan Silva's ensembles, electronic phrases as meta-rhythmic as landscapes and more detours and certain continuities, in an abysmal game of mirrors. The name is well placed!

The troop, the Abyss Mirrors, invoked by guitar player Luis Lopes, as described in his own words draws from inspirational foundations and a search for continuity to music that is born from the ensembles of Sun Ra and advances through the electric periods of Miles Davis and Ornette Coleman, to continue with Wadada Leo Smith, and pinching from electroacoustic giants like Stockhausen or Gabriel Prokofiev.

A Herculean task but full of intention, built by an ensemble made up of a dozen figures, 4 nationalities: Portuguese, Swedish, Finnish, and Brazilian, all currently based in Lisbon, coming from areas as disparate as intersectional: obviously from jazz but also free improvisation and experimental styles, from electronic to underground techno, contemporary or rock, with a good balance between electric and acoustic. All people recognized and recognizable in a collusion of more or less usual cronies from Lopes various wanderings."-Clean Feed


Artist Biographies

"Averse to any linearity, the idiosyncratic Luís Lopes, a musician connected to Jazz, improvised and experimental music, has been building his career, a simple and singular story, characterised by a unique voice, free of corsets, formal ties or constraints and mannerisms regarding strict stilistical implications. He is an unfollower... experiments himself through paradoxes. Invokes teachings by following standards of subversion to any possibility of pre-established idea. Eminent self-subversion... Introspective timeless trance.

Running Multi-international groups, especially his Humanization 4tet (with Portuguese Rodrigo Amado and Texan's Aaron and Stefan Gonzalez), Lisbon Berlin Trio (with Germans Christian Lillinger, Robert Landfermann), and his "Noise" or "Love Song(s)" Solos, plus his highly recommended records he is growing as an international artist, playing at important Festivals and venues not just in Portugal but in Europe and U.S.

Coming from a rock/punk and blues background, while studying at local classic and rock schools, he began studying Jazz at Hot Club Portugal School and then was finalist at Escola de Jazz do Barreiro/Lisbon. Then did studies with Saxophonist Joe Giardullo who opened for him the doors of modern jazz harmony complexity through the George Russell's "Lydian Chromatic Concept of Tonal Organization", plunging Lopes into the world of improvised and experimental music, without disregard for his fascination with distorion and guitar feedbacks, expressed in different incursions into noise music, while also canalizes energys towards projects where he can develop his composing abilities.

In more recent times, Lopes has played and / or recorded with different artists connected to jazz and improvised music, such as Noel Akchoté, Christian Lillinger, Robert Landfermann, Marco Von Orelly, Marc Unternahrer, Adam Lane, Igal Foni, Floros Floridis, Joe Giardulo, Harvey Sorgen, Benjamin Duboc, Phill Niblock, Ernesto Rodrigues, Paulo Curado, Sei Miguel, Rodrigo Amado, Hernâni Faustino, Gabriel Ferrandini, Rodrigo Pinheiro, Miguel Mira, Aaron Gonzalez, Stefan Gonzalez, Dennis Gonzalez, Elliot Levin, Alfred Hart, Daniel Levin, Reuben Radding, Daniel Carter, Jeb Bishop, Josh Abrams, Jean-Luc Guionnet, Samuel Blaser, Boris Hauf, Evan Parker, Olivier Benoit, Fred Lomberg-holm, Valentin Ceccaldi, Gonçalo Almeida, among many others."

-Luis Lopes Website (http://www.luislopes.pt/?page_id=972)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Flak is an improvising and rock guitarist, best known for the Portuguese rock band Rádio Macau.-Squidco 3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Jari Marjamäki: Born in Turku, Finland, he's been residing in Lisbon, Portugal, since the early 90's. His work involves music production, live music performances, deejaying, sound design and performance for dance, theater, art installations and mixed media. Also manages the cultural association DARC - Desterro.

He produces and performs under his own name and various aliases both solo and in groups, such as Deestant Rockers, Monokone, Lisbon Alien Orchestra, 3 Wyze Men, Kachumbari Syndicate, X.Y.Z., Desterronics or Vicente / Marjamäki.

Under his Zentex alias, he creates techno music with his very own style that is influenced by both his cool Scandinavian and funky Latin backgrounds.

He has released music on labels like Traum, Kickboxer, Resopal, Minisketch, Archipel, and on Portuguese labels Bloop and Plot. His releases have been remixed by Alex Under, Gui Boratto, Jussi-Pekka, and Cosmic Sandwich, and he has remixed names like Jussi-Pekka, Popof, Andres Fumero, and Antalgic."

