A dark journey into a nocturnal world of synthetic tones and urban environments, emerging from footsteps and impressions of the passing world imbued through vaporous and skewed progressions, like moonlight piercing through a veil, from French composer and electroacoustic artist Bruno Duplant in an extended work dedicated to Belgian pianist Guy Vandromme.
Squidco RSD 2024 Sale!:
Save $1.10
Save $1.10
In Stock
Quantity in Basket: None
Log In to use our Wish List
Shipping Weight: 2.00 units
Sample The Album:
Personnel:
Click an artist name above to see in-stock items for that artist.
Descriptions, Reviews, &c.
Bruno Duplant-composer, performer
Click an artist name above to see in-stock items for that artist.
Label: Sublime Retreat
Catalog ID: SR011
Squidco Product Code: 32782
Format: CD
Condition: New
Released: 2022
Country: Poland
Packaging: Cardstock Sleeve, sealed
Recorded in January, 2021, by the artist.
"....The always prolific Bruno Duplant returns to the solo dimension by packaging a new immersive itinerary with decidedly crepuscular traits. The nocturnal one, on the other hand seems to be a dimension particularly dear to the French composer considering the frequency with which it is elected as the setting of his electroacoustic drifts.
In "Le Jour D'après," however, we find ourselves at its limit, in the presence of a cold dawn that accompanies the unfolding of an action made of ambient resonances and concrete textures trapped in distorted modulations. The formula is still that of a long, slowly developing sequence plan punctuated by sparse piano stille - the track is not by chance dedicated to Guy Vandromme - diluted in this deeply tactile crackling matter.
The interest in 20th-century avant-garde research interpolated with a love of literature, of static and moving images always shines through with relentless clarity, infusing a pronounced cinematic sense to a rarefied sound stream capable of inexorably rapturing"-Peppe Trotta @ "SoWhat"
The Squid's Ear!
Artist Biographies
• Show Bio for Bruno Duplant "Bruno Duplant is a composer, improviser and multi-instrumentist (double bass, percussion, electronics, phonography...) living in the north of France. He has collaborated with lot of instrumentalists around the globe and has also made solo works for such labels as B-Boim, Engraved Glass, Peira, Ilse, Impulsive Habitat, Con-v, Unfathomless, Et le feu comme matière formatable technologiquement, Audiotong, Insubordinations and his own label curated with Pedro Chambel, Rhizome.s... For him, composing, playing, improvising music is like imagining, creating and sometimes decomposing new spaces/realities, new entities. But it is also a reflection on 'memory', not the historic one, but a memory of all things, spaces & moments. His new works, mostly based on phonographies & graphic scores, perfectly reflect that." ^ Hide Bio for Bruno Duplant
4/17/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Le Jour D'apres 30:00
Electro-Acoustic
Electroacoustic Composition
Sound, Noise, &c.
Organized Sound and Sample Based Music
Field Recordings
European Improvisation, Composition and Experimental Forms
Solo Artist Recordings
New in Experimental & Electronic Music
New in Compositional Music
Recent Releases and Best Sellers
Search for other titles on the label:
Sublime Retreat.
 | Duplant, Bruno Paysages Sans Age III (Sublime Retreat) |
| Two encompassing and tranquil works of sound from French composer Bruno Duplant, the album title translating to Ageless Landscapes as Duplant envisions two terrains through slow motion tones, piano and synthetics, evocatively described in an accompanying poem that conjures expansive fog, blurred trees, hawks slowly spiraling, a history in a hillside. | |
 | Duplant, Bruno / Rutger Zuydervelt Edge Of Oblivion (Machinefabriek) |
| The third collaboration between sound and electronic artists Bruno Duplant and Rutger Zuydervelt (Machinefabriek) is a darkly heavy and dramatic work of subtle motion that slowly unfolds and shifts through vast sonic environments, fueled by acousmatic sources that take the listener to the edge of darkness and then pulls them back in warm waves or rich ambiance. | |
 | Olsen, Lance Austin / Bruno Duplant Coincidence (Ftarri) |
| A single extended duo performance from improviser, composer and leader of the Infrequency Editions label, Lance Austin Olsen, performing on guitar, field recordings, wax cylinder recordings, MIDI organ & amplified objects, along with French pianist, composer and improviser Bruno Duplant, also credited with "sounds", a moody and tense work that meticulously uses innuendo and space. | |
 | Vehicule Aubusson (Sublime Retreat) |
| A diverse set of compositions spanning dreamlike aural landscapes, petite songs and assertive experiments of rich sound, in the fourth album from French sound artist Sylvain Milliot under the project name Véhicule, developed from improvised recordings that were then developed in the studio, each piece fitting together in a larger and aurally satisfying framework. | |
