The Squid's Ear Magazine


Thut, Stefan: Among (Inexhaustible Editions)

Creating complex intervals that the players must "notice among each other" as a model for coexistence, cellist Stefan Thut's score for three string players and sine waves, here configured for double bass (Félicie Bazelaire), acoustic guitar (Fredrik Rasten) and cello (Thut) with Léo Dupleix on sine waves tuned to multiples of prime numbers and attached to the wooden boxes that serve as transducers.
 

Price: $13.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:





product information:

Personnel:



Felicie Bazelaire-double bass

Leo Dupleix-sine waves

Fredrik Rasten-acoustic guitar

Stefan Thut-cello, composer


Click an artist name above to see in-stock items for that artist.




Label: Inexhaustible Editions
Catalog ID: ie-031
Squidco Product Code: 31809

Format: CD
Condition: New
Released: 2020
Country: Slovenia
Packaging: Digipack - 3 panel
Recorded at Saulenhalle Landhaus in Solothurn, Switzerland on June 28th, 2020, by Stefan Thut.

Descriptions, Reviews, &c.

"The piece among is scored for three string players and sine waves which a fourth performer is responsible for. Aside of the usual purposes the three string instruments - in the present version a double bass, an acoustic guitar and a cello - also serve as resonating bodies for loudspeakers: the sine waves are sounding by means of transducers attached to the three wooden boxes.

The instrumentalists attune initially to their respective sine wave, and then continue in ratios of imaginary odd-numbered partials up to the 17th. However, the frequencies of the three sine waves are multiples of either prime triplets or other prime numbers like for instance on page one - 23, 29 and 37. This kind of harmonic space is more obfuscating the process of tuning than making things harmonically comprehensible as a whole. In fact, to begin with the performer of sine waves, the acoustic conductor, divides the three instrumentalists into three individuals. They can only act in self-reliance to their own tone and with confidence to the others.

Because of the very high order of the intervals occuring between the three, they mostly remain indefinable regarding specific tunings and open up a territory of the unknown. Still for me, the evolving harmonies appear as "just" due to the thoughtfulness and dignity of the ensemble. Here it is not a matter of tuning to each other (as it is the case in a majority of music practices) but noticing among each other in playing some tones: an actual model for a co-existence."-Stefan Thut



"Swiss composer and cellist Stefan Thut (1968) is interested in processes and scores that invite both performers and listeners to delve into a world. Through his compositions he provides relatively determined systems in order to develop a praxis. In addition to instruments applied in traditional ways, he also uses everyday materials as components in his work. As an interpreter he has been performing music by his fellow and affiliated composers of Edition Wandelweiser. He studied music at the Lucerne Conservatory and at Boston University School of Music.

Félicie Bazelaire (1986) is a double bass and cello player based in Paris. She shares her time between concerts and performances, studying pedagogy through her master's degree at the Paris Conservatory, and teaching at the Orsay And Auxerre's Conservatory. She is mostly interested in classical chamber music, and contemporary music with her various solo projects, with Ensemble Hodos and with the French large orchestra ONCEIM, led by Frédéric Blondy. She investigates the relationship between musicians, composers, improvisers and the actual music. / sites.google.com/site/feliciebazelaire

Paris-born composer and improviser Léo Dupleix (1988) initially studied piano, but switched his focus to experimental and improvised music. In performance, he uses a variety of sonic elements including motor-produced vibrations, sine tones, white noises, feedbacks and field recordings. He previously lived in Tokyo for an extended period and has worked with a number of Japanese improvisers. In recent years, Dupleix has also been active as a composer: in 2018 he wrote the commissioned piece Melodies, Harmonies, Iterations for Suidobashi Chamber Ensemble.

Norwegian guitarist, improviser and composer Fredrik Rasten (1988) is based in Oslo and Berlin. Mainly focusing on the musical possibilities within just intonation and related sound phenomena, and in his work he is reaching for an actively listening state wherein to intuitively explore the complexities of tone and harmony. As a performer he is mainly playing acoustic guitar, using real time retuning of the instrument, vocal shadings and different preparations to create warm and fluctuating resonances. His active bands include Oker, Pip, Volumes and Arches."


