Created by Felicie Bazelaire, CoO is a string ensemble drawn from the French new music ensemble ONCEIM; CoO develops new repertoire for strings, collaborating with composers like Bertrand Denzler, who wrote this innovative composition "Arc" in two parts, a work applying unusual techniques to bowed strings, particularly lower bass tones, for fascinating results.
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Sample The Album:
Bertrand Denzler-composer
Patricia Bosshard-violin
Cyprien Busolini-alto saxophone
Elodie Gaudet-alto saxophone
Anais Moreau-cello
Felicie Bazelaire-double bass
Benjamin Duboc-double bass
Fred Marty-double bass
Click an artist name above to see in-stock items for that artist.
UPC: 34915700033428
Label: Potlatch
Catalog ID: P119
Squidco Product Code: 27620
Format: CD
Condition: New
Released: 2019
Country: France
Packaging: Cardboard Gatefold
Recorded at La Muse en Circuit, in Paris, France, on May 25th, 2018, by Camille Lezer.
"Created by Felicie Bazelaire, CoO is a string ensemble bringing together string players of ONCEIM. CoO aims to build new directions in instrument research, and create a new repertoire for bowed strings. Felicie Bazelaire works with musicians who are composers and improvisers such as Bertrand Denzler with this composition Arc. The fruitful collaboration between musicians and composer helps to organize new ways of playing, and produce minimalist and innovative forms. Score gives priority to specific techniques applied to bowed strings, allowing musicians to experiment rich material, and focus on collective sound potentials."-Potlatch
"This release is particularly welcome as Potlatch Records has not released an album since Infra by Pascale Criton, in September 2017. As the label issued its first album-No Waiting, by Derek Bailey & Joëlle Léandre-in 1998, this is an opportunity to mark the ground-breaking label's twentieth anniversary, and send congratulations to proprietor Jacques Oger. It is fitting that an album featuring Bertrand Denzler marks the occasion, as he has been a Potlatch regular, in various guises.
Recently, saxophonist Denzler has gradually been transforming from performer (as on his 2011 Potlatch solo album Tenor ) to performer/composer (the 2015 Confront release Morph with ONCEIM) to composer (the 2018 Confront Collector Series album Basse Seule , written by Denzler, performed solo by bassist Félicie Bazelaire).
Although the cover of Arc credits Bertrand Denzler / CoÔ, its music was written by Denzler and performed by the seven-member CoÔ, which consists of the bowed strings from ONCEIM (l'Orchestre de Nouvelles Créations, Expérimentations et Improvisation Musicales, incidentally), including the septet's founder Bazelaire as one of its three double basses, alongside a cello, a violin and two violas. So, after writing for one bass on Basse Seule Denzler has now written for seven strings. The music here consists of the eighteen-minute "Arc 1.1" and the twenty-three minute "Arc 2.1."
Straight from the start of "Arc 1.1" it is clear that we are not in conventional string quartet territory, nor in that of improvising string ensembles such as Stellari String Quartet or Barrel. Having seven stringed instruments, in particular those three double basses, gives a rich, bottom-heavy soundscape which resembles that of an orchestra more than a quartet or trio. Denzler's compositions exploit those characteristics to the full. Although Basse Seule consisted mainly of a series of short études for bass, with a couple of longer pieces, the two Arc tracks have the same composer's fingerprints on them. Both make extensive use of long arco bass notes which never approach drone territory, but serve to underpin the music.
"Arc 1.1" consists of eighteen pieces ranging in length from thirty to seventy-five seconds, most being around fifty seconds long. The pieces are separated by breaks and so stand alone, although employing similar sounds. They are not particularly melodic, sounding as if they were written for dramatic effect, occasionally employing extended playing techniques to achieve this. The overall impression is like a cinematic soundtrack where short bursts of music fit particular scenes; in this case, given the album cover's beautiful spacey images, the appropriate scenes might involve the aliens' mother ship hovering just above a terrified city while the inhabitants anxiously wait to learn their fate...