 | Dead Mauriacs, The Le Parc, rapport d'observations (Sublime Retreat) |
| The mysterious French audio collective The Dead Mauriacs led by Olivier Prieur in a 3-part work of electroacoustic compositions sourced from field recordings made during time spent in Brussels, developing these works based on daily recordings of audio observations at cafes, parks, churches, plus manipulated objects and some parakeets in a park; truly inspired collage work. | |
 | Deli Kuvveti In the Summer Dusk (Sublime Retreat) |
| The title an excellent reflection of the work, Seattle-based, Turkish-born Deli Kuvveti developed these two works that flow into each other to create an absorbing impression of a serene summer evening with dark undertones, using a granular synthesis configuration that creates movement through textured sounds, creating two complex and highly detailed narratives. | |
 | Cammisa, Edoardo io_u,E (Sublime Retreat) |
| Understated and enigmatic, the work of Northern Italian sound artist Edoardo Cammisa, aka Banished Pills, presents a very short work on decay, and then two expanded sound works composed from synthesisers, spring reverb, microphones, field recordings, no-input mixing, organ & sampler; the environments are murky but with movement, and engaging in their dark evening ambiance. | |
 | Vales, David Beta Vulgaris (Sublime Retreat) |
| Working with sound and the relationship to food, crops, and the culinary identity of communities, Beta Vulgaris, (the latin name of the common beet) was composed by Bogota, Columbia born David Velez, a PhD graduate in Sound Art from the University of Huddersfield, who used these specific tones to stimulate the growth of beetroot in the garden of the Modern Art Museum in Medellin. | |
 | Radigue, Eliane 11 Dec 80 [2 CDs] (Important Records) |
| The first release of electronic composer Éliane Radigue's 1980 live session for the Bay Area's KPFA radio, performing two works: a studio performance of "Chry-ptus", Radigue's work for asynchronous recordings on a Buchla Modular System; and the world premiere of Parts I through III of "Tryptych", an hallucinogenic work of sound and texture. | |
 | Belorukov, Ilia Someone Has Always Come (Sublime Retreat) |
| The third in Ilia Belorukov's series of electroacoustic compositions on Spina!Rec and Moving Furniture, here in a set of four compositions, each presenting detailed layers of acoustic and electronic instrumentation and field recordings captured throughout Europe and Russia, carefully placed over heavily laden synthetic drones that guide the motion of each piece. | |
 | Zenial Lancelot's Delusions (Sublime Retreat) |
| The music project of Polish sound explorer Lukasz Szaankiewicz is Zenial, merging minimal ambient and micro-sounds with field recordings and a sense of skewed motion, creating long-form virtual journeys through strange environments, or in rich textures of a dark night accompanied by slowly moving tones, his years of experience heard through exceptional sonic qualities. | |
 | Duplant, Bruno / Seth Nehil The Memory Of Things (Sublime Retreat) |
| An immersive and often explosive set of dark compositions from Seth Nehil & Bruno Duplant, blending field recordings, electronics, percussion and percussive objects into a controlled chaos of inexplicably murky and uncategorizable sounds, at times like a surreal firework display, or inserted into a complex machine on the verge of collapse, all imbued with a consistent resonant hue. | |
 | Vandromme, Guy / Bruno Duplant l'infini des possibles (12 etudes pour piano) [2 CDs] (elsewhere) |
| Twelve etudes for solo piano by French composer Bruno Duplant and interpreted by pianist Guy Vandromme, each etude consisting of eight lines of lowercase letters a-g representing white keys, with accents, uppercase shifts, apostrophes, &c. affecting those letters, the performer given an "infinity of possibilities" through choices of combinations and repetions of the score. | |
 | Duplant, Bruno / Pierre Gerard Soleil Clandestin (Edition Wandelweiser Records) |
| Five "Soleil Clandestin" soundscapes using abstract voice, guitar, electronics, field recordings & percussion from sound artists Bruno Duplant and Pierre Gerard, on the surface peaceful, minimal and using space and silence, but buried inside are disquieting additions through vocal abstractions placed in unusual position to the sound; curious and captivating. | |
 | Duplant, Bruno Deux Songes (Les Jours Sont Faits Pour Expliquer Les Nuits) (Meenna) |
| Two beautifully subtle works for an ensemble of strings and electric piano from French composer Bruno Duplant, realized by the Boston-based Ordinary Affects ensemble or Jordan Dykstra, Morgan Evans-Weiler, JPA Falzone, Luke Martin and Ashley Frith, the first a quintet and the second a string quartet, creating illusory affects of motion and space through abstraction. | |