Artist Biographies

"Felicie Bazelaire is a cello and double bass player based in Paris. She shares her time in different ways : between concerts and performances, studying pedagogy through a Masters degree at the Conservatoire National Supérieur de Paris, and teaching at the Orsay and Auxerre's conservatory. She is interested in classical music (chamber music) and contemporary music with her solo projects (improvisation, compositions, performances/actions...), the Hodos ensemble and the ONCEIM (a french improvised large orchestra led by Frederic Blondy). She is curious about the link between musicians, composers, improvisers and the actual music."

-Ausland (https://ausland-berlin.de/bazelaire/leiderman/mayas)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Léo Dupleix: Born in Paris, graduated from Brussels Royal Conservatory, Dupleix is an electronic musician, piano player, mainly working in the improvised and experimental field. He uses simple electronic devices, such as mixing board, paint, pick ups and synthesizers to create unique tones and textures. In parallel he continue to develop his own sound on the acoustic piano. He has played or collaborated with: Toshimaru Nakamura, Tetuzi Akiyama, Naoto Yamagishi, Pak Yan Lau, Lauri Hyvarinen, Ura Hiroyuki, Gregor Siedl, Lynn Cassiers, Yannick Dupont, Kou Katsuyoshi, Rabito Arimoto, Daisuke Takaoka, Junji Hirose, Seppe Gebruers and Akemi Nagao."

-JVTLandt (http://www.jvtlandt.com/releases/tandaapushi/fire-disposal/)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Fredrik Rasten, guitarist / improviser / composer "I am a Norwegian guitarist (b. 1988) working in the field of experimental music, both improvised and composed. My main focuses are exploring and utilizing the acoustic possibilities of the steel string guitar, motivated by a fascination for the almost tactile experiences of acoustic phenomena. The last months I have been working extensively with intonation, with an extended concept of consonance as a point of departure, both in solo work and in duos with trumpeter Torstein Lavik Larsen and bass player Jonathan Heilbron. I have also had the lucky opportunity to take lessons in this field with composer and violist Catherine Lamb.

Other music that I am inspired by includes wandelweiser music, traditional british folk and early music."



"Fredrik Rasten works with acoustic guitar and in exploring the possibilities for putting this instrument in new musical contexts. With extensive use of preparations and different non-tempered tunings, he creates warm sounds in gradual development. He also includes subtle use of the voice to make interfering thick timbres and tonalities in combination with the guitar. A goal for the music is to open a room for details that invites the listener inside the musical material in an active and exploring way.

He is also playing composed music, especially related to quiet / Wandelweiser music and Just Intonation music, and has performed pieces by Johan Lindvall, Antoine Beuger and Catherine Lamb."

-Fredrik Rasten Website (http://fredrikrasten.com/)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Composer and cellist. Born 1968, resident in Solothurn (CH). Trained at the Lucerne Conservatory and at Boston University School of Music.

Most of his scores are to be rendered by performers; some scores serve as a template in field recording and sound art. In his compositions he operates with relatively determined open systems. Scores were realized at the Kunstraum Düsseldorf (2007), at Kid Ailack Concert Hall, Tokio (2007/09) and at the Diapason Gallery, New York (2010) among other locations. As interpreter he has premiered solo-pieces by Jürg Frey, Radu Malfatti, Tim Parkinson, James Saunders, Taku Sugimoto, Taku Unami and Manfred Werder and he has performed with the ensemble incidental music in Berlin, Brussels, London and Zurich."

