The Squid's Ear Magazine
Squidco's Record Store Day Sales start Friday, April 18th @ 10 AM!


Pais, Afonso / Tomas Marques

The Inner Colours of Boglins Outline

Pais, Afonso / Tomas Marques: The Inner Colours of Boglins Outline (Clean Feed)

A relaxed and informed dialog between young generation Portuguese improvisers Tomás Marques on alto saxophone and Afonso Pais on guitar, demonstrating their experience from bands like L.U.M.E. and Joao Hasselberg / Pedro Branco, these five expressive and intuitively melodic improvisations were recorded by the artists in 2022 and are presented without edits.
 

Price: $14.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:





product information:

Personnel:



Afonso Pais-guitar

Tomas Marques-alto saxophone


Click an artist name above to see in-stock items for that artist.




UPC: 56093063006162

Label: Clean Feed
Catalog ID: CF616
Squidco Product Code: 32937

Format: CD
Condition: New
Released: 2023
Country: Portugal
Packaging: Cardboard Gatefold
Recorded live in 2022 by the artists.

Descriptions, Reviews, &c.

"To trust is to accept the metamorphosis. For several years before the onset of this motto, up until Afonso and Tomás cojoined to search for a musical path to express themselves as a Unit, concepts such as pulse, timbre or spontaneity had already been an intrinsic part of their life and musical explorations, individually. Sharing the thought that improvising is to a large extent the art of being able to flip oneself on one's own head, in other words, finding the many eloquent (musical) voices within, brought them together into a whirlpool of ideas and possibilities each time a playing / recording session took place.

Two things were clear from the get go: the music was highly susceptible to the moods, entirely different from session to session and take to take, and specially pleasurable to play on, if no words were exchanged prior to the recording; every audition of the music made it clearer how much each of the instrument's purpose or place in the collective soundscape was embedded in the Impro's end result, as if it were for some kind of 'already written` sophisticated musical piece, except that it was 'written on the go`.

Boglins are mythical creatures, some say the reason why they are so elusive is that they seldom play the music, and when they do, rarely is a recorder on."-Clean Feed Records


Artist Biographies

"In 1995, Afonso Pais studied at the Hot Clube de Portugal. He joined the Big Band made by students and partners of H.C.P ("Big Villas Band"), where he was chosen to be school representative on the 8 th meeting of the "International Association of Schools of Jazz" (Siena, Italy, 1997).

He proceeded to go to study in the New School University/Mannes College of Music, New York. On December 2000, he graduated with a degree in Performance in the program of "Jazz and Contemporary Music".

The first work of Afonso was "Terranova" a record which came out through Trem Azul/Clean Feed. This group features Carlos Barreto (double bass) and Alexandre Frazão (drums). Edu Lobo wrote a laudatory text as an introduction to the album.

His second work was "Subsequências", again with Carlos Barreto, Alexandre Frazão and Edu lobo (voice). The project was presented in Culturgest (Lisbon), Festival de Jazz do Valado de Frades (2006) and at the principal room of Teatro São Luiz (Lisbon, 2007).

In 2010, the musician released "Fluxorama" (JACC Records) with Albert Sanz and RJ Miller."

-JACC Records (http://www.jacc-records.com/en/musicians/afonso-pais)
4/17/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Tomás Marques (1999) is natural from Estarreja, Portugal. He started his musical studies at 3 years old in Music Band in Loureiro, starting with piano and moving to clarinet. Later he moved to the Musica Band in Salreu, opting for the soprano saxophone.

At 9 years old he entered in conservatory of Aveiro. He studies jazz in the Superior School of Music in Lisbon. Currently he is part of the Big Band Estarrejazz, where he has worked with musicians such as Maria João, Mário Laginha, Carlos Azevedo, José Eduardo. And in Orquestra Hot Clube of Portugal, where he has also worked with Joe Lovano, Miguel Zenón, Julian Argüelles and Perico Sambeat.

