Intended originally as a solo performance related to NY saxophonist Chris Pitsiokos' Relative Pitch release Speak In Tongues, Pitsiokos decided instead to expand the gig to a trio with assertive and demanding players Kevin Murray on drums & objects, and Argentinian guitarist Javier Areal VŽlez, recording this savagely fun EP in the process.
Label: 1039 Records Catalog ID: 1039-01 Squidco Product Code: 29662
Format: CD Condition: New Released: 2020 Country: USA Packaging: Cardboard sleeve, sealed Recorded live at Downtown Music Gallery, in New York, New York, on January 12th, 2020,
"Pitsiokos, a gladiatorial player with monstrous technique, takes no prisoners, the curves and angles of his extended, circular-breathed, ecstatically inclined lines as clearly articulated as the muscles in his cheeks. Areal Velez - a sound sculptor - and Murray kept pace, taking the energy to high and even higher levels over a powerful half-hour-ful."-Tom Greenland, New York City Jazz Record
"Was this gig at New York's Downtown Music Gallery in January, 2020, a one-off performance? Saxophonist Chris Pitsiokos was scheduled to perform solo, probably to promote his extraordinary solo release Speak In Tongues (Relative Pitch, 2019), but chose instead to expand to a trio. And a new trio at that. This wasn't one of his recent trios with Max Johnson and Kevin Shea, Noah Punkt and Philipp Scholz, or Daniel Levin and Brandon Seabrook. Nor was it his expansive CP Unit, which has some excellent recordings on Portugal's Clean Feed Records.
The magical combination for this performance includes the Argentinian guitarist named Javier Areal Velez and drummer Kevin Murray. The trio's 1-track, 21-minute performance brings to mind the 1980s punk rock legends Minutemen. Not so much musically, but metaphysically. Velez is a member of several improv-noise- post-punk outfits including Calato, Coso, and el helicóptero. Murray will be heard on the upcoming William Parker multi-disc release coming in early 2021. Minutemen is mentiond because Pitsiokos' trio skates upon an gritty edge throughout the set. His alto saxophone sound can be described as that of a young John Zorn with a dash of Roscoe Mitchell. Skittering and incendiary notes are fired by both saxophone and guitar over the feral drumming of Murray, sounding not unlike a blender mix of Paal Nilssen-Love and Chris Corsano. By now, adventurous listeners need no introduction to Pitsiokos; it is through the combination of musicians that makes for the combustible nature of this recording."-Mark Corroto, All About Jazz