-Edition Wandelweiser (http://www.wandelweiser.de/stefan-thut.html)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Among I 06:38

2. Among II 07:18

3. Among III 08:36

4. Among IV 07:21

5. Among V 08:08

6. Among VI 06:26

7. Among VII 07:15

Related Categories of Interest:


Compositional Forms
Electro-Acoustic
Stringed Instruments
Electronic Forms
European Improvisation, Composition and Experimental Forms
Quartet Recordings
New in Compositional Music
Recent Releases and Best Sellers

Search for other titles on the label:
Inexhaustible Editions.


Recommended & Related Releases:
Other Recommended Releases:
Shepard, Craig
Trumpet City [2 CDs]
(Inexhaustible Editions)
Trumpet City is a 60 minute live-installation of 40 or more trumpets performing outdoors in a public space, first commissioned and presented by the Prasidialdepartement and the Musikpodium of the City of Zurich, these two realization are from recordings at 51st Street, in Manhattan, New York and at Meeker Avenue between Lorimer and Leonard Streets, in Brooklyn, New York.
Fages, Ferran
From Grey To Blue
(Inexhaustible Editions)
Written by Catalan composer Ferran Fages for pianist Lluïsa Espigolé following a quote by Catalan author Carles Camps Mundó — "Barely anything: deformities of silence" — this delicate work of resonance, space and suspense slowly unfolds, the score giving Espigolé choices for timing and placement as each meaningful note or combination subsides.
Ashwood, Nick
Unfolding/Overlay
(Inexhaustible Editions)
Dedicated to Cor Fuhler, Tasmanian guitarist Nick Ashwood's extended composition is a thoughtfully introspective work of rich sonority, shifting harmonics and abstract tones generated through guitar bowing, recorded live to tape in two continuous recordings, the second overlaying the first as the work unfolds in a meditative and beautifully pensive manner.
Sugimoto, Taku
Octet
(Meenna)
Part of Japanese composer Taku Sugimoto's Solo for Strings series, these works focus on bowed stringed instruments played only with natural harmonics, arranged with clarinets and flute, using long tones and repetition that allow the performer decisions on their length, performed by a Berlin-based octet including Catherine Lamb, Johnny Change, Samuel Dunscombe, &c.
Bosshard, Patricia
Onceim-CoO
(Potlatch)
Two major works of evolving acoustic soundscape from Swiss violinist & composer Patricia Bosshard realized by the 27-member Orchestra des Nouvelles Creations, which includes Bosshard, Stephane Rives, Bertrand Denzler, &c.; "Sillon" employs a percussive pulse over 27 independently transforming grooves; "Reflets" a harmonic composition for bowed strings, including three double basses.
Lingens, Hannes
Music For Strings
(Edition Wandelweiser Records)
Four compositions for strings from German composer Hannes Lingens, including the three-part "Triptych" work performed by the Ensemble CoÔ, a septet directed by bassist Félicie Bazelair that emphasizes bowed strings; and two solo works performed by Bazelair: "Methods and Materials" & "Solo for String Instruments" employing advanced approaches to the double bass.
Rasten, Fredrik (Johan Lindvall)
Four Parallel Rivers
(Edition Wandelweiser Records)
Norwegian composer Fredrik Rasten, a guitarist who himself has recorded pieces by pianist/composer Johan Lindvall, sees Lindvall beautifully perform 15 of his works for solo equal tempered piano, minimal pieces developed under the influence of Debussy and Bartok's Mikrokosmos compositions along with adaptations of his own microtonal/just intonation work.
Waeckere, Emmanuelle
A Direction Out There, Readwalking (With) Thoreau [2 CDS]
(Edition Wandelweiser Records)
Four unique interpretations of David Henri Thoreau's essay "Walking", "a transcendental essay that analyzes the relationship between man and nature, trying to find a balance between society and our raw animal nature." (Wikipedia), performed by Antoine Beuger, Marianne Schuppe, Stefan Thut, Sylvia Alexandra Schimag and Marie-Cecile Reber.
Li, Bin
I Am Also Here
(Edition Wandelweiser Records)
A work of silence and intervention from Manhattan-based Chinese composer and sound artist Bin Li presenting two versions of the title track, with Stefan Thut on viol & voice on the 1st version, and voice only on the 2nd, using the locations of Manhattan and Gimmelwald, Switzerland as the background of careful viol and voice placement; intriguing and compelling.
Denzler, Bertrand
Arc
(Potlatch)
Created by Felicie Bazelaire, CoO is a string ensemble drawn from the French new music ensemble ONCEIM; CoO develops new repertoire for strings, collaborating with composers like Bertrand Denzler, who wrote this innovative composition "Arc" in two parts, a work applying unusual techniques to bowed strings, particularly lower bass tones, for fascinating results.
den Boer Salmom, Miriam / Ernesto Rodrigues / Fredrik Rasten / Guilherme Rodrigues
A Late Evening In The Future
(Creative Sources)
A subtle album of acoustic interaction recorded at Berlin's Noiseberg from the quartet of Miriam den Boer Salmon on violin, Ernesto Rodrigues on viola & zither, Fredrik Rasten on acoustic guitar, and Guilherme Rodrigues on cello & percussion, sounding almost electronic in their frictional technique and harmonic overtones, ebbing and flowing from active interaction to tranquil discourse.
Pip. (Rasten / Larsen)
Pip.
(Creative Sources)
Lindvall, Johan
Solo / Ensemble [2 CDs]
(Edition Wandelweiser Records)
Swedish composer and pianist Johan Lindvall in a series of 27 works performed solo or in an ensemble with Vilde Sandve Alnaes (violin), Kristine Tjogersen(clarinet), Jan Martin Gismervik(percussion), Henrik Munkeby Norstebo(trombone), Ina Sagstuen(voice), & Fredrik Rasten(guitar).



