"As a soloist, and chamber musician Erin has been described as "superb", "excellent", "brilliant" and "elegant". She has travelled to prestigious venues around the world including Carnegie Hall, Walt Disney Hall, the Muziekgebouw aan 't IJ (Amsterdam) and Alice Tully Hall where she performed the American premiere of Morton Feldman's For Flute and Orchestra with the Jancek Philharmonic. She has worked with some of the most prominent classical and popular artists today including Steve Reich, Beat Furrer, Helmut Lachenmann, Pierre Boulez, John Luther Adams, Charles Wuorinen, and David Lang, and experimental groups like Medeski Martin and Wood, and the Dirty Projectors. As a recording artist, Erin can be heard on Nonesuch, Cantaloupe, Carrier, Hat[now] Art, New Focus, Aeon, New Amsterdam, Albany and Capstone Record labels.

Erin is a founding member of the Argento Chamber Ensemble and was featured on the group's award winning recording Winter Fragments; music of Tristan Murail. Erin is also a member of Alarm Will Sound, a group that has been awarded the ASCAP Concert Music Award for "the virtuosity, passion and commitment with which they perform and champion the repertory for the 21st century" and which has been called the "future of classical music" by the New York Times. She is also a member of Wet Ink, a group that has been described as "thought-provoking and expansive and fearless in testing the limitations of what instruments or musical forms can be." She won the 2008 National Flute Association chamber music competition with her flute and percussion duo, Due East.

Lesser completed a two-year fellowship with The Academy, a program run by Carnegie Hall, the Juilliard School and the Weill Music Institute. She is now a member of Decoda, an affiliate ensemble of Carnegie Hall, whose work often takes them beyond the concert hall and into the broader community.

A graduate of the University of Ottawa (BM) and the Manhattan School of Music (MM, DMA), Erin is proud to serve on the faculty at Lawrence University. Through a partnership between Lawrence University and Decoda, Erin is co-founder of Music for All, a program which brings music into new and/or underserved venues throughout the Fox Valley community in Wisconsin."

"Josh Modney is a violinist and creative musician working at the nexus of composition, improvisation, and interpretation. A "new-music luminary" (The New York Times) hailed for "jaw-dropping technical skill..." and as "one of today's most intrepid experimentalists" (Bandcamp Daily), Modney is a foremost interpreter of adventurous contemporary music, and has cultivated a holistic artistic practice as a composer, solo improviser, bandleader, music director, writer, arts administrator, and collaborator.

Modney is the violinist and Executive Director of the Wet Ink Ensemble, a member of the International Contemporary Ensemble, and the music director of Kate Soper's opera The Romance of the Rose, and he has worked closely with leading composers of his generation including Alex Mincek, Sam Pluta, Eric Wubbels, Tristan Perich, and Rick Burkhardt, and with major figures including Kaija Saariaho, Mathias Spahlinger, Helmut Lachenmann, George Lewis, and Pauline Oliveros.

Modney has composed music for violin solo, chamber ensemble, and film ("Dreamland", Paramount Pictures), released an album of improvised chamber music with guitarist Patrick Higgins, EVRLY MVSIC (NNA Tapes), and has a forthcoming album of quartet music written for acclaimed creative musicians Ingrid Laubrock (saxophones), Mariel Roberts (cello), and Cory Smythe (piano). Modney's triple-disc debut solo release, Engage (New Focus Recordings), featuring works written for Modney alongside music by Anthony Braxton, J.S. Bach, and Modney's own solo violin music, was lauded by The New York Times as "one of the most intriguing programs of the year", and was recognized on Best of 2018 lists by Sequenza21 and Bandcamp. Modney's writing on Just Intonation and collaborative musical practices has been published on Sound American and New Music Box, and he has served as the editor of Wet Ink Archive, an online journal of adventurous music, since its launch in May 2020."

