"Burning" is an accurate description of the energetic, spiritual and enthusiastic duo of Japanese percussionist Sabu Toyozumi and NY trumpet legend Wadada Leo Smith, also performing on koto, flute, percussion and voice, caught live at C.S Akarenga in Yamaguchi City for 6 stunning dialogs, including one dedicated to late trumpeter Don Cherry.
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Catalog ID: NBCD 110
Squidco Product Code: 26797
Packaging: Jewel Case
Recorded live at C.S Akarenga in Yamaguchi City, Yamaguchi, Japan, on March 22nd, 1994.
Wadada Leo Smith-trumpet, Koto, flute, voice, Percussion
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• Show Bio for Wadada Leo Smith
"Ishmael Wadada Leo Smith: trumpeter and multi-instrumentalist, composer and improviser has been active in creative contemporary music for over forty years. His systemic music language Ankhrasmation is significant in his development as an artist and educator.
Born in Leland, Mississippi, Smith's early musical life began in the high school concert and marching bands. At the age of thirteen, he became involved with the Delta Blues and Improvisation music traditions. He received his formal musical education with his stepfather Alex Wallace, the U.S. Military band program (1963), Sherwood School of Music (1967-69), and Wesleyan University (1975-76). Mr. Smith has studied a variety of music cultures: African, Japanese, Indonesian, European and American.
He has taught at the University of New Haven (1975-'76), the Creative Music Studio in Woodstock, NY (1975-'78), and Bard College (1987-'93). He is currently a faculty member at The Herb Alpert School of Music at California Institute of the Arts. He is the director of the African-American Improvisational Music program, and is a member of ASCAP, Chamber Music America, and the Association for the Advancement of Creative Musicians.
Mr. Smith's awards and commissions include: MAP Fund Award for "Ten Freedom Summers" (2011), Chamber Music America New Works Grant (2010), NEA Recording Grant (2010), Fellow of the John Simon Guggenheim Memorial Foundation (2009-2010), Other Minds residency and "Taif", a string quartet commission (2008), Fellow of the Jurassic Foundation (2008), FONT(Festival of New Trumpet) Award of Recognition (2008), Jazz Journalists Association Jazz Award (2005), Islamic World Arts Initiative of Arts International (2004), Fellow of the Civitela Foundation (2003), Fellow at the Atlantic Center for the Arts (2001), "Third Culture Copenhagen" in Denmark-presented a paper on Ankhrasmation (1996), Meet the Composer/Lila Wallace-Reader's Digest Commissioning Program (1996), Asian Cultural Council Grantee to Japan (June-August 1993), Meet the Composer/Lila Wallace-Reader's Digest Commissioning Program (1990), New York Foundation on the Arts Fellowship in Music (1990), Numerous Meet the Composer Grants (since 1977), and National Endowment for the Arts Music Grants (1972, 1974, 1981).
Mr. Smith's music philosophy Notes (8 Pieces) Source a New. World Music: Creative Music has been published by Kiom Press (1973), translated and published in Japan by Zen-On Music Company Ltd. (1976). In 1981 Notes was translated into Italian and published by Nistri-Litschi Editori.
He was invited to a conference of artists, scientists and philosophers "Third Culture Copenhagen" in Denmark 1996, and presented a paper on his Ankhrasmation music theory and notational system for creative musicians. His interview was recorded for Denmark T.V., broadcasted September 1996.
Some of the artists Mr. Smith has performed with are : Muhal Richard Abrams, Anthony Braxton, Leroy Jenkins, Roscoe Mitchell, Lester Bowie, Richard Teitelbaum, Joseph Jarman, George Lewis, Cecil Taylor, Andrew Cyrill, Oliver Lake, Anthony Davis, Carla Bley, David Murray, Don Cherry, Jeanne Lee, Milton Campbell, Henry Brant, Richard Davis, Tadao Sawai, Ed Blackwell, Sabu Toyozumi, Peter Kowald, Kazuko Shiraishi, Han Bennink, Misja Mengelberg, Marion Brown, Kazutoki Umezu, Kosei Yamamoto, Charlie Haden, Kang Tae Hwan, Kim Dae Hwan, Tom Buckner, Malachi Favors Magoustous and Jack Dejohnette among many others.
Mr. Smith currently has three ensembles: Golden Quartet, Silver Orchestra, and Organic. His compositions have also been performed by other contemporary music ensembles: AACM-Orchestra, Kronos Quartet, Da Capo Chamber Player, New Century Players, San Francisco Contemporary Music Players, Contemporary Chamber Players (University of Chicago), S.E.M. Ensemble, Southwest Chamber Music, Del Sol String Quartet, New York New Music Ensemble, ne(x)tworks, and California E.A.R. Unit.