Customers Who Bought This Item Also Bought:
Studer, Daniel
Extended II
(ezz-thetics by Hat Hut Records Ltd)
Presented in two sonic rendering, one for stereo playback and a binaural mix for headophones, this exceptional 2021 chamber jazz string performance at Kunstraum Walcheturm in Zurich displays spectacular technique and concentration, from the quintet of Daniel Studer (double bass), Harald Kimmig (violin), Frantz Loriot (viola), Alfred Zimmerlin (violoncello) and Philip Zoubek (piano).
Monk, Thelonious with John Coltrane
1957, Revisited
(ezz-thetics by Hat Hut Records Ltd)
A transformative experience for John Coltrane, whose 1957 studio sessions with pianist Thelonious Monk, recorded after Monk's residency at the Five Spot, came at a transitional point for the iconic tenor saxophonist, expanding his knowledge of harmonic structure and refining his approach to soloing; with Coleman Hawkins, Art Blakey, Gigi Gryce, Ray Copeland, Wilbur Ware and Shadow Wilson.
Dolphy, Eric
At The Five Spot To Iron Man, Revisited
(ezz-thetics by Hat Hut Records Ltd)
Restoring two essential albums from alto saxophonist Eric Dolphy: first his '61 live album at NYC's Five Spot in a quintet with Booker Little, Mal Waldron, Richard Davis & Ed Blackwell; then his '63 studio sessions in varying configurations with Clifford Jordan, Woody Shaw, Sonny Simmons, Prince Lasha, Bobby Hutcherson, Eddie Kahn Richard Davis, Garvin Bushell & J.C. Moses.
Pisaro-Liu, Michael (Guy Vandromme / Adriaan Severins / Luciana Elizondo / Fabio Gionfrida)
A Room Outdoors [2 CDs]
(elsewhere)
Two realizations of Michael Pisaro-Liu's 2006 work for sustaining instruments, harmonium & field recordings, recorded first at Wild Gallery, in Brussels with Guy Vandromme (keyboards) and Adriaan Severins (field recordings and synthesizer); then at the Museo Archeologico San Lorenzo, in Cremona, Italy with Luciana Elizondo (viola da gamba) and Fabio Gionfrida (field recordings), in collaboration with Guy Vandromme (Indian harmonium).
Quatuor Bozzini
Michael Oesterle: Quatuors
(Collection QB)
German-born Canadian composer living in Deux-Montagnes, Quebec Michael Oesterle has a long relationship with the Quatuor Bozzini beginning with their first commission 25 years ago, here in four works including a tribute to English mathematician Alan Turing, the large-scale "String Quartet No. 4", and a piece inspired by Quebec poet Nicole Brossard's book Mecanique jongleuse.
International Nothing, The (Fagaschinski / Thieke)
Just None of Those Things
(Ftarri)
Using harmonic intersections and extraneous sonic emanations from two clarinets, the duo of Kai Fagaschinski and Michael Thieke (also of The Magic I.D.) continue their long-standing International Nothing project of composed works through patient interactions of powerfully focused technique, here in their fifth album presenting a 42-minute work of delicate, dark beauty.
Akchote / Halvorson / Frisell
Loving Highsmith [2 CDs]
(Ayler Records)
