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Tilbury, John: For Tomasz Sikorski (Bolt)

Pianist John Tilbury plays three of his friend and colleague Tomasz Sikorski's minimalist compositions as well as an original improvisational piece performed in honor of Tomasz.
 

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product information:


UPC: 5902547009179

Label: Bolt
Catalog ID: BR 1014/bc-jt
Squidco Product Code: 17047

Format: CD
Condition: New
Released: 2012
Country: Poland
Packaging: Cardstock gatefold foldover
Recorded on December 15th, 2011.


Personnel:

John Tilbury-piano

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Artist Biographies:

"John Tilbury (born 1 February 1936) is a British pianist. He is considered one of the foremost interpreters of Morton Feldman's music, and since 1980 has been a member of the free improvisation group AMM.

Tilbury studied piano at the Royal College of Music with Arthur Alexander and James Gibb and also with Zbigniew Drzewiecki in Warsaw. 1968 he was the winner of the Gaudeamus competition in the Netherlands.

During the 1960s, Tilbury was closely associated with the composer Cornelius Cardew, whose music he has interpreted and recorded and a member of the Scratch Orchestra. His biography of Cardew, "Cornelius Cardew - A life unfinished" was published in 2008.

Tilbury has also recorded the works of Howard Skempton and John White, among many others, and has also performed adaptations of the radio plays of Samuel Beckett.

With guitarist AMM bandmate Keith Rowe's electroacoustic ensemble M.I.M.E.O., Tilbury recorded The Hands of Caravaggio, inspired by the painter's The Taking of Christ {1602). In this live performance, twelve of the members of M.I.M.E.O. were positioned around the piano in a deliberate echo of Christ's Last Supper. The thirteenth M.I.M.E.O. member (Cor Fuhler) is credited with "inside piano" as he interacted and interfered with Tilbury's playing by manipulating and damping the instrument's strings, essentially doing piano preparation in real time. Critic Brian Olewnick describes the album as "A staggering achievement, one is tempted to call The Hands of Caravaggio the first great piano concerto of the 21st century."

Another notable recent recording of Tilbury's was Duos for Doris (like The Hands of Caravaggio also on Erstwhile Records), a collaboration with Keith Rowe. It is widely considered a landmark recording in the genre of electroacoustic improvisation (or "EAI").

In 2013 he collaborated with artist Armando Lulaj in FIEND performance at the National Theatre of Tirana (Albania)."

-Wikipedia (https://en.wikipedia.org/wiki/John_Tilbury)
9/21/2022

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. Autograph [1980] 7:21

2. Rondo [1984] 8:02

3. Zertstreutes Hinausschauen [1971] 7:27

4. Improvisation For Tomasz Sikorski 12:40
sample the album:








descriptions, reviews, &c.

"It was in 1961 that I first met Tomek Sikorski. We were both in Zbigniew Drzewiecki's class at the Warsaw Conservatory. He must have been in his early twenties. I recall he was quick-tempered, volatile; he did not suffer fools gladly. His speech was quick and precise, as were his movements. "Quickly, quickly", he would exhort his friends. He loved the music of Bach and had performed one of the Books of the "48" the previous semester. Regrettably, it was before I arrived in Warsaw. We became firm friends. Hardly a day went by when we did not meet up somewhere, often with friends, to talk, especially but not only about the new music, and eat and drink, at the Bristol Hotel or in a favorite coffee bar, Telimena or Ali Baba on the Krakowskie Przedmieście street. He was the most generous of men, sometimes difficult but with a heart of gold.

The music on this album demonstrates Sikorski's unerring feeling for harmony and register; the "minimalism" of these pieces was absorbed naturally, the repetitions never seem arbitrary. Above all, this is piano music, par excellence. The improvisation for prepared piano which follows is a humble tribute, elegiac in character and full of echoes and personal reminiscences of the man and his music.

On my return to England in 1965 we lost touch; we were leading busy lifes and our paths never crossed again. But the memory remains. Strong and clear. They were good times."-John Tilbury, Linear Notes



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!
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