"Kate Soper is a composer, performer, and writer whose work explores the integration of drama and rhetoric into musical structure, the slippery continuums of expressivity, intelligibility and sense, and the wonderfully treacherous landscape of the human voice. She has been hailed by The Boston Globe as "a composer of trenchant, sometimes discomfiting, power" and by The New Yorker for her "limpid, exacting vocalism, impetuous theatricality, and mastery of modernist style." A Pulitzer Prize finalist, Soper has received awards from the Guggenheim Foundation, the American Academy of Arts and Letters (The Virgil Thomson and Goddard Lieberson awards and the Charles Ives Scholarship), the Koussevitzky Foundation, Chamber Music America, the Lili Boulanger Memorial Fund, the Music Theory Society of New York State, and ASCAP, and has been commissioned by ensembles including the Los Angeles Philharmonic, the American Composers Orchestra, and Yarn/Wire. She has received residencies and fellowships from the Civitella Raineri Foundation, the Radcliffe Institute for Advanced Study, the Camargo Foundation, the Macdowell Colony, Tanglewood, Royaumont, and Domaine Forget, among others.

Praised by the New York Times for her "lithe voice and riveting presence," Soper performs frequently as a new music soprano. She has been featured as a composer/vocliast on the New York City-based MATA festival and Miller Theatre Composer Portraits series, the Chicago Symphony Orchestra's MusicNOW series, and the LA Philharmonic's Green Umbrella Series. As a non-fiction and creative writer, she has been published by Theory and Practice, the Massachusetts Review, and the Journal of Interdisciplinary Voice Studies.

Soper is a co-director and performer for Wet Ink, a New York-based new music ensemble dedicated to seeking out adventurous music across aesthetic boundaries. She teaches composition and electronic music at Smith College."

"Alex Mincek (b. 1975) is a New York-based composer and performer. He studied composition with Tristan Murail and Fred Lerdahl at Columbia University (DMA) and with Nils Vigeland at the Manhattan School of Music (MA). He is currently the saxophonist, bass clarinetist, and artistic director of the Wet Ink Ensemble, a group dedicated to contemporary music, which he founded in 1998.

Mincek's music has been programmed at venues and international festivals including Carnegie Hall, Miller Theatre, the Strasbourg Musica Festival, Festival Présences of Radio France, Festival Archipel in Geneve, Voix Nouvelles at the Abbaye de Royaumont in Paris, Festival des Musiques Démesurées in Clermont-Ferrand, the Internationales Musikinstitut Darmstadt (IMD), Unerhörte Musik in Berlin, the Contempuls Festival in Prague, and the Ostrava New Music Days.

Mincek has collaborated with ensembles including the Orpheus Chamber Orchestra, Les Percussions de Strasbourg, the Janacek Philharmonic, Ensemble Cairn, Ensemble Le Balcon, Ensemble Linea, Ensemble XXI, Wet Ink Ensemble, SEM Ensemble, Present Music, Talea Ensemble, Dal Niente, Yarn/Wire, Mivos and the JACK Quartet. Mincek's music has also been recognized through commissions and awards from major arts institutions such as the Guggenheim Foundation, the French Ministry of Culture, the American Academy of Arts and Letters, the National Foundation for Advancement in the Arts, ASCAP, the National Endowment for the Arts, MATA, Radio France, the Barlow Endowment, Meet The Composer and the Issue Project Room."

"Eric Wubbels (b.1980) is a composer and pianist, and a Co-Director of the Wet Ink Ensemble.

His music has been performed throughout Europe, Asia, Australia, and the U.S., by groups such as Wet Ink Ensemble, Mivos Quartet, yarn|wire, Splinter Reeds, Kupka's Piano (AUS), SCENATET (DK), Hong Kong New Music Ensemble, and featured on festivals including Huddersfield Festival, Chicago Symphony MusicNOW, New York Philharmonic CONTACT, MATA Festival, and Zurich Tage für Neue Musik.

Wubbels has been awarded grants and fellowships from the American Academy of Arts and Letters, NYFA, NYSCA, Fromm Foundation, Chamber Music America, ISSUE Project Room, MATA Festival, Barlow Endowment, Jerome Foundation, and Yvar Mikhashoff Trust, and residencies at the MacDowell Colony ('11, '16, '20), Copland House, L'Abri (Geneva), Djerassi Resident Artists Program, and Civitella Ranieri Center (Italy).

As a performer, he has given U.S. and world premieres of works by major figures such as Peter Ablinger, Richard Barrett, Beat Furrer, George Lewis, and Mathias Spahlinger, as well as vital young artists such as Rick Burkhardt, Francesco Filidei, Erin Gee, Bryn Harrison, Clara Iannotta, Darius Jones, Cat Lamb, Ingrid Laubrock, Charmaine Lee, Alex Mincek, Sam Pluta, Katharina Rosenberger, and Kate Soper.

