The Squid's Ear Magazine


Douglas, Dave: Secular Psalms (Greenleaf Music)

A newly commissioned suite of ten pieces requested by the City of Gent and Handelsbeurs Theater to commemorate 600 years since the creation of the Gent Altarpiece by Jan Van Eyck performed with an international group of younger musicians, orchestrated with an unusual mix of instruments including serpent, lute, organ and sampler; a discerning and accomplished major work.
 

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Personnel:



Dave Douglas-trumpet, voice

Berlinde Deman-serpent, tuba, voice

Marta Warelis-piano, prepared piano, pump organ

Frederik Leroux-guitars, lute, electronics

Tomeka Reid-cello

Lander Gyselinck-drums, electronics


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UPC: 186980000909

Label: Greenleaf Music
Catalog ID: CD-GRE-1090
Squidco Product Code: 31634

Format: CD
Condition: New
Released: 2022
Country: USA
Packaging: Digipack - 3 panel
Recorded at Experimental Sound Studio, in Chicago, Illinois, Splendor Amsterdam, in Amsterdam, The Netherlands, and Het Orgelpark, in Amsterdam, The Netherlands, between May 2020 and August 2021.

Descriptions, Reviews, &c.

"Secular Psalms is a new Dave Douglas studio album featuring a newly commissioned suite of ten pieces, with an entirely new group of young international musicians. Invited by the City of Gent and Handelsbeurs Theater to commemorate 600 years since the creation of the Gent Altarpiece by Jan Van Eyck, Douglas branches out into new instruments like the serpent, lute, organ and sampler, providing a painterly panorama of new sounds.

Drawing on Latin Mass, on early medieval folk songs, on composers of the period, like Guillaume DuFay, and on jazz and improvised music, Douglas and team deliver a lyrical, mystical, spiritual score full of upbeat optimism for our times. Douglas says the title refers to "songs of praise for all of us.' For this project he has invited musicians Tomeka Reid, Marta Warelis, Berlinde Deman, Frederick Leroux and Lander Gyselinck. A surprising and uplifting release created during these pandemic times.""-Greenleaf Music



"Inspired by and dedicated to The Adoration of the Mystic Lamb by Jan and Hubert van Eyck - a polyptych originally painted for display in St. Bavo's Cathedral in Ghent, Belgium. Begun in the mid 1420s and completed by 1432.

Secular Psalms took shape over a medieval-seeming time span. The first messages from Wim date to July 10, 2018, when we began to formulate a plan to celebrate the 600th anniversary of the Altarpiece with creation of new music. Research led to a few discoveries: elements of the polyptych were moved and/or stolen, then almost entirely recovered over the years. A restoration begun in 2012 discovered that the work had been mostly overpainted around 1550-removal of the overpaint revealed an almost entirely new contemporary vision of the piece.

The Van Eyck worked in the court of Philip The Good of Burgundy, speaking multiple languages. It's likely they would have encountered composer Guillaume Dufay and writer Christine de Pisan in the same court. Bringing in elements of both these artists helped give me a connection to the atmosphere of those times. With a band and instrumentation in place, we were on our way.

Then all work came to a halt. Initially, like for so many of us, it was unclear how work would carry on. I kept writing. The meaning of the piece (and the title) took on a new scope as we dealt with the global crisis. Close communication with the assembled musicians, shut down in their own home countries, helped cement the message and the meaning of Secular Psalms: sacred songs for all of us as we are. We continued working. The first parts were recorded around May 2020. Over the course of a year and a half, my score came to life as I worked with each musician to create their performances. New techniques had to be invented to capture interactive improvisations. And new texts came in as I began to write them myself, in addition to the Latin Mass, Marvin Gaye, and Christine de Pisan.

This music came to life as a result of many forces: artistic, spiritual, pragmatic, physical, psychic, poetic, and interpersonal. In a visual sense, the piece begins in the space of the outer panels, with muted colors and dank interiors. Subsequent sections explore the inner panels, full of light, showing people from all walks of life. With Edge of Night, the piece returns to the mysterious and darker panels of the Arrival, where Van Eyck's Gabriel and Mary play out this mystery for all eternity.

