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Ullmann, Gebhard / Steve Swell / Hilliard Greene / Barry Altschul : We're Playing In Here ? [VINYL] (NoBusiness)

Substantial creative free jazz with compositions each from trombonist Steve Swell and reedist Gebhard Ullman, recording at Park West Studio in Brooklyn with Barry Altschul on drums and Hilliard Green on double bass, the structures of their compositions providing lyrical launch points for adept free soloing, amidst unusual and masterful technique and surprising asides; exceptional!
 

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Label: NoBusiness
Catalog ID: NBLP 149
Squidco Product Code: 32524

Format: LP
Condition: New
Released: 2022
Country: Lithuania
Packaging: LP
Recorded at Park West Studio, in Brooklyn, New York, on April 11th, 2007, by Jim Clouse.


Personnel:

Gebhard Ullmann-tenor saxophone, bass clarinet

Steve Swell-trombone

Hilliard Greene-double bass

Barry Altschul-drums

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Artist Biographies:

"Born on November 2, 1957 in Bad Godesberg, Germany saxophonist (tenor and soprano), bass clarinetist, bass flutist and composer Gebhard Ullmann studied medecine and music in Hamburg and moved to Berlin in 1983.Since then he has recorded more than 50 CDs as a leader or co-leader for prestigious labels such as Soul Note (Italy), Leo Records (UK), Between The Lines (Germany), CIMP (USA), NotTwo Records (Poland), Clean Feed (Portugal) Unit Records (Switzerland) and others.

For many years he is considered one of the leading personalities in both the Berlin and international music scenes and has received numerous awards for his work including the Julius Hemphill Composition Award in two categories ('99), the Deutsche Phonoakademie award ('83), one of the first SWF Jazz Awards ('87) and the nomination best-jazz-CD-of-the-year by the German Schallplattenkritik for his CD Tá Lam in 1995.

His CDs Final Answer (2002) The Bigband Project (2004) New Basement Research (2008) News? No News! (2010) Mingus! (2011) Clarinet Trio 4 (2012) were all listed in Downbeat Magazine among the best CDs of those years. The CD Transatlantic received the prestigious Choc of the French Jazz Magazine in 2012. Since 2005 Gebhard Ullmann is listed in the Downbeat Critics Poll, 2015 for the first time in three categories.

Since 1993 Ullmann was a recording artist for Soul Note and has been living in New York City and Berlin. He has toured with his music throughout Europe as well as Africa, the Middle East, Canada, New Zealand, the USA, South East Asia, Mexico and China and performed on most of the world's most prestigious jazz festivals."

-Gebhard Ullmann Website (http://gebhard-ullmann.com/GU.html)
11/16/2022

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Born in Newark, NJ, Steve Swell has been an active member of the NYC music community since 1975. He has toured and recorded with many artists from mainstreamers such as Lionel Hampton and Buddy Rich to so called outsiders as Anthony Braxton, Bill Dixon, Cecil Taylor and William Parker. He has over 40 CDs as a leader or co-leader and is a featured artists on more than 100 other releases. He runs workshops around the world and is a teaching artist in the NYC public school system focusing on special needs children.

Swell has worked on music transcriptions of the Bosavi tribe of New Guinea for MacArthur fellow, Steve Feld in 2000. His CD, "Suite For Players, Listeners and Other Dreamers" (CIMP) ranked number 2 in the 2004 Cadence Readers Poll. He has also received grants from USArtists International in 2006, MCAF (LMCC) awards in 2008 and 2013 and has been commissioned twice on the Interpretations Series at Merkin Hall in 2006 and at Roulette in 2012.

Steve was nominated for Trombonist of the Year 2008 & 2011 by the Jazz Journalists Association, was selected Trombonist of the Year 2008-2010 , 2012 and 2014-2015 by the magazine El Intruso of Argentina and received the 2008 Jubilation Foundation Fellowship Award of the Tides Foundation. Steve has also been selected by the Downbeat Critics Poll in the Trombone category each year from 2010-2016.

Steve is presently a teaching artist through the American Composers Orchestra, Healing Arts Initiative , Mind-Builders Creative Arts Center (Bronx), the Jazz Foundation of America and Leman Manhattan Preparatory School.

Steve was also awarded the 2014 Creative Curricula grant (LMCC) for the project: "Metamorphoses: Modern Mythology in Sound and Words" which was taught in a month long residency at Baruch College Campus High School in Manhattan."

-Steve Swell Website (http://www.steveswell.com/SteveSwellBio.htm)
11/16/2022

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Hilliard Greene has been studying music for more than 30 years and has been playing professionally over twenty. His emphasis is in classical, jazz, rock, blues, R&B, Tango as well as the music of other continents and US regions, and solo performances.

Greene studied at the University of Northern Iowa and at Berklee College of Music in Boston and has been teaching private students and classes for over 25 years. He is currently a faculty member at the Bass Collective in New York City. He continues to teach privately and to do workshops and master classes in upright and electric bass for both children and adults.

He performs widely in the New York City area: recitals, nightclubs, concert halls (including Carnegie Hall), recording studios, radio and television. Also performs in major cities throughout the United States, Canada, Europe east and west, Asia, the West Indies, and South America.Greene performed and recorded with Jimmy Scott for 20+ years, serving as his Musical Director from 1995 to 2013. Greene was also Cecil Taylor's Concert Master for his group "Phtongos". He was in residence at Minton's a.k.a. legendary Minton's Playhouse as the house bassist.