He is part of the sextet of Bernardo Moreira, Pedro Moreira Sax Ensemble, LAB, Paula Oliveira 5tet, Fanfarra Kaustika and his own quartet. Recently he received the "Músico dos Anos 2018 Nacional Revelação" award from JazzLogical, "Artísta Revelação 2019" from RTP/Festa do Jazz, also he gained the 1st Place of the Award "Prémio Jovens Músicos" in the jazz category with his quartet."

-JACC Records (https://www.jacc-records.com/en/musicians/tomas-marques)
4/17/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Impro #1 10:28

2. Impro #2 5:32

3. Impro #3 11:34

4. Impro #4 7:18

5. Impro #5 8:57

Related Categories of Interest:


Clean Feed
Improvised Music
Jazz
Free Improvisation
European Improvisation, Composition and Experimental Forms
Guitarists, &c.
Recordings by or featuring Reed & Wind Players
Duo Recordings
New in Improvised Music

Search for other titles on the label:
Clean Feed.


Recommended & Related Releases:
Other Recommended Releases:
Skeidsvoll, Lauritz / Isach Skeidsvoll
Chanting Moon, Dancing Sun - Live at Molde International Jazz Festival
(Clean Feed)
Developing their language together since childhood, Norwegian brothers Lauritz Heitmann Skeidsvoll on saxophone and Isach Skeidsvoll on piano & melodica converse in a way that only two family members can, using their knowledge of each other's playing as a confident foundation for remarkable flights of technically challenging yet innately lyrical improvisations.
Day & Taxi (Gallio / Jeger / Hemmingway)
Live in Baden
(Clean Feed)
For 35 years saxophonist & composer Christoph Gallio has directed the exemplary Swiss jazz group Day & Taxi, here in a trio format with bassist Silvan Jeger and drummer Gerry Hemingway, Gallio on soprano, alto & C melody saxophones, heard in this 2021 live performance at Stadtbistro Isebahnli, in Baden, Germany for nine diverse, creative and delightfully quirky pieces.
Gargaud, Guillaume / Jukka Kaariainen
Radial
(Plus Timbre)
The first encounter in 2022 between two free improvising guitarists--Guillaume Gargaud, a French composer and improviser playing a 6 string guitar, and Finnish experimental improv guitarist Jukka Kaariainen playing a 12 string--in a 5-part set of dialogs recorded in Helsinki, finding common ground from linear rhythms and high energy playing employing a large dynamical scale.
L.U.M.E. (Lisbon Underground Music Ensemble)
Las Californias
(Clean Feed)
L.U.M.E., aka the Lisbon Underground Music Ensemble directed by pianist Marco Barroso, is a big band with a chamber ensemble feeling, Barroso's upbeat and melodically sophisticated compositions driving the band by borrowing from a variety of jazz, funk and even cartoon-like styles to create a richly complex and compelling set of tunes that twist, turn and surprise.
Kimchi Moccasin Tango (Nyberg / Bjora / Andersen)
Yankee Zulu
(Clean Feed)
Three active Norwegians musicians based in Oslo-- guitarist Karl Bjora (Yes Deer, Megalodon Collective), drummer Dag Erik Knedal (Saka, Akode) and saxophonist Karl-Hjalmar Nyberg (Left Exit, Megalodon Collective)--in their debut album as a performing trio, showing both assertive collective playing in a free jazz mode and deeply introspective exploration.
Drone Trio (Davis / Frith / Greenlief)
Lantskap Logic
(Clean Feed)
