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Percussionist Robair placed an Ebow over a street-sweeper blade or a short length of guitar string, and then placed those on the head of a snare drum or floor tom, recording without effects to allow natural rhythms and harmonic modulation to come forth.
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Label: Bug Incision Records
Catalog ID: bim-57
Squidco Product Code: 17446
Packaging: Cardstock foldover in plastic sleeve
Recorded upstairs on July 4th, 2012.
Gino Robair-drums, ebow
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• Show Bio for Gino Robair
"Gino Robair has created music for dance, theater, radio, television, silent film, and gamelan orchestra, and his works have been performed throughout North America, Europe, and Japan. He was composer in residence with the California Shakespeare Festival for five seasons and served as music director for the CBS animated series The Twisted Tales of Felix the Cat. His commercial work includes themes for the MTV and Comedy Central cable networks.
Robair is also one of the "25 innovative percussionists" included in the book Percussion Profiles (SoundWorld, 2001). He has recorded with Tom Waits, Anthony Braxton, Terry Riley, Lou Harrison, John Butcher, Derek Bailey, Peter Kowald, Otomo Yoshihide, the ROVA Saxophone Quartet, and Eugene Chadbourne, among many others. In addition, Robair has performed with John Zorn, Nina Hagen, Fred Frith, Eddie Prevost, Thinking Fellers Union Local 282, Myra Melford, Wadada Leo Smith, and the Club Foot Orchestra.
Robair is a founding member of the Splatter Trio and the heavy-metal band, Pink Mountain. In addition, he runs Rastascan Records, a label devoted to creative music.
As a writer about music technology, Robair has contributed to Mix, Remix, Guitar Player, and Electronic Musician (EM) magazine, where he was an editor for 10 years. He is the author of two books, including The Ultimate Personal Recording Studio (Thompson; 2006)."-Gino Robair Website (http://www.ginorobair.com/bio.html)
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1. wound string 6:33
2. blade 10:26
3. string and blade 13:03
4. strings and blade 9:26
5. blades 11:23
sample the album:
"The sounds on this recording were produced by placing an Ebow over either a street-sweeper blade or a short length of a guitar string. The Ebow and metal were then placed on the head of a snare drum or floor tom. No effects (reverb, filtering, distortion) were added to the recordings. The sound you hear was captured by a single microphone placed a few inches above the sound source.
In these performances, the blade or string was positioned in such a way that they were unstable against the power of the Ebow. This results in rhythms and harmonic modulation that evolve over time and without human interaction. My only involvement ways to move the metal item into position and listen to the results.
The blades were found on the streets of Berlin, Stockholm, Chicago, New York, San Francisco, London, and Portland, Oregon."-Gino Robair
Percussion & Drums
Organized Sound and Sample Based Music
West Coast/Pacific US Jazz
Solo Artist Recordings
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Bug Incision Records.