The Squid's Ear Magazine


den Boer Salmom, Miriam / Ernesto Rodrigues / Fredrik Rasten / Guilherme Rodrigues: A Late Evening I (Creative Sources)

A subtle album of acoustic interaction recorded at Berlin's Noiseberg from the quartet of Miriam den Boer Salmon on violin, Ernesto Rodrigues on viola & zither, Fredrik Rasten on acoustic guitar, and Guilherme Rodrigues on cello & percussion, sounding almost electronic in their frictional technique and harmonic overtones, ebbing and flowing from active interaction to tranquil discourse.
 

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Personnel:



Miriam Den Boer Salmon-violin

Ernesto Rodrigues-viola, zither

Fredrik Rasten-acoustic guitar

Guilherme Rodrigues-cello, percussion


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UPC: 5609063406016

Label: Creative Sources
Catalog ID: cs601
Squidco Product Code: 27610

Format: CD
Condition: New
Released: 2019
Country: Portugal
Packaging: Cardboard Gatefold
Recorded at Noiseberg, in Berlin, Germany, on October 23rd 2018, by Ernesto Rodrigues.

Descriptions, Reviews, &c.

"[...] let me also mention A late evening in the future more specifically: It was recorded by a quartet in Berlin (with Rodrigues himself also on zither) in October 2018, and likewise (per Sitsa) projects an affective calming, there focusing more on central figures (rather than counterpoint or generalized spanning): The feel of A late evening in the future thus recalls the similarly string on based Dethick (as discussed here last month) rather closely for me, whereas its sparse focus can recall Golden towers and electric frictions (among many Rodrigues albums) per above.

Finally, as also mentioned in a summary last month, larger productions from CreativeFest #12 are appearing, most recently a new String Theory album (of eighteen musicians), Krypton(as another rather singular, surging wave), as well as a new Suspens‹o nonet, Rayon Blanc Ñ again reaffirming a focus on quiet (& the tension within or between notes, in an ongoing interrogation of musical continuity per above) & even fragility (perhaps akin to that of the latest IKB, there via biological figuration). So although Rodrigues has been producing albums with more presence lately Ñ & a variety of weaponry largely (or at least sometimes) depends upon audibility Ñ he's also reasserting an emphasis on ambivalent articulation, quietness & restraint Ñ i.e. affirming the fragility of so many relations in our world. (And I expect to be discussing some other smaller, perhaps more intimate, releases soon.)"-"Todd McComb's Jazz Thoughts



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Get additional information at Todd McComb's Jazz Thoughts

Artist Biographies

"Miriam Den Boer Salmón (NL/MX) is a violinist and improviser based in Amsterdam. Her multicultural background reflects in a love for diversity, for ever-changing perspectives on society and reality which shows in her musical ventures. With improvisation at its core, she currently forms part of different projects, ranging from folklore to jazz and free improvisation to experimental and cross-art projects."

-Twixt Lab (https://twixtlab.com/%CF%83%CF%85%CE%BC%CE%BC%CE%B5%CF%84%CE%AD%CF%87%CE%BF%CE%BD%CF%84%CE%B5%CF%82/miriam-den-boer-salmon/)
12/4/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio.

His main interest shifted towards contemporary improvised and composed music.

The relationship with his instruments is focused in sonic and textural elements.

Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning.

Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups.

Music for Dance, Cinema, Video and Performance.

Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
12/4/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Fredrik Rasten, guitarist / improviser / composer "I am a Norwegian guitarist (b. 1988) working in the field of experimental music, both improvised and composed. My main focuses are exploring and utilizing the acoustic possibilities of the steel string guitar, motivated by a fascination for the almost tactile experiences of acoustic phenomena. The last months I have been working extensively with intonation, with an extended concept of consonance as a point of departure, both in solo work and in duos with trumpeter Torstein Lavik Larsen and bass player Jonathan Heilbron. I have also had the lucky opportunity to take lessons in this field with composer and violist Catherine Lamb.

Other music that I am inspired by includes wandelweiser music, traditional british folk and early music."



"Fredrik Rasten works with acoustic guitar and in exploring the possibilities for putting this instrument in new musical contexts. With extensive use of preparations and different non-tempered tunings, he creates warm sounds in gradual development. He also includes subtle use of the voice to make interfering thick timbres and tonalities in combination with the guitar. A goal for the music is to open a room for details that invites the listener inside the musical material in an active and exploring way.

He is also playing composed music, especially related to quiet / Wandelweiser music and Just Intonation music, and has performed pieces by Johan Lindvall, Antoine Beuger and Catherine Lamb."

-Fredrik Rasten Website (http://fredrikrasten.com/)
12/4/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Was born 1988 in Lisboa, Portugal and started playing cello and trumpet at Orquestra Metropolitana de Lisboa at the age of 7. In 1999 joined Conservatório Nacional de Música de Lisboa to study classical and music theory and in the current year recorded his first album - Multiples - with Ernesto Rodrigues and José Oliveira out on Creative Sources Recordings.

Apart from work in music ensembles ranging for contemporary classical to free improvisation, also works with live music poetry, theatre and film-music. After lengthy residency in Lisboa, (1988-2016) moved to Berlin and has been active as composer and improviser in the scene.