Very special thanks to Wim Wabbes of Handelsbeurs for staying with me through the long process of getting this piece made. Thanks to Keller Coker for talking me through the matrix of Dufay. Thanks to Tyler McDiarmid for being available to go through the countless sound and tech issues as they arose. Thanks to all the musicians for your patience, persistence, and belief in me. Thanks also to my entire family of loved ones, friends, colleagues, correspondents. We hung together through this and we will always have each other eternally. I am grateful for this most of all."-Dave Douglas, New York, August 2021


Artist Biographies

"Dave Douglas is a prolific trumpeter, composer, educator and entrepreneur from New York City known for the stylistic breadth of his work and for keeping a diverse set of ensembles and projects active simultaneously.

His unique contributions to improvised music have garnered distinguished recognition, including a Guggenheim Fellowship, an Aaron Copland award, and two GRAMMY® nominations. While his career spans more than 40 recordings as a leader, his active projects include his Quintet; Sound Prints, a quintet co-led with saxophonist Joe Lovano; Riverside, a quartet co-led with Chet Doxas; a duo with pianist Uri Caine; and, debuting in 2015, High Risk, an electronic music-influenced quartet with Mark Guiliana, Jonathan Maron and Shigeto.

Since 2005, Douglas has operated his own record label, Greenleaf Music, releasing his own recordings as well as albums by other artists in the jazz idiom. Through his artist-friendly approach and innovative practices, he continues to prove himself a pioneer among artist-run labels.

Douglas has held several posts as an educator and continues to be very active as a director and programmer. He has been named the Artistic Director for the 2016 season of the Bergamo Jazz Festival, which occurs every year in March. Starting in 2012, Douglas was engaged for two years as International Jazz Artist in Residence at the Royal Academy of Music in London and launched his own Jazz Workshop, dedicated to enriching the musical experiences of younger players. From 2002 to 2012, he served as artistic director of the Workshop in Jazz and Creative Music at The Banff Centre in Canada. He is a co-founder and director of the Festival of New Trumpet Music, which was founded in 2002 to support new music by a diverse community of trumpet and brass players. He also co-hosts, with Michael Bates, a podcast called Noise From the Deep which was named the top jazz podcast by the JazzTimes critics poll in 2014."

-Dave Douglas Website (http://www.davedouglas.com/about-dave)
3/13/2024

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Berlinde Deman is born in 1982. She plays bass tuba, piano and euphonium. Her influences are Goran Bregovic, Maceo Parker, Marcus Miller,... She plays as well in Va Fan Fahre, Brassafrik and Valse Teefjes. She has been a member of the groups Flat Earth Society, Grand Picture Palace, and Va Fan Fahre.

-Igloo Records, Discogs (https://www.igloorecords.be/artist/berlinde-deman/?lang=en)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Pianist Marta Warelis (1986) is a vibrant performer with a strong preference for improvisation and experimentation in all genres. She continually aims for instant composing on the basis of new sounds and influences. Her work draws inspiration from music across the globe including cumbia, Angolan dance music, as well as jazz, western classical music and the various schools of free improvisation. Born and raised in Poland where she graduated with honours from WSJiMR in Wroclaw, Marta moved to Groningen in 2010 to attend the Prins Claus Conservatory. In 2014 she found her place in Amsterdam, very quickly becoming an active member of the local improvisers' scene. Marta has appeared frequently in the Bimhuis, where in 2017 she was given a Carte Blanche in recognition of her remarkable talents. She performs with a variety of creative musicians including Michael Moore, Ab Baars, Mike Reed, Andy Moor, Joost Buis, dancers Lily Kiara and Michael Shumacher, as well with such groups as Hupata!, Omawi, Future Neighbor, Polyband, Edge Ensemble, Strings5, Xavier Pamplona, Warelis/Rosaly/Lumley/Dikeman and Bazooka."

