Squidco: Trio Sowari: Third Issue

Trio Sowari

Third Issue

(Mikroton Recordings

- Russia)

Trio Sowari: Third Issue (Mikroton Recordings)

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Only their 3rd album since 2005, the trio of Phil Durrant (modular and software synthesizers), Bertrand Denzler (tenor saxophone) and Burkhard Beins (percussion and objects) went into the studio in Berlin to record four tracks that bring the distinct skills of each player into focus while accentuating the tremendous concentration and interplay each brings, a real achievement.

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product information:

UPC: 5056198930358

Label: Mikroton Recordings
Catalog ID: cd 67
Squidco Product Code: 25837

Format: CD
Condition: New
Released: 2018
Country: Russia
Packaging: Cardboard Gatefold
Recorded at Sudstern Studios, in Berlin, Germany, on July 4th and 5th, 2016, by Patrick Robalewski.

Personnel:

Burkhard Beins-percussion, objects

Bertrand Denzler-tenor saxophone

Phil Durrant-modular synth, software synthesizers

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Artist Biographies:

• Show Bio for Burkhard Beins
"Burkhard Beins, born 1964 in Lower Saxony, lives in Berlin since 1995. As a composer/performer working in the fields of experimental music and sound art he is known for his definitive use of percussion in combination with selected sound objects. Furthermore, he works with live-electronics/analog synthesizers and has conceived several sound installations.
Since the late 1980's he is performing at internationally renowned venues and festivals throughout Europe, America, Australia and Asia as diverse as the LMC Festival (London), Int. Ferienkurse (Darmstadt), SKIF (St. Petersburg), Musiktage (Donaueschingen), Musique Action (Nancy), Choppa Festival (Singapore), Cave 12 (Geneva), The Now now (Sydney), ZKM (Karlsruhe), Kaleidophon (Ulrichsberg), Kid Ailack Music Hall (Tokyo), Gaudeamus Festival (Amsterdam), Liquid Architecture (Australia), Meteo (Mulhouse), Taktlos (CH), Berghain (Berlin), Konfrontationen (Nickelsdorf), Serralves (Porto), Wien Modern (Vienna), MoMA (New York), New Music Festival (Hanoi), Irtijal (Beirut), or Maerzmusik (Berlin).
Alongside his solo work he is a member of the ensembles Polwechsel, Activity Center, The Sealed Knot, Perlonex, Sawt Out, Trio Sowari, Tree, Junk Orbit, Fracture Mechanics, and Splitter Orchester and also works with composers/musicans such as Sven-Åke Johansson, Andrea Neumann, Keith Rowe, Axel Dörner, Tarek Atoui, John Tilbury, or Charlemagne Palestine.
Burkhard Beins gives workshops based on his graphic score system Adapt/Oppose, has published several articles on music theory, and is a co-editor of the book "Echtzeitmusik Berlin - Self-Defining a Scene" as well as the curator of a follow-up 3CD compilation featuring the Berlin Echtzeitmusik scene. Meanwhile he has released more than 50 CDs and LPs on labels like Zarek, Erstwhile, 2:13 Music, Hat Hut, Potlatch, Absinth, alt.vinyl, God Records, Mikroton, or Confront."
-Burkhard Beins Website (http://www.burkhardbeins.de/cv.html)
4/9/2021

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• Show Bio for Bertrand Denzler
"Bertrand Denzler is a tenor saxophone player. He has played in Europe and Latin America both as a solo act and with musicians such as Xavier Charles, Peter Frils Nielsen, Jean-Luc Guionnet, Barry Guy, Ninh Lê Quan, Urs Leimgruber, Günter Müller, Bob Ostertag, Norbert Pfammatter, Hasse Poulsen, Mark Sanders, Mathieu Werchowski, and Otomo Yoshihide. He is a member of the groups Hubbub, Nanocluster, Laps, Denzler-Mariage, A3/1, and Chamaeleo Vulgaris. He has put out a number of compact discs on various labels."-ActuelleCD.com (http://www.actuellecd.com/en/bio/denzler_be/)
4/9/2021