In contrast, "Arc 2.1" consists of two extended pieces of about eleven minutes each, separated by a short break. Their lengths give the composer and performers a larger canvas to work with and they fully exploit that; in particular, the violin, violas and cello are far more in evidence, their parts being well-framed by the ever-present basses. As before, long arco notes prevail and merge together to amply fill the soundscape, creating rich, relaxing music in which it is very easy to drift off and lose oneself; this would be the ideal musical accompaniment to lying on one's back on a warm summer's evening and gazing up at the heavens, free of alien mother ships, of course. Exquisite. (Try it as you listen to the YouTube sample of the piece, below.)
On this showing, we must hope that Denzler continues to expand his composing activities... without abandoning his playing, of course."-John Eyles, All About Jazz
Get additional information at All About Jazz
Artist Biographies
• Show Bio for Bertrand Denzler ^ Hide Bio for Bertrand Denzler • Show Bio for Patricia Bosshard "Patricia Bosshard is a composer and violonist from Lausanne in Switzerland, having a musical background both in jazz as well as in electronics. Besides numerous gigs in the free impro-scene as soloist, with small groups or in big orchestras (ONCEIM, IMO), she collaborates with the video artist Nicolas Wintsch, composes orchestral music for film and for contemporary ensembles. She produced the acoustic signals for the Metro M2 in Lausanne. Winner of the Luffʼs price with Simon Grab with the MRI project, electronicmusic with MRI sounds. Artist resident at the Steim in 2012, working on a sensorbow. Her language elaborates a very fine listening into the sound." ^ Hide Bio for Patricia Bosshard • Show Bio for Cyprien Busolini "Cyprien Busolini: violist Born in 1978. After classical studies of viola, Cyprien Busolini focuses mainly on contemporary repertoire and improvisation. He obtained a first viola prize at the CNR Rueil-Malmaison in the class of Françoise Gneri, then he perfected with P.Faure and P.H.Xuereb. His great interest in contemporary music and especially new works allows him to work with many composers like L.Naon, HULehmann, T.Johnson, JLGuionnet ... He has also played or created some of their solo pieces or sets. Improvisation allows him to work on other sound fields and to explore his instrument in a more personal way, notably on non-melodic and non-harmonic parameters but more focused on the matter of sound. Regularly, he works with dancers, actors, either in improvisation or for shows whose musical part he elaborates. On the other hand, he occasionally runs improvisation workshops for children. He currently plays in different ensembles, Dedalus, Onceim, and various groups of improvisation as well as in the whole Fratres, old music ensemble on old instruments. He has made several solo or Dedalus ensemble recordings, the Diagonal ensemble, but also with Garth Knox and various improvisational discs." ^ Hide Bio for Cyprien Busolini • Show Bio for Anais Moreau "Anaïs Moreau - cello - Graduated from the Royal College of Music in London ; plays with Nomos, Laborintus, IMPACT, WARN!NG ; works with various composers such as Tomas Bordalejo, Stefano Bonilauri, François Rossé etc ; teaches cello at the Pantin conservatory." ^ Hide Bio for Anais Moreau • Show Bio for Felicie Bazelaire "Felicie Bazelaire is a cello and double bass player based in Paris. She shares her time in different ways : between concerts and performances, studying pedagogy through a Masters degree at the Conservatoire National