Recording in the Bay Area at the Mills College Chapel in Oakland, the Drone Trio of Fred Frith on electric guitar, Phillip Greenlief using extended techniques on alto & tenor saxophones, and Evelyn Davis on the Chapel's pipe organ, use the natural resonance of the chapel and their masterful skills as improvisers to evolve fervid and powerfully sonorous environments.
Celano / Badenhorst / Baggiani
Lili & Marlene
(Clean Feed)
Expanding the long-running Celano/Baggiani Group of guitarist Guillermo Celano and drummer Marcos Baggiani with clarinetist and saxophonist Joachim Badenhorst, this trio works to re-imagine the boundaries between composition and improvisation, between conventional harmony and abstract sound explorations through melody, groove and texture.
Tree Ear (Strinning / Troller / Hemingway)
Witches Butter [VINYL]
(Clean Feed)
After percussionist and composer Gerry Hemingway migrated to Luzern, Switzerland he joined forces with the creative improvising community in that city, in particular with guitarist Manuel Troller and saxophonist and bass clarinetist Sebastian Strinning, the trio taking the name Tree Ear, blending free and idiomatic improv in bold, uncommon and spellbinding ways.
Donarier, Matthieu / Santiago Quintans
Sun Dome
(Clean Feed)
Using a diverse set of strategies in free improvisation, from abstract textures, sonic and microtonal exploration to solid counterpoint, French saxophonist Matthieu Donarier and Spanish electric guitarist residing in France Santiago Quintans delight in the variety and dynamic approach to their album, in 14 tracks that surprise and captivate their listeners.
Hasselberg, Joao / Pedro Branco
From Order To Chaos
(Clean Feed)
Primarily a bass and guitar duo between Portugese natives Joao Hasselberg, on double bass and electric, and electric guitarist Pedro Branco, here in their second album together of delicately sophisticated string improvisations, joined by a a great set of collaborators to expand the duo to trio and quartet.
Parrinha, Bruno / Luis Lopes / Ricardo Jacinto
Garden
(Clean Feed)
A dark and gritty album of experimental improvisation from the Portuguese trio of Jose Bruno Parrinha on reeds, Luis Lopes on electric guitar, and Ricard Jacinto on cello and electronics, dense yet restrained playing that occasionally emerges to moments of beauty.
Frith, Fred / Darren Johnston
Everybody's Somebody's Nobody
(Clean Feed)
Bay Area trumpeter Darren Johnston meets improvising guitar legend Fred Frith for an incredibly well-paced series of duos, remarkable improv that uses space, skill, extended techniques and unexpected approaches to both instruments in vivid and beautiful discourse.
Lopes, Luis / Jean-Luc Guionnet
Live at Culturgest
(Clean Feed)
Guitarist Luis Lopes (Humanization 4tet, Lisbon-Berlin Trio) is known for his mix of jazz, blues, rock; saxophonist Guionnet (The Fish, Hubub) for a mix of free jazz and electroacoustic experimentation; together live they create a riveting and unexpected hybrid of sound.
Fields, Scott / Matthias Schubert
Minaret Minuets
(Clean Feed)
Frequent collaborators Fields and Schubert on electric guitar and tenor saxophone performing innovative and virtuosic material in ways that sound much larger than a duo setting would imply.