Worked with some international and renewed artists like Ernesto Rodrigues, Jean-luc Guionnet, Margarida Garcia, Manuel Mota, Alfredo Costa Monteiro, Sei Miguel, Tim Goldie, Jeffrey Morgan, Oren Marshall, Gerhard Uebele, Klaus Kurvers, Gabriel Paiuk, Nicolas Field, Jaime Fennelly, Blaise Siwula, Will Guthrie, Pawel Grabowski, Michael Thieke, Wade Matthews, Leonel Kaplan, Diego Chamy, Gabriel Paiuk, Barry Weisblat, Joe Giardullo, Jassem Hindi, Tisha Mukarji, Masahiko Okura, Taku Unami, Toshihiro Koike, Sharif Sehnaoui, Christine Abdelnour, Alexandre Bellenger, Carlos Zingaro, Romaric Sobac, Nuno Rebelo, Nuno Torres, Naoto Yamagashi, Heddy Boubaker, Gerhard Uebele, Guillermo Torres, Tomas Gris, Carlos Santos, Bruno Parrinha, Miguel Leiria Pereira, Miguel Ivo Cruz, Alberto Cirera, Nuno Morão, Mark Sanders, Dennis Gonzaléz, Alípio Carvalho Neto, Raymond Macdonald, Neil Davidson, David Stachenas, Lisa Ullén, D'incise, Cyril Bondy, Miguel Mira, Rodrigo Amado, Abdul Moimême, Monsieur Trinité, João Madeira, Álvaro Rosso, Gil Gonçalves, Marian Yanchyk, Filipe Passos, Rodrigo Pinheiro, Christian Wolfarth, Thanos Chrysakis, Bechir Saade, Kurt Liedwart, Miguel A. Garcia, Ilia Belorukov, Andrew Lafkas, Gao Jiafeng, Eric Wong, Johan Moir, Casey Moir, Magda Mayas, Matthias Muller, Alexander Frangenheim ...

Has performed and toured in all Europe. Released more than 30 albums of his own projects."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
12/4/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. A Late Evening In The Future 4:33

2. Being - Or Remaining? 28:03

3. The Earth Might Be Uninhabited 9:10

4. The Tape Runs On In Silence 4:16

Related Categories of Interest:


Creative Sources
Improvised Music
Free Improvisation
Quartet Recordings
Stringed Instruments
European Improvisation, Composition and Experimental Forms
lowercase, reductionist, micro-improv, sound improv, onkyo sound

Search for other titles on the label:
Creative Sources.


Recommended & Related Releases:
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Suspensao
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Rodrigues, Ernesto / Nuno Torres / Guilherme Rodrigues / Eric Bauer / Stephen Flinn
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Referencing the book Letters to Milena (Briefe an Milena) by Franz Kafka of his intense love affair with Czech journalist & writer Milena Jesenská, through four lettered parts of a subtly sophisticated set of improvisations by Ernesto Rodrigues (viola), Nuno Torres (alto sax), Guilherme Rodrigues (cello), Eric Bauer (electronics) and Stephen Flinn (percussion).
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Citing references including Sun Ra, electric Miles, Ornette, Wadada Leo Smith, Stockhausen & Gabriel Prokofiev, guitarist Luis Lopes's Abyss Mirrors brings together artists drawing on European & Brazilian performers from Clean Feed, Shhpuma and Creative Sources for these evolving and often ecstatic collective, experimental improvisations; unpredictably edgy and exciting!
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The solo debut album from Dutch composer & clarinetist Germaine Sijstermans: seven recent contemplative works in a Wandelweiser vein, composed between 2017-2019 and performed with six exemplary and complementary performers: Antoine Beuger (concert flute), Rishin Singh (trombone), Johnny Chang (viola), Fredrik Rasten (guitar, ebow), and Leo Svirsky (accordion).
IKB
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Emulating a solar eclipse and a lunar eclipse in two evolving improvised chamber works that take the quartet of Guilherme Rodrigues on cello, Mariana Carvalho on piano, Joao Valinho on percussion and Ernesto Rodrigues (switching from viola to harp & deploying electronics) through mysterious soundwork that move from darkness to light in detailed and subtle ways.
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Two extended acoustic improvisations of reductionist approaches recorded in the studio in Parede, Portugal in 2021 from the quartet of Ernesto Rodrigues on viola, Bruno Parrinha on bass clarinet, Andre Hencleeday on piano and Joao Valinho on percussion, guided by a poem from Rodrigues as they slowly and exquisitly explore a "Closed Window" and an "Open Window".
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Berlin studio recordings from the free improvising quartet of Beat Keller on feedbacker electric guitar, Ernesto Rodrigues on violin, Rieko Okuda on piano and Guilherme Rodrigues on cello; four string players invoking the reptilian Mesozoic age through unusual approaches to their instruments, extending the palette of each while creating unexpected percussive elements.
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Excellent pacing with introspective richness and detail through five improvisations, as US pianist Thollem McDonas joins Portuguese improvisers Ernesto Rodrigues on viola, Bruno Parrinha on alto clarinet, Flak on acoustic guitar and Jose Oliveira on percussion for this studio recording in Lisbon, each passage reflecting a word from the title; inspired and beautiful.
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L'Age De L'Oreille
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Ute Wassermann adds a unique expressiveness to this Berlin studio session, bringing her impressive talents as a free improvising vocalist along with her bird calls and objects, providing an unusual yet extremely complementary foil to the intertwined strings of the father/son collaboration of violist Ernesto Rodrigues and cellist Guilherme Rodrigues; idiosyncratically wonderful!
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Referencing the asian evergreen shrub "Hoya" through a series of solos, duos and quartets between Portuguese string players Maria da Rocha on violin, Ernesto Rodrigues on viola and Joao Madeira on double bass with visiting US bassist Daniel Levin on cello, first in four solo performances of remarkable technique, then permutations of duos, culminating in two quartet improvisations.
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Referencing Twittering Machine, a 1922 painting by Paul Klee that depicts a group of birds on a wire connected to a hand-crank, interpreted as as a visual representation of the mechanics of sound, the ea-improvising quartet of Ernesto Rodrigues (viola), Bruno Parrinha (bass clarinet), Flak (electric guitar) and Carlos Santos (modular synth) present three hi-tension improvisations.
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Betula [2 CDs]
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