The Squid's Ear Magazine


Zenial: Lancelot's Delusions (Sublime Retreat)

The music project of Polish sound explorer Lukasz Szaankiewicz is Zenial, merging minimal ambient and micro-sounds with field recordings and a sense of skewed motion, creating long-form virtual journeys through strange environments, or in rich textures of a dark night accompanied by slowly moving tones, his years of experience heard through exceptional sonic qualities.
 

Price: $10.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:





product information:

Personnel:



Lukasz Szalankiewicz-composer, performer


Click an artist name above to see in-stock items for that artist.




Includes an 8 page color booklet of photographic art work.

Label: Sublime Retreat
Catalog ID: SR009
Squidco Product Code: 32783

Format: CD
Condition: New
Released: 2022
Country: Poland
Packaging: Cardboard Gatefold 3 Panels w/ booklet

Descriptions, Reviews, &c.

"It's like being exhausted and waiting for the train.
It's around the time you try to sleep in a crowded place, such as an airport. As you enter a hypnotic state, reality begins to circle you...
"

This is how Lukasz Szalankiewicz aka Zenial describes the notion behind the track "Lancelot Delusion," which inspired the title and theme of his new album. The Doppler effect used in the composition contributes to the psychedelic, surreal ambience. In this track, dreams and journeys are intertwined and pervade the entire release. The title is a metaphor for a mythical, medieval knight who becomes bewildered and lost over his many quests. These patterns are wrapped in unique, minimalistic soundscapes that use field recordings.

Lukasz tries to take on new challenges after years of experimenting with various forms of electronic sounds and unconventional music. He's become more fascinated with minimal ambient and micro-sounds in the last two years. Why? Because, according to Lukasz, doing something worthwhile in that area is difficult. It's the next hermetic genre, according to Zenial.

The oneiric nature is also present in the first track, "How Can I Be There," which deals with forgetting, drifting away, observing, waiting, and dreaming...

Orion+ follows the notion of a journey but is loaded with awe and dread, as it was written during the early stages of the epidemic. Lukasz has something to say about it:

"In fact, the constellation of Orion conceals a lot of information. It's an excellent place to start looking for the Pleiades, for example. I can only see what my unarmed eye lets me see as I raise my head into the sky. I wonder where we are and where we are headed. Wandering around my neighbourhood and my city, I ask the same questions, but with new instruments in my eyes and ears - uncertainty, worry, and the want to see and hear more in order to feel more and understand better."

The track was originally self-released as digital-only but has now been specially edited and remastered for "Lancelot's Delusions" as well as the closing piece "Urban Legends". A Muse en Circuit Ð National Center of Musical Creation (Alfortville, France) in cooperation with Art Zoyd Studios commissioned the latter, and it has been fortunately allowed to be featured on this CD as well "-Sublime Retreat


Includes an 8 page color booklet of photographic art work.

Artist Biographies

"Lukasz Szalankiewicz (alias ZENIAL) - historian, sound designer and electronic music artist, member of the Polish Society for Electroacustic Music (PSeME). He currently lives and works in Krakow.

Participated in many international festivals (e.g. in Austria, Russia, Bulgaria, Germany, Holland, The Czech Republic, Slovakia, Ukraine, France, China, Hungary, Belarus, Romania, Lithuania, Israel , Kazakhstan, Peru, Brazil, Argentina, Uruguay, USA, Colombia, Mexico, Ecuador and Luxemburg).

Performed in Poland in Audio Art Festival, Unsound Festivall, Contemporary Art Centre Bunkier Sztuki (Krakow), Kordegarda Gallery (Warsaw), Contemporary Art Centre (Laboratorium, Warsaw), Contemporary Art Laznia (Gdańsk), Contemporary Art Gallery Arsenal (Bialystok), Contemporary Art Gallery (Wroclaw) and many other places... His practice extends to research audiovisuals performance and interactive installations."

-Centre de Cultura Contemporania de Barcelona (https://www.cccb.org/en/participants/file/lukasz-szalankiewicz/35874)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. How Can I Be There 11:12

2. Lancelot's Delusions 20:57

3. Orion+ 19:15

4. Urban Legends 14:23

Related Categories of Interest:


Electro-Acoustic
Organized Sound and Sample Based Music
Field Recordings
Sound, Noise, &c.
Ambient & Minimal Music
European Improvisation, Composition and Experimental Forms
Solo Artist Recordings
New in Experimental & Electronic Music
Recent Releases and Best Sellers

Search for other titles on the label:
Sublime Retreat.


