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Capece, Lucio / Katie Porter: Phase To Phase (Ftarri)

Rich harmonics and interstitial interactions between two bass clarinets, as Utah-based Katie Porter and Berlin-based Lucio Capece exchanged recordings to develop two compositions, the first focusing on expression in the context of freedom in time, the 2nd using strict time to explore the effects of overlapping-phasing; reference The International Nothing.
 

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product information:


Label: Ftarri
Catalog ID: ftarri-969
Squidco Product Code: 32196

Format: CD
Condition: New
Released: 2022
Country: Japan
Packaging: Cardstock Sleeve, sealed
Recorded in Park City, Utah and Berlin, Germany, from March, 2020, to July, 2021.


Personnel:

Katie Porter-bass clarinet, contrabass clarinet, composition

Lucio Capece-bass clarinet, composition

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Artist Biographies:

"Katie Porter plays clarinet, bass clarinet, sings, writes songs and curates performances. She exists mainly in the experimental realm, but can sometimes be found elsewhere."

-Katie Porter Website (https://fromkp.wordpress.com/about/)
8/8/2022

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Lucio Capece: Argentinian musician based in Europe since 2002, specifically in Berlin since 2004.

Capece followed education as a classical guitarist and jazz saxophonist finishing studies at the Ginastera Conservatory in Morón, Buenos Aires (9 years career), and took self supported private lessons in Bass Clarinet (Martin Moore) , Saxophone and Jazz improvisation (Carlos Lastra, Gustavo Alsberg, Quique Sinesi) in Buenos Aires, Lyon (France, with Louis Sclavis), New York (meetings with Marilyn Crispell, Gerry Hemingway, Tim Berne, Hank Roberts, Jim Black) and Chicago. (Lessons and concerts with Gene Coleman)

In Argentina he was part as a performer and composer of the ensemble Avion Negro and the trio Casual, working in the area of Contemporary jazz.

Since the late 90´s he offered music in the context of Electro Acoustic Improvisation, focused in quietness, attentive listening and granular material.

Since 2011 he dedicates to offer works focused in the Perception experience, that he performs mainly in solo and in the context of occasional collaborations based in the same interest. He composes his own pieces that may include improvisation and different ways of writing.

He uses tools like Flying Speakers hanging from Helium Balloons, Speakers as Pendulums, Analog synthesiser, Sine Waves and Noise Generators, Drum Machines, Ultra- Violet Lights, Sensors as much as the instruments that he has played for 25 years: Bass Clarinet and Soprano Saxophone, adding recently a 100 years old Slide Saxophone.

He has also written compositions for Ensembles working the same aspects in the context of traditional Instrumentations.

He has performed his own sound interventions in spaces like The Cathedral of Bern (Zoom In Festival, 2012) The Mambo Museum in Bologna (Live Arts week 2012),the German Pavilion built by Mies Van der Rohe in Barcelona, the Halle des Expositions built by Alexandre Gustave Eiffel in Evreux, France ( L ´Atelier series) the Bauhaus Archive in Berlin, and the Colón Theatre in Buenos Aires where he offered an interactive installation for children.

Beyond instrumentation and tools, the main intention is to focus in the physical-social-spatial human experience.

Capece has played and released CD´s and LP´s with musicians like

Radu Malfatti, Keith Rowe, Mika Vainio, Vladislav Delay, David Sylvian,Kevin Drumm, Lee Patterson, Christian Kesten, Sergio Merce, Toshimaru Nakamura, Robin Hayward, Taku Sugimoto, Ilpo Vaisanen, Julia Eckhardt, Tisha Mukarji, Annette Krebs, Andrea Neumann, Axel Dörner, Angharad Davies, Rhodri Davies, Burkhard Beins, among others.

He has released Cd´s and LP´s in labels like B-Boim, Editions Mego ( Austria), Another Timbre, Hideous Replica, Entr´acte, Leaf ( UK), PAN (Germany), Potlatch, Drone Sweet Drone (France), Formed ( USA), Mikroton , Intonema (Russia), Organized Music from Thessaloniki ( Greece), No Seso (Argentina), etc

His collaboration record "Trahnie" ( Editions Mego) with Mika Vainio was considered among the best 10 records of the year in the category "Outer Limits" by the magazine The Wire, in 2009.

He has worked with dancers and choreographers David Lakein (Amsterdam), Ayara Hernandez (Berlin) and doing interventions in public spaces in Buenos Aires together with the choreographer Andrea Servera (Ex member of the legendary collective "El Descueve")

As a performer he has worked with Pauline Oliveros, Peter Ablinger, Antoine Beuger, Michael Pisaro, Alex Arteaga, Christian Wolff, Phill Niblock as part of the Ensembles Q-O2 from Belgium, and Konzert Minimal from Berlin, together with the musicians Johnny Chang, Koen Nutters and Hannes Lingens.

He organises since 5 years the one day Festival "Perceptive Turns" in Berlin."

-Lucio Capece Website (http://luciocapece.blogspot.com/2006/11/lucio-capece.html)
8/8/2022

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. Phase to Phase 1 28:38

2. Phase to Phase 2 17:16
sample the album:








descriptions, reviews, &c.

"Katie and Lucio met over the internet almost every Tuesday for one year, composing two pieces, rehearsing, talking about their lives, and recording.

The desire to play together began after exchanging work and perceiving a deeply common approach to bass clarinet playing, to sound, and to music.

The two pieces offered here are based in a very distinctive but still strictly coherent approach in relation to the work they intend to do.

"Phase to Phase 1" is a celebration of meeting each other. With a loose approach to time. Mainly focused in togetherness, expression and playing in a context of freedom in time, and ear-eye-body communication.

"Phase to Phase 2" is a piece with a strict approach to time, that intends to expose an experience of artificiality, the psychological effects of overlapping-phasing, and time expansion-contraction, that we have gone through in life in different stages during the pandemic.

When she first listened to the completed recording, Katie had the distinct image that they were two large trees in a giant forest bending and breaking in the wind."-Ftarri

Related Categories of Interest:


Recordings by or featuring Reed & Wind Players
Compositional Forms
Electroacoustic Composition
Duo Recordings
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