He has recorded for Carrier Records, hatART, Intakt, New Focus, Spektral (Vienna), quiet design, and Albany Records, among others, and has held teaching positions at Amherst College and Oberlin Conservatory."

"Percussionist Ian Antonio's breadth of experience - concertizing across four continents with a wide variety of chamber ensembles, orchestras, experimental rock bands, avant-garde theatre companies, and as a soloist, conductor, and educator - has led him to develop a unique sound and approach to both performing and teaching.

Ian is a founding member of the piano percussion quartet Yarn/Wire. Hailed as "mesmerizing and dynamic" by the New York Times, the ensemble is known for the energy and precision it brings to performances of today's most adventurous music. Yarn/Wire has appeared at prestigious venues across the globe, including Lincoln Center, Brooklyn Academy of Music, Library of Congress, Edinburgh International Festival, Barbican Centre, and Shanghai Symphony Hall. The ensemble has held residencies at institutions such as Columbia University, Harvard University, Stanford University, and ISSUE Project Room, among many others. In 2016, Yarn/Wire won 1st Prize / Open at the University of Michigan's inaugural M-Prize, the largest chamber music competition in the world. The ensemble has premiered over one hundred new works, released nine albums, and continually advocates for this exciting emerging repertoire.

Ian is a core member of the Wet Ink Ensemble, a collective of composers and performers. Formerly the Ensemble-in-Residence at Duke University, Wet Ink most commonly performs as a septet comprised of a core group of composer-performers that collaborate in a band-like fashion, writing, improvising, preparing, and touring pieces together over long stretches of time. This approach, honed over 20 years, has led to an incomparable body of work marked by a keenly developed performance practice, played in concert with ferocity, commitment, and expressivity. In demand at both domestic and international venues, Wet Ink's performances "combine striking stylistic and aesthetic assurance with technical perfection." (Dissonanz Switzerland)

Ian is also a member of the percussion ensemble Talujon. The group's sextet configuration allows Talujon to produce large-scale and oft-neglected percussive masterworks as well as new pieces written for the ensemble. Described by the New York Times as possessing an "edgy, unflagging energy", the ensemble has been championing percussive music for well over two decades. Since joining the group in 2011, Ian has performed with Talujon at the Metropolitation Museum of Art, Bang on a Can Marathon, BAM Next Wave Festival, and elsewhere across the country.

From 2003-2012 Ian was a member of the difficult-to-categorize trio Zs. With Zs, Ian toured both domestically and abroad, recorded extensively, and made composed / improvised "conceptual art objects that set form and content against each other - like, say, a perfect birthday cake made out of sawdust, or a perfect hammer made out of bird feathers." (New York Times) Equally at home in lofts, basements, galleries, and festivals, Ian performed with Zs at many prominent jazz festivals including the Germany's Moers Festival, Switzerland's Jazz Festival Willislau, and Tokyo's Club Unit. The band's 2010 album, New Slaves, was named Album of the Year by Tiny Mix Tapes and appeared on numerous best-of lists.

Ian is currently a member of the faculty at Purchase College where he teaches private lessons, rep class, and a hand drumming workshop, among other duties. He also leads percussion activities for the Norwalk Youth Symphony program. In past years, Ian has been on faculty and guest lectured at Stony Brook University, Adelphi University, Montclair State University, Franklin Pierce University, 92nd Street Y, Henry Street Settlement, and the New York City Department of Cultural Affairs.

Ian has recorded over 40 albums for the Nonesuch, Kairos, Warp, Tzadik, Carrier, Social Registry, Populist, Distributed Objects, Planaria, Sockets, Hot Cup, Quiet Design, and Three One G record labels, among others. He has also performed with the International Contemporary Ensemble, Theatre of a Two-Headed Calf, SEM Ensemble, Argento Chamber Ensemble, Albany Symphony, Boston Symphony, BBC Symphony Orchestra, London Sinfonettia, Los Angeles Philharmonic, and worked with composers, conductors, and soloists such as Seigi Ozawa, Kurt Masur, Charles Dutoit, Mstislav Rostropovich, Yefim Bronfman, Helmut Lachenmann, Enno Poppe, John Adams, and Kaija Saariaho.