Mr. Smith's music for multi-ensembles has been performed since 1969. "Tabligh" for double-ensemble was performed by Golden Quartet and Classical Persian ensemble at Merkin Concert Hall (2006) and by Golden Quartet and Suleyman Erguner's Classical Turkish ensemble at Akbank Music Festival in Istanbul (2007). His largest work "Odwira" for 12 multi-ensembles (52 instrumentalists) was performed at California Institute of the Arts (March 1995). His Noh piece "Heart Reflections" was performed in Merkin Concert Hall, NY (November 1996)."-Wadada Leo Smith Website (http://www.wadadaleosmith.com/pages/bio.html)
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• Show Bio for Sabu Toyozumi
"Yoshisaburo "Sabu" Toyozumi (born Tsurumi, Yokohama, 1943) is one of the small group of musical pioneers who comprised the first generation playing free improvisation music in Japan. As an improvising drummer he played and recorded with many of the key figures in Japanese free music including the two principal figures in the first generation, Masayuki Takayanagi and Kaoru Abe from the late 1960s onwards. He is one of a very few of this circle who are still alive and engaged in playing this music today.
Toyozumi features on numerous commercially available recordings with many of the most notable Japanese and international improvising musicians including Derek Bailey, Mototeru Takagi, Misha Mengelberg, Peter Brötzmann, Keiji Haino, Otomo Yoshihide, Tom Cora and Fred Van Hove.
In 1971 he became the only non-American member of the Association for the Advancement of Creative Musicians(AACM)). He dedicated his first record as a leader, Sabu - Message to Chicago, to compositions by AACM members, and in 1992 toured and recorded with AACM trumpeter Wadada Leo Smith.
Toyozumi has been instrumental in bringing many European and American improvisers to Japan including Derek Bailey, Misha Mengelberg and Sunny Murray.
In 2005 British improvising guitarist and promoter John Russell arranged a two-day event dedicated to Toyozumi in which the drummer performed in different groupings with 14 musicians from the London improvised music scene including, most notably, Evan Parker, Lol Coxhill, Phil Minton, John Edwards and Steve Beresford. The Wire described his playing at this time as follows: "He's busy, but there's always space between his notes, and he avoids the flashy technical solution to musical problems. His playing is crisp and dramatic, with a very occasional use of repetition to spark a climax. If it's possible for a drum kit to ask awkward questions, Toyozumi seems to be doing it".
In an interview with Cadence Magazine in 1988 Toyozumi makes clear the importance of his relationship with nature as an influence on his playing and Clive Bell writing in The Wire in 2005 notes "his devotion to the way of Watazumido, the late shakuhachi player and Zen master, whose performances mixed martial arts and music in a bizarre cocktail of discipline and craziness".
In 2009 he returned to London to feature as one of the players in Russell's improvisation festival Fete Quaqua which was recorded for broadcast by BBC Radio 3. He continues to tour widely and in the past year or so has performed in Belgium and France, Chile, Taiwan, England, Philippines and Greece. He also performs from time to time with the legendary Japanese noise group Hijokaidan. Currently he can be found performing on the erhu - a two-stringed Chinese violin - as often as playing the drums."-Wikipedia (https://en.wikipedia.org/wiki/Sabu_Toyozumi)
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1. Creative Music-1- Red Mountain Garden, Wild Irises And Glacier Lines 15:53
2. Burning Meditation - Uprising 14:30
3. Voices - Agano River Flow 10:32
4. Don Cherry, A Silver Flute Song 7:51
5. There Are Human Rights Blues 8:27
6. Stars, Lightening Bugs And Chrysanthemum Flowers 5:28
sample the album:
"This is a sublimely beautiful duet recording featuring Wadada Leo Smith on trumpet, koto, bamboo flute, voice and percussion and Sabu Toyozumi and drums and percussion. It was recorded in Yamaguchi, Japan in March of 1994 and saw a limited release at the time before being picked up by No Business for a wider release in 2018. It does not take long for the music to elevate to a high degree of clarity with Smith's excellent trumpet playing meeting Toyozumi's stellar drumming on the opening selection, "Creative Music -1- Red Mountain Garden, Wild Irises and Glacier Lines" a very lengthy selection, like the following performance, "Burning Meditation - Uprising" selections which are are played with a strong sense of creative consciousness, even when the music is at its most intense it is never shrill or overbearing. The music was composed spontaneously, but proceeds with a sense of grace that is ever present in their music. Smith is mostly known for his trumpet work and justly so, but it is fascinating to hear different sides of his musical personality come into play on tracks like "Don Cherry, A Silver Flute Song" where he plays large and small bamboo flutes. Like Smith, Cherry was originally known for his trumpet playing with Ornette Coleman, but toured the world, adding flutes and many other instruments to his repertoire. Smith plays quite beautifully, improvising with a light, dancing sense of fluid elegance that carries into the next track, "There are Human Rights Blues," where he sings, chants, and speaks with a shy yet authoritative voice allowing pauses for breath and to allow Toyozumi's evocative percussion work to weave its way into the performance making for a powerful and memorable duet that leads into their final track, "Stars, Lightning Bugs and Chrysanthemum Flowers." This is an excellent album, and it is wonderful to have it more widely available, with new liner notes in English and Japanese from the original record producer and some nice period pictures included. The remastering is excellent, this is a delicate album, one you want yo get close to, and the transparent warmth of the sound makes that possible."- Tim Niland, Jazz and Blues BlogspotAlso available on vinyl LP.
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