Recommended & Related Releases:
Other Recommended Releases:
Vehicule
Aubusson
(Sublime Retreat)
A diverse set of compositions spanning dreamlike aural landscapes, petite songs and assertive experiments of rich sound, in the fourth album from French sound artist Sylvain Milliot under the project name Véhicule, developed from improvised recordings that were then developed in the studio, each piece fitting together in a larger and aurally satisfying framework.
Dead Mauriacs, The
Le Parc, rapport d'observations
(Sublime Retreat)
The mysterious French audio collective The Dead Mauriacs led by Olivier Prieur in a 3-part work of electroacoustic compositions sourced from field recordings made during time spent in Brussels, developing these works based on daily recordings of audio observations at cafes, parks, churches, plus manipulated objects and some parakeets in a park; truly inspired collage work.
Deli Kuvveti
In the Summer Dusk
(Sublime Retreat)
The title an excellent reflection of the work, Seattle-based, Turkish-born Deli Kuvveti developed these two works that flow into each other to create an absorbing impression of a serene summer evening with dark undertones, using a granular synthesis configuration that creates movement through textured sounds, creating two complex and highly detailed narratives.
Cammisa, Edoardo
io_u,E
(Sublime Retreat)
Understated and enigmatic, the work of Northern Italian sound artist Edoardo Cammisa, aka Banished Pills, presents a very short work on decay, and then two expanded sound works composed from synthesisers, spring reverb, microphones, field recordings, no-input mixing, organ & sampler; the environments are murky but with movement, and engaging in their dark evening ambiance.
Duplant, Bruno
Paysages Sans Age III
(Sublime Retreat)
Two encompassing and tranquil works of sound from French composer Bruno Duplant, the album title translating to Ageless Landscapes as Duplant envisions two terrains through slow motion tones, piano and synthetics, evocatively described in an accompanying poem that conjures expansive fog, blurred trees, hawks slowly spiraling, a history in a hillside.
Vales, David
Beta Vulgaris
(Sublime Retreat)
Working with sound and the relationship to food, crops, and the culinary identity of communities, Beta Vulgaris, (the latin name of the common beet) was composed by Bogota, Columbia born David Velez, a PhD graduate in Sound Art from the University of Huddersfield, who used these specific tones to stimulate the growth of beetroot in the garden of the Modern Art Museum in Medellin.
Belorukov, Ilia
Someone Has Always Come
(Sublime Retreat)
The third in Ilia Belorukov's series of electroacoustic compositions on Spina!Rec and Moving Furniture, here in a set of four compositions, each presenting detailed layers of acoustic and electronic instrumentation and field recordings captured throughout Europe and Russia, carefully placed over heavily laden synthetic drones that guide the motion of each piece.
Duplant, Bruno
Le Jour D'apres
(Sublime Retreat)
A dark journey into a nocturnal world of synthetic tones and urban environments, emerging from footsteps and impressions of the passing world imbued through vaporous and skewed progressions, like moonlight piercing through a veil, from French composer and electroacoustic artist Bruno Duplant in an extended work dedicated to Belgian pianist Guy Vandromme.
Duplant, Bruno / Seth Nehil
The Memory Of Things
(Sublime Retreat)
An immersive and often explosive set of dark compositions from Seth Nehil & Bruno Duplant, blending field recordings, electronics, percussion and percussive objects into a controlled chaos of inexplicably murky and uncategorizable sounds, at times like a surreal firework display, or inserted into a complex machine on the verge of collapse, all imbued with a consistent resonant hue.
La Casa, Eric
Everyday Unknown 4 & 5
(Swarming)
Exploring the details of everyday life as he examines the relationship between his environment and himself, microscopic audio explorer Éric La Casa investigates sounds beyond the threshold of auditory hearing, capturing barely perceptible sonic manifestations with incredible clarity and detail, constructing engaging works from these surprising and intriguing sounds.
Montgomery, Gen Ken
Endogeny
(Tribe Tapes)
Sound and visual artist Gen Ken Montgomery released this album on cassette on the Directions Music label in 1990, here reissued in 2020; the two side-long pieces were performed live and then remixed, creating a fascinating and elaborate tapestry of tapes, concrete and mechanical sounds alongside instrumentation of percussion, violin, voice, &c.
Benford, Douglas
For Now
(Confront)
Sprawl Imprint label leader Douglas Benford developed this fascinatingly layered composition with a diverse set of instruments, objects, and field recordings from captures made at the Stockholm Music Museum and at performances in Lithuania and England between 2009 and 2017, assembling them to create this exceptional odyssey of concrete, ambient and ethnic sources.
Baron, Marc
Un Salon Au Fond D'un Lac
(Potlatch)
Beautifully paced and enigmatically interesting compositions from Marc Baron, using only analog processes in three compositions for reel to reel tape, blending field recordings, cut-up, noise, found sound, pre-recorded and degraded tapes in unusual and absorbing ways.
Robert, Jocelyn
The Maze
(Fragment Factory)
Electroacoustic composer Jocelyn Robert creates a field recording audio map of locations he's traveled to, to which he applys audio techniques equivalent to a geographer's scaling, removing, enhancing, and adding to a map, in the process creating a journey and a story.