Greene works / worked with Rashied Ali, Barry Altschul, Lucian Ban, Billy Bang, Kenny Barron, David Berger, Karl Berger, Cindy Blackman, T.K. Blue, Dougie Bowen, Joanne Brackeen, Oscar Brown Jr., Uri Caine, Roy Campbell, Carnival Cruise Lines Carnival Skin, Daniel Carter, Carla Cook, Akua Dixon, Dave Douglas, John Esposito, Bobby Few, Erik Friedlander, Camille Gainer, Eddie Gale, Charles Gayle, Eddie Gladden, Electric Symphony, Alex Harding, George Haslam, Jon Hendricks, John Hicks, Jason Kao Hwang, The Inkspots, Yoron Israel, Vijay Iyer, Klaus Kugel, Leroy Jenkins, Howard Johnson, Frank Lacy, Gloria Lynne, Michael Marcus, Sabir Mateen, Jason Moran, Bern Nix, Greg Osby, Jimmy Ponder, Don Pullen, Lenore Raphael, Matana Roberts, Perry Robinson, Josh Roseman, Vanessa Rubin, Nipsy Russell, Warren Smith, Steve Swell, Grady Tate, Jacky Terrasson, Gebhard Ullman, Marlene VerPlanck, Village Vanguard Orchestra, Petras Vysniauskas, Jack Walrath, Bobby Watson, Mars Williams...

Hilliard Greene has recently formed The In&Out Band, a trio using jazz standards as a vehicle for free improvisation. Also, he is co-leader of the classical crossover ensemble ZigZag Quartet. He produced three CD's with his own ensemble The Jazz Expressions, a solo bass CD entitled "Alone", and co-produced self-titled ZigZag Quartet CD."

-Hilliard Greene Website (http://hilliardgreene.com/about/)
11/16/2022

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Barry Altschul (born January 6, 1943, New York City)[1] is a free jazz and hard bop drummer who gained fame in the late 1960s with the pianists Paul Bley and Chick Corea.

Altschul, having initially taught himself to play drums, studied with Charlie Persip during the 1960s. In the latter part of the decade, he performed with Paul Bley. In 1969 he joined with Chick Corea, Dave Holland and Anthony Braxton to form the group Circle. At the time, he made use of a high-pitched Gretsch kit with add-on drums and percussion instruments, which he integrated seamlessly in a whirlwind of sound.

In the 1970s Altschul worked extensively with Anthony Braxton's quartet featuring Kenny Wheeler, Dave Holland, and George Lewis. Braxton, signed to Arista Records, was able to secure a large enough budget to tour with a collection of dozens of percussion instruments, strings and winds. In addition to his participation in ensembles featuring avant-garde musicians, Altschul performed with Lee Konitz, Art Pepper and other "straight ahead" jazz performers.

Altschul also made albums as a leader, but after the mid-1980s he was rarely seen in concert or on record, spending much of his time in Europe. Since the 2000s, he has become more visible, with two sideman appearances on the CIMP label with the FAB trio (with Billy Bang and Joe Fonda), the Jon Irabagon Trio recording "Foxy", and the bassist Adam Lane. Altschul has played or recorded with many musicians, including Roswell Rudd, Dave Liebman, Barre Phillips, Denis Levaillant, Andrew Hill, Sonny Criss, Hampton Hawes, and Lee Konitz."-Wikipedia

-Wikipedia (https://en.wikipedia.org/wiki/Barry_Altschul)
11/16/2022

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


SIDE A



1. Planet Hopping On A Thursday Afternoon 10:06

2. La Mariposa 8:10

SIDE B



1. Sketch #4 3:14

2. We're Playing In Here ? 9:13

3. Kleine Figuren #1 5:46
sample the album:








descriptions, reviews, &c.

"We're Playing In Here? is something every improvising or experimental musician must've said at some point, given the all-too-often unavoidably shoestring-run venues that tend to host the music. It's also the name of an album of impeccable contemporary acoustic jazz by the quartet of saxophonist/bass clarinetist Gebhard Ullman, trombonist Steve Swell, double bassist Hilliard Greene, and drummer Barry Altschul.

The album's five tracks, all but one of them written by Swell, strike a balance between free flights of solo improvisation and tightly scored melodies for ensemble. The post-bop swing of the opener Planet Hopping on a Thursday Afternoon leads to La Mariposa, a feature for Ullmann's vocal-like acrobatics on bass clarinet. Like Ullmann, Hilliard on this track reaches into his own instrument's upper register, which he plays with a beautifully clear articulation. Sketch #4, the third track, is like the first track driven by Altschul's propulsive swing, but at a higher velocity. The title track moves from an opening gambit of extended technique for trombone-air notes and other unpitched noises-into a loosely structured, collective polyphonic improvisation that culminates in an unexpected unison melody. The final piece, Ullmann's Kleine Figuren #1, is a high-energy piece that includes a long-lined melody and a solo for Altschul. Superb music from four superb musicians."-D Barbiero, Avant Music News


Get additional information at Avant Music News
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