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Dumitrescu, Iancu / Ana-Maria Avram

At the GRM Paris (performed by Stephen O'Malley)

Dumitrescu, Iancu / Ana-Maria Avram: At the GRM Paris (performed by Stephen O'Malley) (Ideologic Organ)

In 2012 the trio of composers Iancu Dumitrescu and Ana-Maria Avram, both performing on computers, and Stephen O'Malley on electric guitar, entered the GRM Paris studios to develop this work, depicting in sound The Veil Nebula--the results of a massive supernova--heard in this working session including verbal conduction as the three developed the piece.
 

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product information:


UPC: 5050580760448

Label: Ideologic Organ
Catalog ID: SOMA 040CD
Squidco Product Code: 30248

Format: CD
Condition: New
Released: 2020
Country: France
Packaging: Cardboard Gatefold
Recorded at the GRM Paris, in December 2012, by Francois Bonnet


Personnel:

Iancu Dumitrescu-composer, computer

Ana Maria Avram-composer, computer

Stephen O'Malley-electric guitar

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Artist Biographies:

"Iancu Dumitrescu is one of the leading personalities of contemporary music, embracing both composition and interpretation. He centers his work on the phenomenological principle, which Sergiu Celibidache made him to discover, and which Dumitrescu applies to the composition itself, and on the idea of acousmatics. Acousmatics represents for Dumitrescu not only " the art of disguising a sonic source " in a concrete approach, but the very metaphor of the sound, infinite, cryptical alchemy applied to the sound material.

Iancu Dumitrescu has born the 15th of July 1944 in Sibiu, Romania, son of Gheorghe T Dumitrescu (1904-1982), University Professor, philosopher and psychologist, author of numerous volumes, and of Maria Dumitrescu, a Mathematics teacher. Around four, probably in 1949 he witnesses the general search and arresting of his father with tragic consequences for the entire family. Three years of kept into custody without any awareness from the family, until the death of Stalin, with unforgettable consequences. 1950-1963: Elementary school and college. 964-1969. Musical studies at the Musical Academy in Bucharest. It was the first year after WW2 when admittance in high school happened without the censorship of the " political file of the family ". The vigilance however remained complete and its effects increasingly harmful. He later followed, beginning with 1978, systematic studies of conducting and musical phenomenology with Sergiu Celibidache. 1964 Depressing atmosphere, with serious political pressure, harassing, when modern art was denounced and condemned to disappear, as well as those frequenting it. However those young years are full of impetus, of challenge and even some unexpected artistic success. The encounter of few extraordinary colleagues, enthusiastic and talented opened the opportunity of a new and real stimulation. From 1966, for two decades he launches into a fervent musicological and journalistic activity, trying, under difficult conditions, to engage his writing through the construction of an axiological, selective dimension of the Romanian musical culture of that time. He writes permanent editorials for important cultural magazines and newspapers such as "Luceafarul", "România Literara", than Radio broadcastings, articles in "Scânteia tineretului", "România libera", "Saptamâna Culturala" etc.

In 1967 he is awarded with the Prize for journalism of the LUCEAFARUL magazine for his " originality and sharpness ". In the same dreadful period, by its harsh ideological limitations, its dogmatism and sclerosis the musicological interventions of Dumitrescu quickly attracted the attention of officials who were preparing to attack. But it was necessary to reject to any risk the cultural repression. Firstly by drawing attention to other aesthetic attitudes, other names, and the marginalized ones - against those became the taboos, the untouchables "skills" of the time. It was necessary to propose another professional ethics, a new elite, imposing a new generation of composers. Thus, disarticulating one week after another the Establishment of the time, he became the official choice of the attacks, controversies, and charges in the official press, but could not be silenced. The activity as a musicologist, composer and performer (conductor) intersects from the very beginning. Febrile period 1964-1970: the young student is attracted and finds himself in the avant-garde movements. He desperately looks for scores, recordings, unpublished, innovative ideas: Stravinsky, Bartok, Webern, Schoenberg, Berg, Stockhausen, Boulez, Berio, Nono, Cage, Lutoslawski, Penderecki ... Frenetic Revelation of the modernity. The avant-garde. The atonalism, dodecaphony, Stochastics, the Aleatorism. First systematic explorations in composition. The unique role of Professor A. Mendelssohn, who during an important meeting expressed as " from all his students having made ​​progress, only for Iancu Dumitrescu composition represents the very life! " 1967 to 1969. As still a student, he realizes his first original compositions invested with an opus number thereafter: Diachronies "(I-II-III-IV) for piano, published in 1970 by" Gerig Musikverlage " recorded by WDR-Köln, Radio Madrid, Radio Brussels etc.). "Metamorphoses" for solo clarinet and 'Alternances (I-II) "string quartet, works later recorded by Radio România and Radio France. First discoveries of the sound core, the natural harmonics, the microscopic approach of the sound world etc. The idea of ​​acousmatic. The Spectralism - ideas that will remains central in his composition since. First presence of his works at Radio France - Grand Auditorium. World Premiere of "Multiple" for three percussion groups. The work was engraved little after for CBS Harmonia Mundi.