Supérieur de Paris, and teaching at the Orsay and Auxerre's conservatory. She is interested in classical music (chamber music) and contemporary music with her solo projects (improvisation, compositions, performances/actions...), the Hodos ensemble and the ONCEIM (a french improvised large orchestra led by Frederic Blondy). She is curious about the link between musicians, composers, improvisers and the actual music." ^ Hide Bio for Felicie Bazelaire • Show Bio for Benjamin Duboc "Benjamin Duboc is a very strong voice on double bass, born 1969, studied with JF Jenny-Clark & Bernard Cazauran, and has played with many great musicians (as Ernest Dawkins, Bertrand Denzler, Roy Campbell, Jean-Luc Cappozzo, Sabir Mateen, Byard Lancaster, Daniel Erdmann, Abdelahaï Bennani, Michel Doneda, Daunik Lazro, Sunny Murray, John Betsch...). And also with Henry Grimes for a great duet in Paris. He leads the "Nuts" quintet with Itaru Oki & Rasul Siddik on trumpets, & Makoto Sato & Didier Lasserre on drums. He plays in "The fish" with Jean-Luc Guionnet on alto sax & Edward Perraud on drums (double cd on Ayler Records) and Rocks in the Sea with Mario Rechtern, Eric Zinman and Didier Lasserre. Benjamin has a beautiful and big sound, you really feel the ground while hearing him... it's somethin' ! He also is recorded on Amor Fati, Futura Marge, Creative sources, le petit label, sansbruit." ^ Hide Bio for Benjamin Duboc • Show Bio for Fred Marty "Fred Marty was born in Blaye (Gironde) in 1970. After studying classical bass studies, he devoted his work to improvisation and experimentation of various game modes on bass. He strives to develop a personal language, inspired by everyday sounds, making some forget the bass itself (distorted sounds, harmonics "gaps" in incomplete or misleading spectrum percussion sounds without specific height, sounds The rubbing of the fingers or the hand on the body of the double bass). He also modifies the timbre by inserting between ropes of wooden or metal rods. Each part of the body of the double bass becomes an instrument of its own. Thus, co-creation he also collaborated in multidisciplinary projects combining dance, music, and video playback, including Anne Ropers collective recidiva in UNICA, a project calling itself "night moves" around the collection of poems of the same Title of Henri Michaux, or with Bérengère Altieri-Leca in the duo OKAMI. Fred Marty has played with Yuko Oshima, Ai Watanabe, Birgitte Lyregaard, Yoko Arai, Frederic Blondy, Edward Perraud, Itaru Oki, Claude Speaks, Xavier Lopez, Michel Doneda Sebastien Bouhana, Marcos Fernandes, Usui Yasuhiro, Alvise Sinivia Michael Nick, Daunik Lazro, Isabelle Duthoit, Benoit Cancoin, Matsumoto Kenichi, Jean Marc Foussat, Yoko Arai, Eric Dambrin John Cuny, Jean Brice Godet, Alexandre Bellenger, Nush Werchowska Mathieu Garrouste Pascal Marzan, Cyprien Busolini, Nicolas Souchal, Deborah Walker, Patricia Bosshard, Jean-Marc Foussat, Yoko Miura, Francesco Pastacaldi Richard Comte, Hideo Ikegami, Ugo Boscain and works with dancers of butoh Gyouhei Zaitsu, Maki Watanabe and dancer Bérengère Altieri-Leca. Since 2012 he is a member of ONCEIM, an orchestra conducted by Frédéric Blondy." ^ Hide Bio for Fred Marty
10/2/2024
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10/2/2024
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Track Listing:
1. Arc 1.1 17:57
2. Arc 2.1 23:05
Improvised Music
Free Improvisation
European Improvisation, Composition and Experimental Forms
Stringed Instruments
Septet recordings
Compositional Forms
New in Compositional Music
Search for other titles on the label:
Potlatch.