 | Wadham, Rachael / Philippe Lenglet / Bruno Duplant everydayisagoodday (Confront) |
| Starting from John Cage's Zen quote--"Every day is a good day"--the trio of Rachael Wadham on piano, Philippe Lenglet on acoustic guitar and cithar (a type of harp), and contrabass, recorded these improvisations approaching their instruments not for melodies but as tools for experimentation, from which this trio finds a wealth of inventive sound. | |
Customers Who Bought This Item Also Bought:
 | Alva Noto This Stolen Country of Mine (Noton) |
| The soundtrack to the 2022 German documentary film This Stolen Country of Mine directed by German filmmaker Marc Wiese about Ecuadorian resistance fighters and journalists opposed to the sale of the country's resources to Chinese investors, in 19 subtle, elegantly passionate electronic works from sound artist Carsten Nicolai, aka Alva Noto. | |
 | Pateras, Anthony A Dread of Voids (Another Timbre) |
| Two works written for a group of Australian performers living in Berlin--Jon Heilbron, Rebecca Lane, Jess Aszodi & Sam Dunscombe--by Australian composer and pianist Anthony Pateras, A Dread Of Voids developed for a residency at the Archipel Festival in Geneva after enduring a pandemic quarantine; and Patterned Language, composed for the Astra Chamber Music Society. | |
 | Light.Box + Emil Karlsen The Undanced Dance (Bead) |
| The improvising duo light.box of Alex Bonney (trumpet) and Pierre Alexandre Tremblay (bass), using expansive electronic processing at the intersection of dark ambient, gestural improv and electronic environment, is expanded through the drums and percussion of Norwegian improviser Emil Karlsen, heard in these 2021 recordings at University of Huddersfield, UK. | |
 | Arcane Device N28: Ohmniscient (pulsewidth) |
| The second of NY electronic explorer David Lee Myers', aka Arcane Device, N28 series, an album of excited electronics, field recordings, inexplicable sound and rotating, splintering and otherwise lovingly mangled sound, not so much a noise collection as instead a controlled chaos with moments of cavernous beauty in a journey of mercurial rummaging. | |
 | Fujii, Satoko / Otomo Yoshihide Perpetual Motion (Ayler Records) |
| Expanding their instruments into sonic sculpture, this first meeting between acclaimed Japanese improvisers Satoko Fujii, performing inside and out of the piano, and electric guitarist Otomo Yoshihide, demonstrates their incredible compatibly as heard in these live recordings at Tokyo's Pit Inn, part of an annual festival organized by Fujii & trumpeter Natsuki Tamura. | |
 | Skein (Kaufmann / Gratkowski / de Joode) Spectra & Affrays (Klanggalerie) |
| Describing their improvisation as a chemical reaction of positive and negative ions, the central trio of the ensemble Skein--Achim Kaufmann (piano), Frank Gratkowski (winds) and Wilbert de Joode (bass)--are heard in this incredible 2018 concert at Konfrontationen Festival as a septet with Tony Buck (drums), Richard Barrett (electronics), Liz Allbee (trumpet) and Uchihashi Kazuhisa (guitar). | |
 | Liebman, Dave (w/ Peter Evans / Leo Genovese / John Hebert / Tyshawn Sorey) Lost In Time, Live At Smalls (Cellar Live) |
| Part of the SmallsLIVE Living Masters series, masterful saxophonist Dave Liebman leads the stellar quintet of Peter Evans on trumpet, Leo Genovese on piano, John Hebert on bass & Tyshawn Sorey on drums through three Liebman compositions titled for their ordinal position, relaunching a highly focused Liebman post-pandemic with this stunning live concert at Smalls Jazz Club. | |
 | Henry Cow Glastonbury, Chaumont, Bilbao And The Lions Of Desire (ReR Megacorp) |
| Expanding on the history of Henry Cow in new recordings discovered after the 19-CD Cow Redux box, including: a well-recorded concert at the the first Glastonbury Fayre in 1972, the earliest recordings of the quartet of Martin Ditcham, Fred Frith, John Greaves and Tim Hodgkinson; a 1978 grouping with Phil Minton; unrecorded compositions from 1977 in Bilbao; and a 1976 Chaumont Concert. | |
 | Cutler, Chris It Makes Sense To Me [2 CDs] (ReR Megacorp) |
| An excellent 50 year overview of the work of drummer & composer Chris Cutler, best known for his work with Henry Cow and his label ReR Megacorp, but also heard here in groupings including Art Bears, Cassiber, News From Babel, Aqsak Mabou, Duck and Cover, Peter Blegvad, Rene Lussier, The Work, Pere Ubu, The (ec) Nudes, Domestic Stories, Cutler/Frith, Cutler/Parkins, &c. | |
 | Growlers Choir LIVE au FIMAV (Les Disques Victo) |
| A unique concert even by the standards of Victoriaville from The Growlers, a vocal ensemble who interpret heavy metal, known for their epic work "Hate.Machine" and "The Dayking" with participation from poet Fortner Anderson, performed here along with a comprovisation backed by an electronic track originated from electric guitar recordings. | |