1974 to 1976. Dumitrescu configures the Hyperion Ensemble, an artistic group of performers and composers who will occupy for 40 years, one of the most important and dynamic role in Romanian music 1978 - He received a Scholarship from Sergiu Celibidache in Germany, after examinations, repeated interviews and extensive theoretical discussions with the Master. Since June 1978, systematic studies of general and musical phenomenology, and also conducting at the University of Trier and Munich. Sergiu Celibidache became for him the Master has always sought, to whom he always relates. He since joined the Husserlian Phenomenology - perspective that has led to important theoretical crystallization and to fertile creative conclusions, re-placing in question the principles of academic composition, petrified and deprived - as we can easily see - of any genuine creative impulse. After extensive explorations, he finally foresees his own vision on sonic world he has pursued since. Thus, the essential concepts of "phenomenological reduction" and "pure intuition" became functional in composition. According to Dumitrescu, it is the first time phenomenology is utilized as a true method of composition, which re-poses in question essential concepts, nevertheless hidden at that time: inspiration, vision, creativity, imagination.

1991 - Inauguration of the EDITION MODERN CD Label in collaboration with "RER Megacorp" - London. Until 2011 26 CDs with the music of Iancu Dumitrescu and Ana-Maria AVRAM were released, and distributed in United States, Canada, France, Germany, United Kingdom, Italy, Austria, Japan, Brazil, South Africa, Korea.. . Iancu Dumitrescu is considered one of the leaders of the spectral music trend at a worldwide level. In 1976 he founded the HYPERION Ensemble, proposing a new aesthetic in today's music, hyper-spectral, based on the radiant power of sound, within its microcosmic complexity - which is questioned, analyzed, re-composed ​​from a spectral perspective. Dumitrescu is also Founder and Artistic Director of the International Music Festivals of Computer Assisted Music Acousmania, Musica Nova, Musica Viva and the International Spectral Music Festival SPECTRUM XXI - held annually in three European capitals. His creation counts more than 200 works, chamber music, electro acoustic, orchestral music, computer music, etc.

His work is edited by Salabert (Paris), Editura Musicala (Bucharest) Gerig Musikverlage-Schott-Schöne (Köln). The LPs and Cds of his music are published by Edition RZ (Berlin) Generation Unlimited (United States), Escargot-Harmonia Mundi (France), Electrecord (Bucharest), Artgallery (Paris), ReR Megacorp (London), Bananafish (Los Angeles) Edition Modern (London-Bucharest). The musicological contributions of Iancu Dumitrescu have concretized in numerous articles such as "Structure & Freedom" (London, Resonance magazine), "Writing: Iancu Dumitrescu" in "Revue et Corrgiée " , Grenoble, "Iancu Dumitrescu: On The Inside Looking In" (Bananafish, Los Angeles ) "In the land of ninth sky : Iancu Dumitrescu Ana-Maria Avram" (Musicworks, Toronto) and in the book "Iancu Dumitrescu, Acousmatic Provoker" (ReR Megacorp, London)."