 | Onceim (Orchestre de Nouvelles Creations, Experimentations et Improvisations Musicales Laminaire (Relative Pitch) |
| ONCEIM is the French ensemble of over 30 distinguished musicians directed by Frédéric Blondy, drawing on jazz, free improv, experimental and contemporary music as they evolve impressively detailed works from subtle restraint to controlled swells, heard in live performances from 2018 at Eglise Saint-Merry in Paris and at La Muse en Circuit in 2020, plus a 3rd studio session from 2020. | |
 | Hubbub (Blondy / Denzler / Guionnet / Mariage / Perraud) abb abb abb (Relative Pitch) |
| With prior albums on For4Ears and Matchless, the French electroacoustic (with an emphasis on "acoustic") free improvising quartet Hubbub of Frédéric Blondy (piano), Bertrand Denzler (tenor sax), Jean-Luc Guionnet (alto sax), Jean-Sébastien Mariage (guitar), and Edward Peraud (percussion) present two extended, perfectly paced improvisations of stunning interplay and incredible technique. | |
 | Niggenkemper, Pascal Bloc [BOX SET] (Subran Music) |
| A 6-CD box set in a magnetic snap case compiling double bassist Pascal Niggenkemper's musical journey between the years 2017-2022, in a variety of creative approaches improvising in acoustic and electroacoustic settings, from solo work through collaborations in trio, quartet and large ensembles; an absolutely magnificent presentation of his diverse work. | |
 | Eno, Brian Performed by Dedalus Ensemble Discreet Music / Music For Airports / Tuesday Afternoon [2 LPs] (Sub Rosa) |
| The French Dedalus Ensemble render three works from the ground-breaking ambient work of Brian Eno--Discreet Music (1975), Music for Airports (1978), and Thursday Afternoon (1985)--performed as an 11-piece acoustic ensemble and remaining faithful to the introspectively intelligent intention and peaceful elegance of Eno's original electronic works. | |
| Bosshard, Patricia Onceim-CoO (Potlatch) | |
 | Umlaut Big Band Mary's Ideas [2 CDs] (Umlaut Records) |
| Rare and newly discovered works from jazz composer and pianist Mary Lou Williams performed by the Umlaut Big Band in their series of portraits of forgotten jazz artist, here taking a broad look at the prodigious career of this essential and gifted pianist, composer & arranger, whose influence on swing and early be-bop deserves this fitting and inclusive overview. | |
 | Lingens, Hannes Music For Strings (Edition Wandelweiser Records) |
| Four compositions for strings from German composer Hannes Lingens, including the three-part "Triptych" work performed by the Ensemble CoÔ, a septet directed by bassist Félicie Bazelair that emphasizes bowed strings; and two solo works performed by Bazelair: "Methods and Materials" & "Solo for String Instruments" employing advanced approaches to the double bass. | |
 | Euphorium_freakestra Grande Casino [3 CDS] (Euphorium) |
| A truly diverse set of improvisations, from solo work to large scale ensemble, as Euphorium_Freakestra are joined by European Free Jazz legends, drummer Baby Sommer and double bassist Barry Guy, in a band with leader & pianist Oliver Schwerdt, plus Bertrand Denzler, Burkard Beins, John Eckhardt, Pierre-Antoine Badaroux, Patrick Schanze, Daniel Beilschmidt & Freidrich Kettlitz. | |
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| A burning album of free jazz caught live at Au Topsi Pohl, in Berlin, Germany in 2019 between the long-running duo of tenor saxophonist Bertrand Denzler and drummer Antonin Gerbal, best known for their work in Zoor or Denzler-Gerbal-Dorner, here working an "Interstellar Space" area of strength and energy through intense interaction and cathartic playing. | |
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| An exquisite and mysterious album of free improvisation merging acoustic and subtle electroacoustic elements, from the trio of Bertrand Denzler on tenor saxophone, Ernesto Rodrigues on viola and Abdul Moimeme on electric guitar & objects, recording in the studio for this extensive work in four parts that transitions between moments of transfixing sound and cautious motion. | |
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| A live performances at CreativeFest 2018 in Lisbon from the electroacoustic quartet of Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, Fred Marty on double bass, and Carlos Santos on electronics, the title translating to "On our footsteps in the light of day" as the improvisers merge strings and electronics through spirited and radiant playing. | |
