"Louis Tebogo Moholo (born 10 March 1940), is a South African jazz drummer.

Born in Cape Town, Moholo formed The Blue Notes with Chris McGregor, Johnny Dyani, Nikele Moyake, Mongezi Feza and Dudu Pukwana, and emigrated to Europe with them in 1964, eventually settling in London, where he formed part of a South African exile community that made an important contribution to British jazz. He was a member of the Brotherhood of Breath, a big band comprising several South African exiles and leading musicians of the British free jazz scene in the 1970s and is the founder of Viva la Black and The Dedication Orchestra. His first album under his own name, Spirits Rejoice on Ogun Records, is considered a classic example of the combination of British and South African players. In the early 1970s, Moholo was also a member of the afro-rock band Assagai.

He has played with many musicians, including Derek Bailey, Steve Lacy, Evan Parker, Enrico Rava, Roswell Rudd, Irène Schweizer, Cecil Taylor, John Tchicai, Archie Shepp, Peter Brötzmann, Mike Osborne, Keith Tippett, Elton Dean and Harry Miller.

Moholo returned to South Africa in September 2005, performing with George Lewis at the UNYAZI Festival of Electronic Music in Johannesburg. He now goes under the name Louis Moholo-Moholo because the name is more ethnically authentic. South African promoter Slow Life in March 2017 at the Olympia Bakery in Kalk Bay, Cape Town produced a show where Louis performed along with Mark Fransman, Reza Khota, Keenan Ahrends and Brydon Bolton."

"Mthutuzeli Dudu Pukwana (18 July 1938 Ð 30 June 1990) was a South African saxophonist, composer and pianist (although not known for his piano playing).

Dudu Pukwana was born in Walmer Township, Port Elizabeth, South Africa. He grew up studying piano in his family, but in 1956 he switched to alto sax after meeting tenor sax player Nikele Moyake. In 1962, Pukwana won first prize at the Johannesburg Jazz Festival with Moyake's Jazz Giants (1962 Gallo/Teal). In his early days he also played with Kippie Moeketsi. Chris McGregor then invited him to join the pioneering Blue Notes sextet where he played along with Mongezi Feza, Nikele Moyake, Johnny Dyani and Louis Moholo. Although The Blue Notes are often considered McGregor's group, Pukwana was initially the principal composer and all the group members had pivotal roles.

As mixed-race groups were illegal under apartheid, the Blue Notes, increasingly harassed by authorities, emigrated to Europe in 1964, playing in France and Zurich, and eventually settling in London. After The Blue Notes split in the late 1960s, Pukwana joined McGregor's Brotherhood of Breath big band, which again featured his soloing heavily. As a composer Pukwana wrote "Mra," one of the best-loved tunes by the Brotherhood.

In February 1967 Pukwana received his first mention in AmericaÕs Down Beat magazine: "Tenorist Ronnie ScottÕs Old Place, having a hard time breaking even, scored a financial success with the Bob Stuckey Trio, featuring the leaderÕs organ and altoist Dudu Pukwana". The trio later expanded to a quartet when Phil Lee joined on guitar,and this group performed twice on BBC's Jazz Club. As a quartet the band also had a regular session at the Witches Cauldron in Belsize Park. The band completed a series of UK dates throughout 1967, including regular appearances at Ronnie Scott's Jazz Club.

He also went on to form two groups with Feza and Moholo. The first was Assagai, an afro-rock band that recorded for the Vertigo label. The second was Spear, with whom he recorded the seminal afro-jazz album In The Townships in 1973 for Virgin Records at The Manor Studio. Assagai and Spear, which recorded a few albums in the early 1970s, blended kwela rhythms, rocking guitars, and jazz solos.

Pukwana's fiery voice was heard in many diverse settings including recordings of Mike Heron, Centipede and Toots and the Maytals as well as improvising with Misha Mengelberg and Han Bennink (Yi Yo Le, ICP 1978). With Mongezi Feza, Elton Dean, Keith Tippett, and Louis Moholo, Pukwana recorded two masterful acoustic tracks on the mostly electric album Diamond Express (Freedom 1977). The death of his great friend Mongezi Feza in 1975 also inspired the heart-rending "Blue Notes For Mongezi" (Ogun Records), alongside Blue Notes colleagues Johnny Dyani, Chris McGregor and Louis Moholo. He also guested on albums with his former Blue Notes colleague, Johnny Dyani, particularly Witchdoctor's Son (1978, SteepleChase Records), which features some of his best recorded work and played extensively with the drummer John Stevens. Several African leaders invited him into their groups, including Hugh Masekela (Home Is Where the Music Is, 1972) and trombonist Jonas Gwangwa (African Explosion, Who, Ngubani 1969).

In 1978, Pukwana founded Jika Records and formed his own band, Zila, featuring South Africans Lucky Ranku on guitar and powerful vocalist Miss Pinise Saul. Zila recorded Zila Sounds (1981), Live in Bracknell and Willisau (1983), partly recorded at the Bracknell Jazz Festival, and Zila (1986), the last with keyboardist Django Bates and Pukwana increasingly using soprano sax. In duo with John Stevens, he recorded the free session They Shoot to Kill (Affinity Records, 1987), dedicated to Johnny Dyani.

On 16 April 1990, Pukwana took part in the Nelson Mandela Tribute held at Wembley Stadium. He died in London of liver failure in June 1990, not long after the death of his longtime friend and colleague McGregor."

"Johnny Mbizo Dyani (30 November 1945 - 24 October 1986) was a South African jazz double bassist and pianist, who played with such musicians as Don Cherry, Steve Lacy, David Murray, Finnish guitar player Jukka Syrenius and Leo Smith.

Dyani was born and grew up in Duncan Village, a township of the South African city of East London.

In the early 1960s, he was a member of South Africa's first integrated jazz band, The Blue Notes, with Mongezi Feza on trumpet, Dudu Pukwana on alto saxophone, Nikele Moyake on tenor saxophone, Chris McGregor on piano, and Louis Moholo on drums. In 1964, the band fled South Africa to seek musical and political freedom. Moholo explained, "We were rebels and we were trying to run away from this apartheid thing. We rebelled against the apartheid regime that whites and blacks couldn't play together. We stood up."

In 1966, Dyani toured Argentina with Steve Lacy's quartet. Lacy, Dyani and Moholo recorded The Forest and the Zoo.

In 1971 Dyani formed his own group Earthquake Power, and in 1972 co-founded Xaba with Mongezi Feza and Okay Temiz.

Performing widely throughout Europe, Dyani moved to Copenhagen, Denmark, in the early 1970s, and about ten years later to Sweden, recording many albums under his own name. He recorded with Dollar Brand (Abdullah Ibrahim), Don Cherry, Steve Lacy, David Murray, Joseph Jarman, Clifford Jarvis, Don Moye, Han Bennink, Brotherhood of Breath, Mal Waldron, Pierre Dørge and many others.

Dyani died suddenly in 1986 after a performance in West Berlin."

"Frank Wright (9 July 1935 - 17 May 1990) was an American free jazz musician from Grenada, Mississippi, Memphis, Tennessee and Cleveland, Ohio, known for his frantic style of tenor saxophone.

Wright was born in Grenada, Mississippi, but he grew up in Memphis, Tennessee. He began to play tenor sax in his late teens, when his family moved to Cleveland, Ohio as part of the Great Migration out of the South. More than 1.5 million black Americans left the South before World War II to seek opportunities in the industrial cities of the North and Midwest. Another 5.5 million left during and after the war, up to 1970.

In Cleveland, Wright met Bobby Few and Albert Ayler, both of whom became friends and musical influences. Originally a bass player, Wright played in numerous local R&B bands before taking up the saxophone. He also toured with B. B. King and Bobby "Blue" Bland. Ayler's musical influence persuaded Wright to switch to saxophone; his style is often associated with Ayler's. In addition to tenor saxophone, he also played the soprano saxophone and bass clarinet. A pioneer of experimental music, Wright is a widely acclaimed artist among his colleagues in the free jazz movement."