-Spectral Music (http://www.spectralmusic.org/Iancudumitrescu/Biography.html)
7/28/2021

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Composer, pianist, conductor, born in 1961 in Bucharest, Romania.1980-1985 - she accomplished studies of composition at the National University of Music- Bucharest1992 DEA of musical aesthetics at Sorbonne Paris1994 Great Prize of the Romanian AcademySince 1988 she is a Member of Hyperion Ensemble from Bucharest -group of composers and interpreters representing a new, experimentalist and innovative direction in Romanian music, she realized a lot of European tours, as well as conductor and composer.Her music incorporates the outward semblences of abstraction ofarchetypal sound, achieving its full development in the synthesis ofelectroacoustic and instrumental sources.Her music is affiliated with the spectral music trend. She represents with Iancu Dumitrescu the Hyper-Spectral trend in contemporary avant-garde music. Conductor with Dumitrescu of the Hyperion Ensemble.

Her music is spectral, acousmatic, heterophonic and transformational. She composed since now around 130 works, music for soloists, chamber music, music for orchestra, electronic music and computer assisted musicHer main works are : Threnia I-II , Orbit of Eternal Grace fororchestra and soloists, Ekagrata , Swarms , Seconde Axe , Un Aaggio Ardente for chamber orchestra, De Sacrae Lamentationem, InNomine Lucis , Chaosmos- for large orchestra, Zodiaque I-IV, Notturno I-II , Labyrinthe I-III , Signum Gemini , Ikarus I-IV , Traces, Sillons, Sillages, Doryphories , New Arcana, Ascent, Voices of the Desert, Telesma I-VII- electronic & instrumental music, Archae , Ç Metaboles , Axe , Quatre Etudes d'ombre, Ikarus-Kronos Quartet , Assonant I-III - instrumental andchamber musics, Horridas Nostrae Mentis Purga Tenebras, Nouvel Archae - computer assisted music.Her music is published by Edition Modern, Electrecord, EdituraMuzicala, Artgallery, ReR Megacorp, Musicworks, Bananafish..Her music was performed in New York, Los Angeles, Boston, Stanford, in Vienna (in the Wien Modern Festival in 1992 and 1994) at Paris (several times at Radio France and Theatre de la Ville ), in London (at Royal Festival Hall, Conway Hall, LSO St Luke's) Nancy, Allicante, Lisbon, Baden-Baden, Darmstadt, Moscow, Belgarde, Berlin,Minneapolis, etc.

Her works has been commissioned by prestigious ensembles such asKronos Quartet (San Francisco) Ç 20 Jahrhundert È from Vienna, soloists from l'Orchestre National de France, orchestras as Bucharest Philharmonic Orchestra, Romanian National Orchestra, Romanian Radio Chamber Orchestra, L'Orchestre de Chambre de Roumanie, etc.On the Abolition of the Soul - a Radio France commission was released on a double CD- Radio France, as an anthology of Prix Italia since 1949.Her music was commissioned by: Radio-France, Kronos Quartet, CCMIX (Paris) , Ars Nova Ensemble, Musiques Nouvelles (Mons), Ensemble Lucilin ( Luxembourg), Enemble Mosaik ( Berlin), Institut International de Musique Electroacoustique Bourges.Founder and director, with Iancu Dumitrescu, of the International Festival of Electronic andc Computer Music "Acousmania" Bucharest, - in partnership with Romanian Radio Broadcasting Corporation, "Musica Nova" International festival (Ploiesti), Spectrum XXI -(Paris, London, Geneva, Nrussels, Berlin, Mons, Bucharest), Siberfest 2007 ( Sibiu).Founder of the Romanian Community of Electronic and Computer Music ( 2004) . Vice- President of CIME ( Intenational Cummunity of Electronic Music - UNESCO).Edited by : " Edition Modern " ( London) , " Electrecord " (Bucharest) ,"Artgallery " (Paris ) , " ReR Megacorp " (London) , " Bananafish " (Los Angeles) , " Musicworks " (Toronto).Musicological contributions in" Musica "- Bucharest, " Bananafish "-Los Angeles, " Musicworks " - Toronto " ""- Bucarest, Axis Mundi, 1992. & CREMAC- 2006 - in collaboration with Harry Halbreich."