Ian was born in 1981 and grew up in Albany, NY, studying percussion with Richard Albagli and performing with the Empire State Youth Orchestra and Percussion Ensemble. He moved to New York City to attend the Manhattan School of Music and study with James Preiss, Duncan Patton, Christopher Lamb, Eric Charleston, and Claire Heldrich. Ian completed his studies with Eduardo Leandro at Stony Brook University. Ian holds a B.M. from the Manhattan School of Music and an M.M. and D.M.A. from Stony Brook University. He has also attended the Tanglewood Music Center and Yellow Barn festivals. At Night Music publishes Ian's music, including solos for marimba, percussion ensembles, and audition pieces. Ian proudly plays Pearl/Adams instruments, Paiste cymbals and gongs, uses Vic Firth sticks and mallets, and Black Swamp accessories."

"Sam Pluta is a New York City-based composer, laptop improviser, electronics performer, and sound artist. Though his work has a wide breadth, his central focus is on the laptop as a performance instrument capable of sharing the stage with groups ranging from new music ensembles to world-class instrumental improvisers. By creating unique interactions of electronics, instruments, and sonic spaces, Pluta's vibrant musical universe fuses the traditionally separate sound worlds of acoustic instruments and electronics, creating sonic spaces which envelop the audience and resulting in a music focused on visceral interaction of instrumental performers with reactive computerized sound worlds. As a composer of instrumental music, Sam has written works for Wet Ink Ensemble, International Contemporary Ensemble, Yarn/Wire, Timetable Percussion, Mivos Quartet, RIOT Trio, Ensemble Dal Niente, Jessie Marino, Mantra Percussion, TAK, Dave Eggar, and Prism Saxophone Quartet. His compositions range from solo instrumental works to pieces for ensemble with electronics to compositions for large ensemble and orchestra. In addition to acoustic and electro-acoustic works, Pluta has written extensive solo electronic repertoire ranging from multi-channel acousmatic compositions to solo laptop works with video to laptop ensemble compositions for up to 15 players.

As an improviser, Sam has collaborated with some of the finest creative musicians in the world, including Peter Evans, Evan Parker, Ikue Mori, Craig Taborn, Jim Black, Anne La Berge, and George Lewis. Sam is a member of multiple improvisation-based ensembles, the jazz influenced Peter Evans Quintet, the free improvisation-based Rocket Science (with Evan Parker, Craig Taborn and Peter Evans), the analog synth and laptop duo exclusiveOr (with Jeff Snyder), his longstanding duo with Peter Evans, and the New York City-based power group Sonic Overload (with Jim Altieri, Dan Peck, Tom Blancarte, Peter Evans, and Jeff Snyder). Sam has also performed with the Evan Parker Electro-Acoustic Ensemble. With these various groups he has toured Europe and America and performed at major festivals and venues, such as the Lucerne Festival in Switzerland, the Moers and Donaueshingen Festivals in Germany, Bimhuis in Amsterdam, and The Vortex in London. Sam is the Technical Director for the Wet Ink Ensemble, a group for whom he is a member composer as well as principal electronics performer. As a performer of chamber music with Wet Ink and other groups, in addition to his own works, Sam has performed and premiered works by Peter Ablinger, Karlheinz Stockhausen, Katharina Rosenberger, George Lewis, Ben Hackbarth, Alvin Lucier, Chiyoko Szlavnics, Alex Mincek, Kate Soper, and Eric Wubbels among others.

Dr Pluta studied composition and electronic music at Columbia University, where he received his DMA in 2012. He received Masters degrees from the University of Birmingham in the UK and the University of Texas at Austin, and completed his undergraduate work at Santa Clara University. His principal teachers include George Lewis, Brad Garton, Tristan Murail, Fabien Levy, Scott Wilson, Jonty Harrison, Russell Pinkston, Lynn Shurtleff, and Bruce Pennycook. A dedicated pedagogue, Sam teaches Composing with Sound and Technology and Improvisation at Bennington College. From 2011-15 he directed the Electronic Music Studio at Manhattan School of Music, and has taught Music Humanities and The History of Sound Art at Columbia University. For the past 15 years he has taught composition, musicianship, electronic music, and an assortment of specialty courses at the Walden School, where he also serves as Director of Electronic Music and Academic Dean."