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• Show Bio for Phil Durrant
"Phil Durrant. Born 1957; software synth/sampler, live electronics and acoustic violin.
Phil Durrant studied classical violin and piano at the London College Of Music. Since 1977 he has been a freelance musician, improviser and composer. He has performed at festivals all over Europe, U.S.A and Canada and has had his music broadcast on radio and television in many countries.
Current electronic projects include Ticklish, Secret Measures (with John Butcher), Lunge (with Gail Brand, Pat Thomas and Mark Sanders) and the international electronic orchestra, Mimeo. He also plays violin in Assumed Possibilities (with Chris Burn, Rhodri Davies and Mark Wastell), "Beinhaltung", a trio with Radu Malfatti and Thomas Lehn another trio with Berlin musicians, Burkhard Beins and Ignaz Schick, and the string quartet Quatuor Accorde, with Tony Wren, Charlotte Hug and Mark Wastell. Durrant has also played in the very influential trio with John Butcher and John Russell, as well as the Chris Burn Ensemble.
During his career he has played with many creative and important musicians, including: Derek Bailey, Evan Parker, Grooverider, Shut up and Dance, John Zorn, Phil Minton, and Tom Cora. He has also been awarded various Arts Council grants to research and develop his use of electronics. Two current duo projects - at early 2001 - were: Durrant, violin and software synth/sampler with Wade Matthews, bass clarinet, alto flute; and Durrant software synth/sampler with Mark Sanders drums and sequenced samples.
Phil Durrant has also been collaborating and composing music for a wide variety of choreographers. These include PLastic chill, In the face of a stranger and Deja deux with Maxine Doyle; Salome, Concrete and On stage with Susanne Thomas; Partial site, near view and Delay for five with Gill Clarke; Future perfekt with Ana Sanchez-Colberg; and Borderlander and Home zone with Sophia Lycouris. Salome, Concrete and Partial site, near view were site-specific and involved speaker systems in a number of different rooms. He recently wrote the music for a new play by Nick Sutton called Home movies."
-European Free Improv (EFI) (http://www.efi.group.shef.ac.uk/musician/mdurrant.html)
4/9/2021

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  ^ Hide Bio for Phil Durrant

track listing:

1. Gravitation 14:51

2. Suspension 11:57

3. Exploration 4:01

4. Levitation 8:39

sample the album:

descriptions, reviews, &c.

"On their new album Third Issue, Trio Sowari continues its musical investigation of asymmetric structures and multilayered ambiguities. Gravitation, Suspension, Exploration and finally Levitation, the four tracks on this CD present different fields of interactive possibilities. No signs of dystopianism or retrotopianism here, but undaunted and spirited ways of facing a complex and bewildering present.

Bertrand Denzler on tenor saxophone, Burkhard Beins on percussion with Phil Durrant now also involving a modular next to his software synthesizer, which contributes some additional grain to the group's sound."-Mikroton

"The title doesn't lie--this is the third release from this fine trio, the first since 2008. I'm not sure if the gap is intentional or not, but they sound as fine as ever. Phil Durrant (modular and software synthesizers), Bertrand Denzler (tenor saxophone) and Burkhard Beins (percussion and objects) carve out a very unique sound area in the world of free improvisation, one that's quite full and colorful while avoiding over-satiation.

The opener, "Gravitation" lurches right into things--heavy synth, deep, clucking tenor and a range of brushes and bangs hurtle the listener into an active sound-world, filled with movement but also with significant space between objects. Denzler has never shied away from the saxophone-ness of his tenor, managing the difficult feat of incorporating it into a free-improv context without toting much unnecessary and distracting jazz baggage. He tends to keep his tomes low (by no means always) and balances reedy passages with extended techniques. More importantly, in music like this where "quiet" isn't as much an issue as elsewhere, he chooses his moments expertly. As do the others. Beins has long been a master at this and his brilliance is clearly in evidence. Durrant might be more the wild card; his subtlety is such that the non-concentrating listener might bypass him entirely, though his sounds are often the true glue binding matters. "Suspension" is about the drone, beginning with a wonderful low tone (Durrant, I think), soon joined by Denzler approximating the tone, generating flutters of interference. Eventually, Beins adds some slow, regular cymbal taps that are as perfectly appropriate as they are unexpected. This is followed by a brief palate cleanser of sorts, "Exploration", a set of almost discontinuous attacks that nonetheless manages to cohere quite well. "Levitation", the closer, tries to bring these disparate approaches into a single 9-minute pieces, utilizing drones (here, bowed metal), fluctuating tenor, and higher pitched synthesized hums. There's great elasticity here, a stretching and warping of fabric, the cloth smooth here, gnarly there. Billowing waves emanate outwards, blanketing one's ears--an excellent end to another fine, fine release from this under-recorded trio."-Brian Olewnick, Just Outside

Get additional information at Brian Olewnick's Just Outside