-Discogs (https://www.discogs.com/artist/661028-Jari-Marjam%C3%A4ki)
3/27/2024

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"Travassos is a graphic designer based in Lisbon. Tags: Aveiro University, Culturgest, Clean Feed, Competetive Design Network Internacional, Barcelona Centro de Diseño, Jazz, Rescaldo festival, Shhpuma, responsive, responsible, art direction, print design, web design, WordPress, clean, illustration, experimental, institucional, cover artwork, white, dark, colorful, hard working, fast working, fluently English/French/Spanish..."

-Travassos Website (http://travassos.info/sample-page)
3/27/2024

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"Felipe Zenicola was born in 1981 in Rio de Janeiro and started playing the electric bass at the age of 15. One year after taking regular classes, he continued practicing and playing as a self-thought musician. Coming essentially from a rock background, in 2000 Felipe started drawing interest for experimental music, free jazz and free forms of improvisation. Few years later, when Rio´s exploratory music scene was growing exponentially around Plano B venue in Lapa, Zenicola was able to play regularly and that was an important moment for developing his approach towards improvisation and new ways of handling the instrument.

In 2010 Zenicola started Chinese Cookie Poets, together with Marcos Campello and Renato Godoy, one of the most acclaimed experimental music bands in Brazil. The CCP experience was key for consolidating his unique playing that explores extended techniques, a heavy, frantic and cathartic way of dealing with the bass strings, low ambient/drones, minimal ostinatos and complex rhythmic patterns: a blend which makes him a very singular voice in the electric bass language today.

Since 2014 Felipe has been collaborating regularly with Norwegian drummer Paal Nilssen-Love, with whom has released two albums so far: Botafogo (Bocian/QTV) and New Brazilian Funk (PNL). For the past 15 years Zenicola has collaborated in several projects, records and concerts with great minds from different sonic planets and parts of the globe, such as Zbigniew Karkowski, Yoshihide Otomo, Negro Leo, Paal Nilssen-Love , Julie Kjær, Tetuzi Akiyama, J-P Caron, Frode Gjerstad, Arto Lindsay, Marcela Lucatelli, Cadu Tenório, Sanannda Acácia, Lars Greve, Ava Rocha, Jards Macalé, and Bill Orcutt."

-Discogs (https://www.discogs.com/artist/4079329-Felipe-Zenicola)
3/27/2024

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"My story is quite simple, I was living in São Paulo (Brazil) a big city with 21.000.000 people and a incredible concrete jungle and it happen to be playing music too, after many years playing Brazilian music, free improvisation started to take place in my music.

Waking up and sleeping with this constant noise that this huge city makes it was inevitable to not have it on my music. As any 3rd world citizen I had to improvise every day and that is what happen to my "forró" (Brasilian music from the north east), became more and more full of noises and freer in the form and content.

So in 2005 after recording "Abaetetuba" and "Contra Mão" I thought that it was time to leave São Paulo and meet some other improvisers around the world. Now I am based in Amsterdam but have been for two years in London where I spent most of my time making music with some amazing musicians as Marcio Mattos, Veryan Weston, John Edwards, Steve Noble, Mark Sanders and also was part of the London Improvisers Orchestra together with Lol Coxhill and Evan Parker between other great musicians from the London free improv scene, that was to me a great school.

This orchestra has inspired me to start the Royal Improvisers Orchestra (RIO) in Holland and it has been playing since 2006, with 20 musicians from all over the world and from completely individual angels of music with musicians from Baroque to Punk Noise but with the same passion for the improvisation.

Here in Holland, beside my fix groups RIO, Caetitu, Abaetetuba and EkE, I have also been playing with some great musicians that I have learned a lot from as Han Bennink, Michael Vatcher, Luc Ex, Marcos Baggiani, Ab Baars, Cor Fuhler and other ZAAL100 (our free improv place in Amsterdam) friends."