Customers Who Bought This Item Also Bought:
Light.Box + Emil Karlsen
The Undanced Dance
(Bead)
The improvising duo light.box of Alex Bonney (trumpet) and Pierre Alexandre Tremblay (bass), using expansive electronic processing at the intersection of dark ambient, gestural improv and electronic environment, is expanded through the drums and percussion of Norwegian improviser Emil Karlsen, heard in these 2021 recordings at University of Huddersfield, UK.
Davis, Miles w/ Tadd Dameron
Revisited
(ezz-thetics by Hat Hut Records Ltd)
Between his work with Charlie Parker and before his own personal success, trumpeter Miles Davis joined the influential ensemble of pianist, composer and arranger Tadd Dameron, heard in six large ensemble pieces at New York's Royal Roost in 1949, and then in a quintet at the Paris Festival International De Jazz the same year, in both hearing a unique and confident facet to Miles' playing.
Arcane Device
N28: Ohmniscient
(pulsewidth)
The second of NY electronic explorer David Lee Myers', aka Arcane Device, N28 series, an album of excited electronics, field recordings, inexplicable sound and rotating, splintering and otherwise lovingly mangled sound, not so much a noise collection as instead a controlled chaos with moments of cavernous beauty in a journey of mercurial rummaging.
Fujii, Satoko / Otomo Yoshihide
Perpetual Motion
(Ayler Records)
Expanding their instruments into sonic sculpture, this first meeting between acclaimed Japanese improvisers Satoko Fujii, performing inside and out of the piano, and electric guitarist Otomo Yoshihide, demonstrates their incredible compatibly as heard in these live recordings at Tokyo's Pit Inn, part of an annual festival organized by Fujii & trumpeter Natsuki Tamura.
Growlers Choir
LIVE au FIMAV
(Les Disques Victo)
A unique concert even by the standards of Victoriaville from The Growlers, a vocal ensemble who interpret heavy metal, known for their epic work "Hate.Machine" and "The Dayking" with participation from poet Fortner Anderson, performed here along with a comprovisation backed by an electronic track originated from electric guitar recordings.
Gargaud, Guillaume / Jukka Kaariainen
Radial
(Plus Timbre)
The first encounter in 2022 between two free improvising guitarists--Guillaume Gargaud, a French composer and improviser playing a 6 string guitar, and Finnish experimental improv guitarist Jukka Kaariainen playing a 12 string--in a 5-part set of dialogs recorded in Helsinki, finding common ground from linear rhythms and high energy playing employing a large dynamical scale.
Talp, Linnea
Arch Of Motion
(thanatosis produktion)
Performed with Stockholm musicians including pianist Alexander Zethson, wind player Martin Küchen and trombonist Mats Äleklint, organist Linnéa Talp explores the areas of sound that emulate breathing, push/pull or back & forth motion, in eight beautifully paced recordings led by the organ's rich and microtonal vibrations & timbre and imbued by the contributor's subtle additions.
Zuydervelt, Rutger / Hugo Dijkstal / Peter Hollo
BERG (Music for a film by Joke Olthaar)
(Machinefabriek)
Two versions of the soundtrack to the Dutch movie BERG composed by Rutger Zuydervelt, the first rearranging the tracks to the piece to create a long-form work that maintains the meditative qualities of the movie; then an early score proposal and more active concept than the final work, developed with recordings of improvisations from cellist Peter Hollo.
Padang Food Tigers (Stephen Lewis / Spencer Grady)
God's Plenty
(Shhpuma)
Blurring abstract electronics with folk improvisation in gently evolving music with an experimental edge, the London Panang Food Tigers duo of Stephen Lewis and Spencer Grady use keyboards, guitars, dobro, charango, field recordings and electronic sources to create contemplative atmospheres, a sort of ambient-folk music drawing out forgotten daydreams and moods; beautiful.
Knight, Adrian
Fly By Night [2 CDs]
(thanatosis produktion)
A "travelogue" of Swedish composer and songwriter Adrian Knight's guitar explorations, works originally released on his digital-only and now dormant label Pink Pamphlet, drawing from work recorded in his home studio that developed from sketches and experimentation, along with new recordings including one with saxophonist David Lackner; beautifully moody and elegant music.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC