"Steve Dalachinsky was born in 1946, Brooklyn, New York right after the last big war and has managed to survive lots of little wars. His work has appeared extensively in journals on & off line including; Big Bridge, Milk, Tribes, Unlikely Stories, Ratapallax, Evergreen Review, Long Shot, Alpha Beat Soup, Xtant, Blue Beat Jacket, The Brooklyn Review. He is included in such anthologies as Beat Indeed, The Haiku Moment, Up is Up But So is Down: NYU Downtown Literary Anthology, the Unbearables anthologies: Help Yourself, The Worse Book I Ever Read and The Big Book of Sex (of which he is a co- editor) and the esteemed Outlaw Bible of American Poetry. He has written liner notes for the CDs of many artists including Anthony Braxton, Charles Gayle, James "Blood" Ulmer, Rashied Ali, Roy Campbell, Matthew Shipp and Roscoe Mitchell.

His 1999 CD, Incomplete Direction (Knitting Factory Records), a collection of his poetry read in collaboration with various musicians, has garnered much praise. His chapbooks include Musicology (Editions Pioche, Paris 2005), Trial and Error in Paris (Loudmouth Collective 2003), Lautreamont's Laments (Furniture Press 2005), In Glorious Black and White (Ugly Duckling Presse 2005), Dream Book (Avantcular Press 2005), Christ Amongst the Fishes (A book of collages, Oilcan Press 2009), Insomnia Poems (Propaganda Press 2009), Invasion of the Animal People (Propaganda Press 2010), The Mantis: collected poems for Cecil Taylor 1966-2009 (Iniquity Press 2011), Trustfund Babies (Unlikely Stories Press The Veiled Doorway & St. Lucie (Unarmed Press 20012) and Long Play E.P. (Corrupt Press, 2012).

His book The Final Nite (complete notes from a Charles Gayle Notebook, Ugly Duckling Presse 2006) won the 2007 Josephine Miles PEN National Book Award. His most recent books are Logos and Language, a collaboration with pianist Matthew Shipp (RogueArt 2007), Reaching into the Unknown, a collaborative project with French photographer Jacques Bisceglia (RogueArt 2009). In 2005 he recorded Phenomena of Interference, a collaboration with pianist Matthew Shipp (Hopscotch Records). He has read throughout the N.Y. area, the U.S., Japan and Europe, including France and Germany. He is a contributing writer to the Brooklyn Rail. His book A Superintendent's Eyes (Hozomeen Press 2000) is being reissued by Autonomedia/Unbearables in an expanded/revised edition in late fall 2012. His latest cds are collaborations with saxophonist Dave Liebman, bassist Joëlle Léandre and an experimental French rock Group the Snobs.

French double bass player, improviser and composer, Joëlle Léandre is one of the dominant figures of the new European music. Trained in orchestral as well as contemporary music, she has played with l'Itinéraire, 2e2m and Pierre Boulez's Ensemble Intercontemporain. Joëlle Léandre has also worked with Merce Cunningham and with John Cage, who has composed especially for her - as have Scelsi, Fénelon, Hersant, Lacy, Campana, Jolas, Clementi and about 40 composers. As well as working in contemporary music, Léandre has played with some of the great names in jazz and improvisation, such as Derek Bailey, Anthony Braxton, George Lewis, Evan Parker, Irene Schweizer, William Parker, Barre Phillips, Pascal Contet, Steve Lacy, Lauren Newton, Peter Kowald, Urs Leimgruber, Mat Maneri, Roy Campbell, Fred Frith, John Zorn, Mark Naussef, Marilyn Crispell, India Cooke and so many others...

She has written extensively for dance and theater, and has staged a number of multidisciplinary performances. She got the DAAD at Berlin, is welcomed as artist resident at Villa Kujiyama (Kyoto). In 2002, 2004 and 2006, she is Visiting Professor at Mills college, Oakland, CA, Chaire Darius Milhaud, for improvisation and composition. Her work as a composer and a performer, both in solo recitals and a part of ensembles, has put her under the lights of the most prestigious stages of Europe, the Americas and Asia. Since 1981 Joëlle Léandre has about 160 recordings to her credit."-Dark Tree