The soundtrack to the documentary Loving Highsmith about thriller novelist Patricia Highsmith, with music composed by Belgium guitarist Noël Akchoté along with pieces by Cole Porter, Mancini, Johnny Mercer, Frank Sinatra, Hildegard von Bingen, Carl Fischer, &c, presented in two CDs, one each of duets between Akchoté and New York guitarists Mary Halvorson and Bill Frisell.
Ceccarelli, Isaiah
Toute Clarte m'est Obscure
(Ambiances Magnetiques)
A profound contemporary work integrating improvisation into composed forms from Montreal composer and percussionist Isaiah Ceccarelli and performed by an ensemble of 16 Musique Actuelle improvisers and performers, beautifully balanced between diverse instrumental passages and texts inspired by different poetical and musical forms of the past; sublime.
Quartetski (Ceccarelli / Falaise / Lauzier / Martel)
Cage
(Ambiances Magnetiques)
Quartetski--the Montereal quartet of Isaiah Ceccarelli on percussion & synthesizer, Bernard Falaise on electric guitar, Philippe Lauzier on bass clarinet & synthesizer and Pierre on Yves Martel on electric bass, perform John Cage's 1992 Numbers work "Four6" and "One7", a variation on "Four6", an incredible and insightful interpretation of this fascinating work.
Bang, Jan / David Toop / Mark Wastell
Compound Full Of Bones, Translucent Thousands
(Confront)
An extended improvisation interweaving acoustic and electronic instruments in a beautifully coherent evolution of mysterious and approachable sources, from the trio of Jan Bang, David Toop and Mark Wastell, combining tam tams, gongs, flutes, lapsteel, live sampling, gongs, brushes, elastic, paper and more to captivate the curious listener.
Zuydervelt, Rutger / Hugo Dijkstal / Peter Hollo
BERG (Music for a film by Joke Olthaar)
(Machinefabriek)
Two versions of the soundtrack to the Dutch movie BERG composed by Rutger Zuydervelt, the first rearranging the tracks to the piece to create a long-form work that maintains the meditative qualities of the movie; then an early score proposal and more active concept than the final work, developed with recordings of improvisations from cellist Peter Hollo.
Bakker, Anne / Rene Aquarius / Rutger Zuydervelt
Hallucine
(Consouling Sounds)
Composed from a combination of violin, percussion, vocals, field recordings & electronics by Rutger Zuydervelt, who initially merged unrelated recordings from violinist Anne Bakker (also on harmonica, kazoo & saw) and percussionist & sound artist Rene Aquarius, all three then overdubbing and editing the work to create this fascinating tapestry of hallucinogenic sound.
Dykstra, Jordan / Koen Nutters
In Better Shape Than You Found Me
(elsewhere)
The first album from the duo of American composer & violinist Jordan Dykstra and Dutch composer Koen Nutters, developed by exchanging material of ambient & spacious nature using slow chord development, field recordings, viola, pitch pipe, crotales, piano EBow and electronic programming, the resulting work diverse and constantly evolving through fascinating details.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC