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Heberer, Thomas Clarino: Cookbook (Red Toucan)

Trumpeter and composer Thomas Heberer devised the graphic notation "cookbook" for the trio of Joachim Badenhorst (clarinet) and Pascal Niggenkemper (bass) for their "Klippe" album, here expanding the concept in these 12 inspired pieces.
 

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product information:


UPC: 777078919441

Label: Red Toucan
Catalog ID: RT 9345
Squidco Product Code: 16397

Format: CD
Condition: New
Released: 2012
Country: Canada
Packaging: Jewel Tray
Recorded by Ziv Ravitz at Douglass Street Music Collective, Brooklyn, NY in May 2011.


Personnel:

Thomas Heberer-trumpets

Joachim Badenhorst-clarinets

Pascal Niggenkemper-bass

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Artist Biographies:

"Thomas Heberer, born 1965 in Schleswig, Germany, started playing the trumpet at age 11. From 1984 to 1987, he studied under Manfred Schoof at the Cologne University of Music.

He has performed on 6 continents; was a lecturer at the the Frankfurt University of Music and Performing Arts (1993-97); and can be heard on approximately 100 recordings.

Honors include receiving the prestigious SWR Jazzpreis in 1990, and being awarded theDown Beat Critics TDWR Poll as a member of the ICP Orchestra in 2002.

Before moving to New York City in 2008, the trumpeter served as a member of the regularband supporting German talk show host and entertainer Harald Schmidt for 12 years.

Wim Wenders' feature-length dance movie Pina, winner of the 2011 European Film Award, includes music Thomas contributed to Ten Chi, a choreography by Pina Bausch.

Besides his ongoing work with the ICP Orchestra, Heberer maintains a busy performanceand recording schedule with numerous New York City based ensembles, among themYoni Kretzmer's Five, the Nu Band and the Angelica Sanchez nonet."

-Thomas Heberer Website (http://www.thomasheberer.com/?PG=about)
6/9/2021

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Joachim Badenhorst (°1981 Antwerp) has been active in the experimental and improvised music scene in Europe and abroad for the past 15 years. Following his master degree in jazz studies at the Royal Conservatory of the Hague, he has since divided his time between Belgium and cities in the US and Europe, collaborating and recording with jazz and experimental music ensembles and artists, such as Han Bennink, Tony Malaby and Noël Akchoté while incessantly exploring the visceral elements of sound. His output ranges from solo improvisation to leading large formations, such as his own Carate Urio Orchestra.

Badenhorst is artistically interested in integrating ideas from various different art medias into his musical compositions. He also takes deep interest in revealing the inherent relation between contemporary and traditional musics, having collaborated with traditional musicians from Turkey and Japan, and toured in China with reinterpreted traditional Chinese music.

In recent years, Badenhorst is contemplating the evanescent site specificity of sound as well as the relation between space and sound. In recent years, his work has taken a deeper focus on composition, namely that of computer­based composition and processing. Through continual research and experiment, he delves into a re­imagination of the boundaries between improvisation and composition, of abstract sound explorations and harmonic passage, and continues to attempt at a personal aesthetic language that interact with spaces and engage with different audiences.

Badenhorst appears on over 50 cd's on over 10 record labels. In 2012, he launched his own label KLEIN, as a creative platform to initiate collaborations, experiment and play with unconventional design, and as an outlet for fringe musical projects.

Since 2010 Badenhorst has been developing his solo programme consisting of improvisations and compositions for solo acoustic and electro­acoustic wind instruments."

-Joachim Badenhorst Website (http://joachimbadenhorst.com/bio_photo.html)
6/9/2021

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"New York City-based German-French bassist, composer and improviser Pascal Niggenkemper is a performing and recording artist active on the creative music scene in the US and in Europe.

From 1999-2005 he was musicaly active in Cologne having studied jazz & classical double bass at the Hochschule für Musik. In 2005 he received the DAAD award and moved to New York.

From 2008 to 2010 Pascal led the PNTrio with Tyshawn Sorey and Robin Verheyen. (CD "pasàpas" Konnex 2008 & "urban creatures" JazzHausMusik 2010). The trio toured extensively in Europe performing at the Jazzcologne Festival, Jazzherbst Konstanz and at the Kennedy Center in Washington. Recordings for the WDR and the BR Radio.

In cooperation with Jazzdor Strasbourg-Berlin, Pascal formed the septet vision7 that performed at Jazzdor Strasbourg-Berlin, Vive le Jazz in Cologne, Jazz à la Cité in Paris and at the Pori Jazz in Finland. (CD 'Lucky Prime' clean feed records Sept 2013)

In September 2011 Pascal released with Simon Nabatov and Gerald Cleaver the CD/LP upcoming hurricane on NoBusiness Records which is listed among 'Albums of the year' 2011 in the 'The New York City Jazz Record'. The trio performed in Canada and the USA.

He recently recorded a new solo program called: 'look with thine ears' music for bass & preparations was premiered at the Jazzdor Festival in Strasbourg in November 2013. The CD was released in March 2015 on clean feed records. He performed for the France Musique radio broadcast by Anne Montaron called 'a l'improviste'.

In 2014 he presented the double trio 'le 7eme continent' with the program 'talking trash' at the Vive le Jazz festival in Cologne, Germany and the concert was broadcast by WDR3 radio. Their CD was released in May 2016 on clean feed records and the group performed in France, Belgium and Germany.

Pascal is co-leading the groups baloni with Frantz Loriot viola and Joachim Badenhorst clarinets (CD 'fremdenzimmer' 2011, 'Belleke' 2014 & 'Ripples' 2015 clean feed records) PascAli a duo for two prepared basses with Sean Ali (CD 'suspicious activity' creative sources 2012) and Miner's Pick with Thomas Heberer. (CD 'miner's pick' FMR records 2014)

With friends, he curates in NY the house concert series ze couch, where every month artists meet to present their work.

Festival presence includes: Jazzdor Strasbourg-Berlin, Vision Festival New York, Umbrella Festival Chicago, Banlieues Bleues Paris, Strade del Cinema Aosta, météo Mulhouse, Jazzcologne, JIGG Lisbon, Taktlos Zurich, Jazz à la Cité in Paris, ESCUCHA Madrid, Washington DC Jazz Festival, Pori Jazz Festival, Middelheim Antwerp, Grenzenlos Köln, undead Jazzfest NYC, D'Jazz Nevers, NewAdits Klagenfurt, Font New York, Music Unlimited Wels, Vive le Jazz Cologne, GONG Aarau, Konfrontationen Nickelsdorf, Ljubljana Jazz Festival etc...

He received the following scholarships/grants: DAAD, Henry Mancini Institute, North Rhine-Westphalia composition stipend."

-Pascal Niggenkemper Website (http://www.pascalniggenkemper.com/bio_english.html)
6/9/2021

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. Lockruf 5:35

2. Velvet 4:53

3. Parcours 5:11

4. Inselberg 4:27

5. Nomos 4:52

6. Mengenleere 1:58

7. Tatterrettat 4:04

8. Bogen 4:21

9. Deux 3:29

10. Cup 6:18

11. Erdbar 4:04

12. Zuname 3:30
sample the album:








descriptions, reviews, &c.

"As a composer writing for improvisers, I try to devise distinctive musical triggers to help shape the sonic outcome and inspire participants.

Success requires a certain amount of loose ends per piece; musicians will pick those up to complete the job.

When Clarino got started in New York City in 2009, I introduced my then-new graphic notation code "Cookbook" to Joachim and Pascal. Both these amazing artists were kind enough to take the time to learn the semantics along with a bunch of scores (see some excerpts here).

The result was our initial recording Klippe.

Following the release, both on vinyl and CD, the three of us thought that there was more to explore in this direction, so taking the momentum, I wrote this other set of tracks here, going "one step beyond" (remember that great Jackie McLean album?).

Whereas the tunes on Klippe were incorporating very open materials with few restrictions on pitch and rhythm, the new ones are more distinctive and "organized," mixing the original concepts and strategies with parts written on regular staff paper.

The goal remained the same: Create a music that is more than the sum of our shared experiences -- fresh and inspiring for us to play and for you to listen to."-Thomas Heberer



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!
Related Categories of Interest:


Improvised Music
Jazz
NY Downtown & Jazz/Improv
Trio Recordings
Instant Rewards


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