-DOEK Festival (https://www.doek.org/project/marta-warelis/)
3/13/2024

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Frederik Leroux, born 1980 in Ghent performs on guitar & banjo. He is known for the groups Leroux / Landfermann / Burgwinkel, Heleen Van Haegenborgh / Frederik Leroux, Poor Isa, Kris Vanderstraeten / Frederik Leroux and FES (Flat Earth Society). In the past, was also involved in the following bands: Frederik Leroux Quartet; Kristen Cornwell Quintet; Toine Thys Quintet; Sammy's on the Bowery; Yves Peeters Group.

-Jazz Belgium (https://www.jazzinbelgium.com/person/frederik.leroux)
3/13/2024

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"Chicago based cellist, composer and educator, Tomeka Reid has been described as "a remarkably versatile player," (Howard Reich, Chicago Tribune). Equally adept in classical and jazz contexts, Ms. Reid predominantly finds herself in experimental and improvisatory settings and composes for a wide range of instrumentation, from big band to chamber ensemble. Ms. Reid's music combines her love for groove along with freer concepts.

Ms. Reid is an integral part of Dee Alexander's Evolution Ensemble, Nicole Mitchell's Black Earth Ensemble/Strings, Mike Reed's Loose Assembly, the Association for the Advancement of Creative Musicians (AACM) Great Black Music Ensemble, and co-leads the internationally recognized string trio, Hear in Now with performances in Poznan, Poland; Paris, France; Rome, Venice, Milan, Italy; Soazza, Switzerland; and in the US: Chicago, New York and Vermont. In addition to the aforementioned ensembles, Ms. Reid performs with many of today's forward thinking musicians in the world of jazz and creative music including Anthony Braxton, George Lewis, Roscoe Mitchell, Jeb Bishop, Myra Melford, Fred Lonberg-Holm, Mary Halvorson, Denis Fournier, Edward Wilkerson and Harrison Bankhead. Ms. Reid also leads her own trio featuring guitarist Matt Schneider and bassist Josh Abrams, for which she composes. Ms. Reid can be heard on numerous studio recordings.

As an educator, Ms. Reid has led string improvisation workshops in Italy and the US. Most recently she co-directed the 2012 Vancouver Jazz Festival’s High School Jazz Intensive. For seven years, Ms. Reid co-directed the string program at the University of Chicago’s Laboratory School for students grade 5 thru 12. Ms. Reid is also an ABD doctoral candidate at the University of Illinois: Urbana-Champaign.

As a composer, Ms. Reid has been commissioned by the AACM, the Chicago Jazz Festival and the Chicago Jazz Ensemble and has had several opportunities to showcase her work abroad at festivals such as Umbria Jazz, An Insolent Noise and Vignola Jazz. She has been nominated and awarded residencies for composition with the Ragdale Foundation and the 2nd Annual Make Jazz Fellowship hosted by the 18th Street Arts Organization. Ms. Reid was selected as a 2012 participant in the Jazz Composers Orchestra Institute held at the University of California: Los Angeles."

-Tomeka Reid Website (http://www.tomekareid.net/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Lander Gyselinck has transformed from an emerging young talent to an established and respected name on the Belgian jazz and improvisation scene in a relatively short space of time. He derives his inspiration, not only behind the drums but also as a composer for his own bands LABtrio and STUFF., from contemporary electronic music. His inventive and exploratory drumming style has accorded him a broad and individual sound palette that is appreciated by a wide range of musical fields. This means he thrives in very diverse artistic environments ranging from jazz, contemporary electronics to experimental improvised music. He is a member of the Kris Defoort Trio, Jazz Plays Europe 2010 and Network of Stoppages. In 2010 he won the Toots Thielemans Jazz Award and in 2012 he received the SABAM Youth and Music Award at the Ghent Jazz Festival. Lander currently lives in New York."

-Lander Gyselinck Website (https://landergyselinck.wordpress.com/about/bio/)
3/13/2024

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Track Listing:



1. Arrival 8:36

2. Mercy 6:29

3. We Believe 4:02

4. Agnus Dei 4:46

5. Instrumental Angels 6:27

6. If I'm In Church More Often Now 4:07

7. Hermits And Pilgrims 5:46

8. Righteous Judges 3:32

9. Ah Moon 6:19

10. Edge Of Night 2:58

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
Chamber Jazz
NY Downtown & Metropolitan Jazz/Improv
Sextet Recordings
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