Customers Who Bought This Item Also Bought:
Denyer, Frank
Melodies [2 CDs]
(Another Timbre)
First recordings of composer Frank Denyer's "Melodies" series from the mid-1970s, arising from his ethnomusicological studies that explored the concept of what makes up a melody, or a note, creating a series of compositions with melodies of one note, then two, building up to a final work of 14- and 15-note melodies; includes a 24 page booklet by Denyer detailing the concept.
O Carro de Fogo de Sei Miguel
Um Um Um, E Nao Ha Forma De Morrer
(Shhpuma)
Trumpeter & composer Sei Miguel's second O Carro De Fogo De Sei Migue continues his merging of electric jazz with ea-overtones, in three live recordings with Fala Mariam on trombone & Rings, Nuno Torres on saxophone & Rings, Bruno Silva on electric guitar, Pedro Lourenco on electric bass, Andre Goncalves on organs & ATMOS and Luis Desirat & Raphael Soares on percussion.
Trujillo, Juanma / Kenneth Jimenez / Gerald Cleaver
Contour
(Clean Feed)
Recording in Brooklyn, the trio led by Venezuelan guitarist Juanma Trujillo, with Costa Rican bassist Kenneth Jimenez and New York drummer Gerald Cleaver, merge avant jazz, heavy rock grooves with a Sonny Sharrock flavor, and abstract almost chamber jazz, a fascinating combination of contrasts that keeps the boundaries of their contours flexible and masterfully unpredictable.
Futterman, Joel / William Parker / Chad Fowler / Steve Hirsh
The Deep
(Mahakala Music)
Sounding as though they'd played together for decades, this 1st meeting between pianist Joel Futterman, bassist William Parker, saxophonist Chad Fowler and drummer Steve Hirsh is a single 52-minute free jazz exposition as the four immediately fall into an invigorating conversation that continues through diverse moods from pinnacles of activity to reflective tone worlds; masterful!
Bergsten, Thomas
Ganjibiri
(Shhpuma)
Known for the psychedelic dance band Gunerius & Verdensveven or The Harvey Steel Show, Norwegian guitarist and multi-instrumentalist Thomas Bergsten assembles an ensemble that blurs the lines between long improvisation and psychedelic-spiritual jazz, from freak jams to ECM-like electric beauty, tinged with Captain Beefheart or Faust; difficult to describe, intensely creative.
Nichunimu (Vergara / Carrasco / Mardones)
Un Cacho de Metal, Un Resto de Vaiven [VINYL]
(577 Records)
Experimental improvisation that moves in and out of jazz territory from the Chilean trio of Benjamin Vergara on trumpet, Nicolas Carrasco on synthesizer and Matias Mardones on percussion, recording in the studio the day after their performance at the 2019 Relincha Festival in Ciudad de Valdivia, focusing on patterns of circularity and repetition to inform their playing.
Bley, Paul Trios
Play Annette Peacock, Revisited
(ezz-thetics by Hat Hut Records Ltd)
Annette Peacock's response to the free-blowing loft scene was to compose using spacious intervals, allowing great harmonic and rhythmic freedom, inspiring pianist Paul Bley and his trio as heard in two unique interpretations of the same pieces from two exceptional working bands: one with bassist & drummer Mark Levinson & Barry Altschul, the other with Gary Peacock & Billy Elgart.
Okazaki, Miles (w/ Mitchell / Tidd / Rickman)
Thisness
(Pi Recordings)
Trickster, the stellar quartet of New York guitarist Miles Okazaki with Matt Mitchell on piano, Fender Rhodes & synth, Anthony Tidd on electric bass and Sean Rickman on drums, in a sequel to The Sky Below, blending acoustic and electric jazz in four captivating compositions that Okazaki describes as striving towards something like collective dreaming.
Virelles, David
Nuna
(Pi Recordings)
Cuban/NY pianist David Virelles in his first solo album, 14 original compositions and 2 from Cuban composers, blending modern jazz with Cuban, African and European influences, a tour-de-force of clear and balanced, irrepresible rhythms and elegant ballads, an inspired album opening on marimbula and expanded with percussion from Julio Barreto on three tracks.
Fowler, Chad / Christopher Parker
Park Hill Saudade
(Mahakala Music)
An intimate sax and piano duo from two improvisers with a 30-year friendship--Chad Fowler and Christopher Parker--both living in the same block of Park Hill, Staten Island, forming a close musical bond that is heard in their confident exchanges, both playing together and in providing space for each to express themselves; a lovely album of warm and informed conversations.
Futterman, Joel / Chad Fowler
Timeless Moments
(Mahakala Music)
The first duo collaboration between pianist Joel Futterman and saxophonist Chad Fowler, performing on stritch--a straight alto saxophone--in a nine-part studio journey drawing on a history of jazz styles, from blues to free, in lyrical and actively introspective dialogs, building to an intense conclusion of rapidly cathartic interaction and a final, pensive release.
Carter, Daniel / Jim Clouse
Playing Retention
(Mahakala Music)
Known first as one of New York's finest audio engineers running Park West Studios, Jim Clouse is also a drummer and saxophonist, this his first recorded foray into free jazz partnering with legendary multi-instrumentalist Daniel Carter on sax, trumpet, piano & drums, for seven diverse and extremely well informed improvisations as each follows their natural inclinations.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC