"Originally from Ventura, California saxophonist and composer Nathaniel Morgan has been an active participant to New York City's improvised music scene for almost a decade. His current projects include Darkminster (formally Buckminster) with saxophonist Peter Hanson and trumpeter Brad Henkle; Vavatican with Weston Minissali on synthesizer Owen Stewart-Robertson on guitar and Booker Startdrum on percussion, Jason Ajemian's Folklords with Owen Stewart-Robertson on guitar, Jason Ajemian on double bass and Jason Nazary on drums; Yolt with Weston Minissali on synthesizer and David Grollman on prepared snare drum; and Dybbuk a duo with percussionist David Grollman. Nathaniel is co-founder and member of the new music label Prom Night Records."

"Bassist, composer, and improviser Sean Ali from Dayton, Ohio has been living in New York City since 2003, where he participates in the city's vibrant experimental music scene both as a performer and curator. His current projects include: Fester, Hag, LathanFlinAli, Mattrey.Bordreuil.Ali, Natura Morta, PascAli, Phantom Circuit, While We Still Have Bodies, and solo performances. He is co-founder and member of the new music label Prom Night Records. He is co-founder and former curator at 65Fen Music Series. Sean Ali performs regularly in New York City and has toured extensively throughout the United States and Europe."

"Brad Henkel is an experimental trumpeter/composer/improviser living in Berlin."

Jacob Wick is a free improvising trumpeter, born in Glencoe, Illinois and currently living in Mexico City, MX. He was educated at State University of New York at Purchase and California College of the Arts. He lived in NYC for a number of years, working with Prom Night Records and performing. He has been a member of Hungry Cowboy, Kenosha Kid, Kimmel, Moré, Wick Trio, The HighLife, Tres Hongos, Trumpet Trumpet Synthesizer, Ajemian & the HighLife, Jason, and his own solo work. He has albums on Creative Sources, Prom Night, Lengua De Lava, Palliative, Astral Spirits, Hard Angle, Marginal Frequency, Impakt, and Thin Wrist. Much of his solo work is in the lowercase or minimal approaches to the trumpet, in performance deconstructing the trumpet and using extended techniques to draw unusual textures and tones from the instrument.