UK free improvising saxophonist John Butcher continues to push the boundaries in solo explorations of amazing technique and concept on his horn, using the natural resonance of his settings to enhance his wealth of ideas; here he's captured live at Shimanouchi Church, in Osaka, Japan and at Hall Egg Farm, in Fukaya, Japan in 2013 during a Japanese tour.
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Label: Uchimizu Records
Catalog ID: Uchimizu 01
Squidco Product Code: 20360
Packaging: Cardboard Gatefold
Track 1 recorded at Shimanouchi Church, in Osaka, Japan, on August 7th, 2013.
Tracks 2 and 3 recorded at Hall Egg Farm, in Fukaya, Japan, on August 10th, 2013.
John Butcher-tenor saxophone, soprano saxophone
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• Show Bio for John Butcher
"John Butcher's work ranges through improvisation, his own compositions, multitracked pieces and explorations with feedback and extreme acoustics.Originally a physicist, he left academia in '82, and has since collaborated with hundreds of musicians - Derek Bailey, John Tilbury, John Stevens, The EX, Akio Suzuki, Gerry Hemingway, Polwechsel, Gino Robair, Rhodri Davies, Okkyung Lee, John Edwards, Toshi Nakamura, Paul Lovens, Eddie Prevost, Mark Sanders, Christian Marclay, Otomo Yoshihide, Phil Minton, and Andy Moor - to name a few.
He is well known as a solo performer who attempts to engage with the uniqueness of place. Resonant Spaces is a collection of site-specific performances collected during a tour of unusual locations in Scotland and the Orkney Islands.His first solo album, Thirteen Friendly Numbers, includes compositions for multitracked saxophones, whilst later solo CDs focus on live performance, composition, amplification and saxophone-controlled feedback.
HCMF has twice commissioned him to compose for his own large ensembles. Other commissions include for Elision (Australia), the Rova (USA) & Quasar (Canada) Saxophone Quartets, reconstructed Futurist Intonarumori (USA), "Tarab Cuts" (based on pre-WWII Arabic recordings, and shortlisted for the 2014 British Composer's Award) and "Good Liquor .." for the London Sinfonietta. In 2011 he received a Paul Hamlyn Foundation Award for Artists.
Recent groupings include The Apophonics with Robair and Edwards, Anemone with Peter Evans, Plume with Tony Buck & Magda Mayas and a trio with Okkyung Lee & Mark Sanders.Butcher values playing in occasional encounters - ranging from large groups such as Butch Morris' London Skyscraper and the EX Orkestra, to duo concerts with David Toop, Kevin Drumm, Claudia Binder, Paal Nilssen-Love, Thomas Lehn, Fred Frith, Keiji Haino, Ute Kangeisser, Matthew Shipp and Yuji Takahashi."-John Butcher Website (http://www.johnbutcher.org.uk/Biog.html)
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1. Enrai 26:07
2. Uchimizu 19:22
3. Hamon 6:02
sample the album:
"John Butcher is unique and incomparable. He's is the sculptor of sound on saxophone, whether on tenor or on soprano. The music on this album was performed on two nights in Japan, two years ago, and consists of three tracks.
The first, "Enrai", is played on tenor, and you get a twenty-six minute long discovery of sounds and their gradual evolution, from primary sounds over multiphonics to rhythmic moments, quiet passages and outbursts of constrained power, and despite its length, there is never a dull moment. Butcher takes you along on his own improvisation, which is at the same time as much a musical journey as it is a spiritual and emotional one, and the result is mesmerising. As a listener, you get sucked up in his universe, and wonder at its depth and clarity, you wonder how with some few strokes of sounds, he manages to create a picture that is both simple and profound, that is uplifting and deep.
On "Uchimizu", he switches to soprano, and the tone becomes almost naturally more joyful, with long bouts of circular breathing, more playful, as we know him, trying to emulate the song of blackbirds or other birds who sing their odes to the sun and to life in general, yet then it suddenly evolves into moments of distress and even darkness, with somber whispering sounds chasing away the birds.
The album ends with the shorter "Hamon", yet still more than six minutes, with multiphonic circular breathing starting full force from the very first notes, gradually changing the overall coloring and timbre, often at breakneck speed, and the intensity does not dissipate until the last few notes, which end the piece with a question mark.
Again, Butcher captivates us with his skills and his musical vision, his uncompromising approach, and his talent to maintain tension in three lengthy improvisations, offering listeners both musical and human purity."
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