-Yedo Gibson Website (http://yedogibson.com/page4.htm)
3/27/2024

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"Bruno Parrinha - alto sax / soprano, Clarinet Sb / Alto, flute

Around the age of 10 began playing the clarinet. At 17 he bought a flute and entered the Academy of Music where he Amateurs solfeggio and instrument with Paulo Curado for two years . Later he was always playing clarinet and tenor saxophone ( self-taught ) and at age 21 he was invited to join the band Pop Radar Gaddafi with whom he recorded . Later he was cast of musicians on the play " Vieux Carré " in teatro da Graça playing tenor sax . Spent a year on the scene . At 87 he began to attend formations of Sei Miguel resulting in vinyl LP recorded at 88 " Songs love and against terrorism ." Since then he has dedicated his commitment to free improvisation and has participated in numerous trainings and concerts with illustrious musicians including Rodrigo Amado , Rodrigo Pinheiro , Miguel Mira , João Lucas , Paulo Curado , Ernesto Rodrigues , Guilherme Rodrigues , Ulrich Mitzlaff , Manuel Guimarães Cyril Bondi , " D' Incise ," Raphael Ortiz , Nicolaus Gerwinsky , Phill Niblock , Raymond McDonald , Victor Nubla , Nuno Rebelo , Marco Franco, Gabriel Ferrandini , Hernani Faustino , Luís Lopes , José Oliveira , Carlos Santos , Carlos " Zingaro " João Pedro Viegas , Victor Rua , Abdul " moimême " , Luís Vicente , João Lancaster , Luis Gil , Paulo Pimentel , Francisco Andrade , Albert Cicera and many others.

Presently a part of groups : ARGUE, IKB , VGO , Miguel Mira Quartet , Open Mind and Puma. "

-Bruno Parrinha MySpace Page (https://myspace.com/brunoparrinha/bio)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Helena Espvall is a cello player who is comfortable in indie rock and improvised music circles. She was born and raised in Sweden, playing guitar and cello in rock bands and a silent movie orchestra. Moving to the U.S. and settling in Philadelphia in 2000, Espvall further explored Arabic music, performed with the Amnesiac Music & Dance Ensemble, and joined the contemporary psychedelic-folk group Espers, recording the CDs Weed Tree and II with them. Her penchant for playing free jazz has resulted in collaborations with guitarist Eugene Chadbourne. She is a featured artist with saxophonist/flutist Oluyemi Thomas on his recording Before the Beginning, and with From Quagmire on Habitats in the Wound. Espvall's debut CD as a leader, Nimis & Arx, from the Pax/Fire Museum label is produced by George Korien, where she plays cello, guitar, and recorder, sings and uses electronics. Other artists she has worked with include Katt Hernandez, Lukas Ligeti, Masaki Batoh, Gui Mallon, Nick Castro, Bert Jansch, Sharron Kraus, Fürsaxa, Vashti Bunyan, Samara Lubelski, Marissa Nadler, Damon & Naomi, Arborea, Curia, Golden Ball, the Valerie Project, Polineros, and Scorces.

Helena Espvall is a Swedish-American musician noted for her participation in the post-millennial psych-folk and free improv scenes. Her primary instruments are cello, guitar and voice."

-Helena Espvall Website (https://helena-espvall.keepvid.io/fr)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Maria da Rocha's music has emerged from an intimate connection to the violin and from the fascination how analog synthetised noises can resemble those from everyday life: nature, machines and other sounding objects, partly with a life of their own.Maria da Rocha (Lisbon, PT) plays violin & viola, researches, teaches, creates mostly in the field of new, experimental & electroacoustic music. She played various works solo with orchestra or as tutti and collaborated with ensembles in new music festivals in Portugal, Germany, Sweden, Belgium, United Kingdom and Poland. Maria is also active in other musical styles such as barroque, classical and tango. Her multimedia compositions emerged in collaboration and have been presented in various festivals, such as the release of the album Pink: daRocha/Horn (viola and live electronics). Her solo album Beetroot&OtherStories (violin&electronics) was recorded at awarded composer residencies at EMS, Stockholm and mastered in VICC, Centre for Composers in Visby."

-Cargo Collective (http://cargocollective.com/mariadarocha/About)
3/27/2024

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"He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio.

His main interest shifted towards contemporary improvised and composed music.

The relationship with his instruments is focused in sonic and textural elements.

Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning.

Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups.

Music for Dance, Cinema, Video and Performance.

Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
3/27/2024

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Track Listing:



1. Echoism I 4:51

2. Echoism II 5:52

3. Echoism III 9:47

4. Echoism IV 4:20

5. Echoism V 3:03

6. Echoism VI 4:38

7. Echoism VII 16:43

Related Categories of Interest:


Clean Feed
Creative Sources
Improvised Music
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
Collective Free Improvsation
European Improvisation, Composition and Experimental Forms
Large Ensembles
Staff Picks & Recommended Items
New in Improvised Music

Search for other titles on the label:
Clean Feed.


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