-Spectral Music (http://www.spectralmusic.org/Anamariaavram/Biography.html)
7/28/2021

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Stephen O'Malley (sometimes referred to as SOMA)[1] is a guitarist, producer, composer, and visual artist from Seattle, Washington who has conceptualized and participated in numerous drone doom, death/doom, and experimental music groups (the most notable of which is Sunn O)))).

O'Malley is a founding member of several groups including Sunn O))) (1998-present), Burning Witch (1995-1998), KTL (2005-present), and Khanate (2000-2006). Within these groups and alone, he has collaborated with a variety of artists including Greg Anderson, Merzbow, Eyvind Kang, Alan Moore, Iancu Dumitrescu, Ana-Maria Avram, F.M. Einheit, Randall Dunn, James Plotkin, Julian Cope, Joe Preston, Attila Csihar, Stuart Dempster, Peter Rehberg aka PITA, Lee Dorrian, Jóhann Jóhannsson, Nurse With Wound, the Japanese metal band Boris & Michio Kurihara, Jim O'Rourke, Keiji Haino, Daniel O'Sullivan & Kristoffer Rygg (in the free improvisation act Æthenor together with Steve Noble), Aaron Turner, Oren Ambarchi, Alexander Tucker, and percussionist Z'EV.[2]

O'Malley also produced work together with the French choreographer and theatre director Gisèle Vienne (the pieces "Kindertotenlieder" (2007), "Jerk" (2008), "Eternelle Idole" (2009), This Is How You Will Disappear (2010)),[3] Last Spring: A Prequel (2011), American sculptor Banks Violette (various projects between 2005-2009), the Italian performance artist Nico Vascellari (2007-2011), Swiss art collective KLAT (2009), and the Belgian film maker Alexis Destoop ("Kairos" (2010), with Oren Ambarchi).

O'Malley has directed and produced album cover art and design since the early 1990s for groups including Earth, Burzum, Emperor, Melvins and Boris. He has also worked as a rock/metal music journalist & published a black metal fanzine called Descent in the nineties. He was involved with creation of both the Southern Lord[4] label and the experimental/neofolk/black metal label The Ajna Offensive.[5] In 2011 he began curating and art directing the Ideologic Organ record label, in association with the Viennese Editions Mego.

Although he is originally from Seattle, O'Malley's Web site indicates that he lives in Paris, France."

-Wikipedia (https://en.wikipedia.org/wiki/Stephen_O'Malley)
7/28/2021

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. Crepuscule 52:01

2. MetalStorm 23:34
sample the album:








descriptions, reviews, &c.

"A ghostly visage on a cosmic scale, these remains of shocked, glowing gas haunt planet Earth's sky toward the constellation of Cygnus and form the Veil Nebula. The nebula itself is a large supernova remnant, an expanding cloud born of the death explosion of a massive star. Light from the original supernova explosion likely reached Earth over 5,000 years ago. Also known as the Cygnus Loop, the Veil Nebula now spans nearly 3 degrees or about 6 times the diameter of the full Moon. That translates to over 70 light-years at its estimated distance of 1,500 light-years. In fact, the Veil is so large its brighter parts are recognized as separate nebulae, including The Witch's Broom (NGC 6960) pictured left of center. At the top right you can Ūnd the Spectre of IC 1340.

Our GRM session with Iancu Dumitrescu "Crepescule" and Ana Maria Avram "Metalstorm". Primarily just the guitar parts (with some conversations and electronics in the background!) recorded at GRM December 2012. This session was kind of a tryout for these pieces ... which I wanted to record properly (as they never record their music in a studio that way). We used Neuman mics etc. A working session of the guitar mics with Iancu and Ana's computer music blasting on the studio Genelecs and bleeding through the mics, as well as conversation between the three of us and their verbal conduction.

I find that the character of this recording and the performance is very interesting, and acts nearly as an x-ray into the personal experience I have had performing with Hyperion Ensemble and working with Dumitrescu and Avram, from the other side of the instrument... yes it's music but material which is close to the feeling of unhinged dynamic of phenomena that both composers embody in their individual and idiosyncratic ways, which were at the same time synchronised and other volcanic and nebulous ways which opened up like an oyster.

In loving memorial to Ana-Maria."-Stephen O'Malley, Berlin May 2020

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