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| Inspired by a work by John Stevens from 1991, Mark Wastell developed this work merging narration and improvisation by transcribing the text from Steven's performance, preseanted here by an electroacoustic ensemble including Phil Durrant, Dominic Lash, Bertrand Denzler, Jennifer Allum &c, yielding an enveloping and fascinatingly mysterious piece presented in two versions. | |
 | Isotope Ensemble Radium (Creative Sources) |
| Recorded at CreativeFest#12 in Lisbon at O'Culto de Ajuda, the 21-piece electroacoustic ensemble Isotope takes on the chemical element Radium in a gripping piece of evolving improvisation, intensely restrained and extremely detailed, orchestrated with cello, baroque violin, double bass, acoustic & electric guitars, zither, psaltery, winds, brass, keys, electronics and percussion. | |
 | Kassap, Sylvain / Benjamin Duboc Le Funambule (Dark Tree Records) |
| With mystery and drama the duo of clarinetist Sylvain Kassap and double bassist Benjamin Duboc start their performance with whisperings, Kassap's expanded range and vocabulary on the clarinet evocative against Duboc's strong bowing and plucking, as they both take their listeners across a tightrope of carefully balanced, masterfully evolving free conversation. | |
 | String Theory Krypton (Creative Sources) |
| The Portuguese large improvising ensemble String Theory is heard live during the CreativeFest#12, at O'Culto da Ajuda, in Lisbon, Portugal in 2018, in an extended improvisation of incredible layering and restraint, making an amalgam of mostly acoustic string sources sound electronic and hallucinatory, an incredible achievement in string sonics. | |
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| Exploring new ways of interplay within a classic jazz trio setting, "Zyklus 1" or "Cycle 1" is the 3rd album from the trio of Bertrand Denzler on tenor saxophone, Joel Grip on double bass, and Sven on Ake Johansson on drums, a double CD + poster of four improvisations that reference "Time" through masterful technique and superb collective free jazz. | |
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| Austrian violinist and composer Irene Kepl met French double bassist Fred Marty joined in the studio in France in 2018 to record this lively album of string interactions, both players showing masterful skills informed by classical and improvisational training, shown through impressive and mischievous technique and dialog that "Pirouettes", "Rolls", "Skids" and even takes a "U-Turn". | |
 | Rodrigues, Ernesto / Guilherme Rodrigues / Fred Marty / Carlos Santos Jardin Carre (Creative Sources) |
| French double bassist Fred Marty joins Creative Sources core performers, violist Ernesto Rodrigues, cellist Guilherme Rodrigues and electronic artist Carlos Santos for an extensive improvisation exploring both lyrical and pointillistic improvisation, themed loosely around a garden quartet or frame, the music detailed, active and formidably sophisticated. | |
 | Trio Sowari Third Issue (Mikroton Recordings) |
| Only their 3rd album since 2005, the trio of Phil Durrant (modular and software synthesizers), Bertrand Denzler (tenor saxophone) and Burkhard Beins (percussion and objects) went into the studio in Berlin to record four tracks that bring the distinct skills of each player into focus while accentuating the tremendous concentration and interplay each brings, a real achievement. | |
 | Grimal, Alexandra / Benjamin Duboc / Valentin Ceccaldi Bambu (Ayler) |
| An unusual and captivating work from the trio of saxophonist Alexandra Grimal, double bassist Benjaim Duboc, and cellist Valentin Ceccaldi, leading their album with tracks from "Respirer l'ombre" by Giuseppe Penone "spontaneously used without permission but with great admiration," leading to powerful and unpredictable directions in free improvisation; excellent. | |
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| This duo arose from the meeting between two violists avid to confront with their instrumental double to create a common sound universe from the same instrument played by two different personalities. | |
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| Luis Lopes put together this international group including Sei Miguel, Joe Giardullo & Benjamin Duboc for gigs in Portugal, which worked so well that they went to the studio for this impressive release. | |
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| Bassist Duboc's two part symphony with dual drummers and dual trumpeters is a journey that aims at the creative free improvisation of groups like the Art Ensemble, AACM, BAG, &c. | |
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