Kassel Jaeger, aka François J. Bonnet, a leading figure in electroacoustic and electronic music, presents an extended work of rich and warm layers, slowly unfolding and shifting as both detailed and clouded events emerge and disappear, the consistency and pacing of the work an impressive testament to his compositional control and inspiration.
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Label: Black Truffle
Catalog ID: BT 069LP
Squidco Product Code: 29641
Condition: Sale (New)
Recorde dby the artist.
Mastered by Giuseppe Ielasi.
Kassel Jaeger-composer, performer
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• Show Bio for Kassel Jaeger
"François J. Bonnet is a Franco-Swiss composer and electroacoustic musician based in Paris. In addition to being Director of INA GRM, Bonnet is also a writer and theoretician (The Order of Sounds, a sonorous Archipelago, The Infra-World and After Death are published in English by Urbanomic). As a musician, Bonnet often works under the project name Kassel Jaeger. He has been collaborating with artists such as Oren Ambarchi, Giuseppe Ielasi, Stephan Mathieu, Stephen O'Malley, Jim O'Rourke, Akira Rabelais or James Rushford.
Kassel Jaeger's works are a complex balance between concrète experimentalism, ambient noise, and electroacoustic improvisation. He has released several albums on various labels such as Editions Mego,Shelter Press,Black Truffle, Senufo Editions, Latency... His music has been played in renown venues and festivals all over the world such as Whitney Museum of American Art (US), Super Deluxe (JP), Atonal (DE), Accademia Chigiana (IT) Harvard Museum of Natural History (US), CTM (DE), SFEMF (US), El Nicho (MX), Ultima (NO), Elevate (AT) Madeiradig (PT), Donau Festival (AT)..."-Kassel Jaeger Website (http://kasseljaeger.com/about/)
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1. Meith Part 1
1. Meith Part 2
sample the album:
"A new composition in two parts from prolific composer/theorist François Bonnet. Usually operating under his Kassel Jaeger moniker, Bonnet is a major figure in contemporary electronics and electro-acoustic music, collaborating with artists such as Lucy Railton, Jim O'Rourke, and Stephen O'Malley, and releasing his work on labels including Editions Mego, Senufo, and Shelter Press. Always meticulously detailed yet immediately affecting, Bonnet's work situates itself at a very personal intersection between the traditions of academic electronic and electroacoustic music, and a more shadowy, underground group of approaches to experimental sound: kosmische Musik, the tape murk of the 1980s underground, the haunted ambience of Christoph Heemann & Co.
Meith immediately welcomes us into its densely layered sound world of electronic tones, positive organ, and unidentifiable field-recorded textures. Almost static yet constantly in flux, it deliberately opens itself up to repeated and varied listening: from a distance, its many voices cohere into a monolithic plane of sound, while closer inspection reveals myriad details and momentary events. Like a drop of ink spreading through water, harmonic material present in one voice gradually fans out into the whole arrangement, creating fleeting moments of unity amid the constantly shifting waves of tone and texture.
Far from the austerity of some contemporary electro-acoustic music, Meith affects the listener as overwhelmingly organic; its individual layers are unstable and at times near-chaotic, imbued with life. Though it can appear almost formless, the piece undergoes major shifts throughout its duration, from the austere dissonance of the opening moments to the surging harmonies that appear midway through the second side before the piece gradually dissolves into a spectral glimmer. Francis Plagne."-Black Truffle
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