Three live performances of collaborative electroacoustic compositions from 2007-08, each exploring different points of contact between precomposed structures and spontaneous invention.
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codex IX:
Richard Barrett-electronics, direction
Peter Veale-oboes
Richard Haynes-clarinets
Tristram Williams-trumpet
Benjamin Marks-trombone
Peter Neville-percussion, melodica
Erkki Veltheim-viola
Daryl Buckley-electric guitar, electronics
Joel Stern-electronics
Michael Hewes-sound projection
adrift:
Sarah Nicolls-piano
Richard Barrett-electronics
codex VII:
Champ d'Action (and students of the Antwerp and Gent Conservatoria)
Richard Barrett-electronics, direction
Romy-Alice Bois-flute
Aoyama Terumichi-clarinets
Vlad Weverbergh-clarinets
Wim Van der Aa-trombone
Thomas Moore-trombone
Tom Verschoore-trombone
Juan Carlos Bonifaz-percussion
Fedor Teunisse-percussion
Fabian Coomans de Brachene-piano
Yutaka Oya-piano
Stefan Prins-piano
Kobe Van Cauwenberghe-electric guitar
Mattias Koole-electric guitar
Tom Pauwels-electric guitar
Marieke Berendsen-violin
Arne Defore-cello
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UPC: 5030243091027
Label: psi
Catalog ID: 09.10
Squidco Product Code: 12431
Format: CD
Condition: New
Released: 2009
Country: Great Britain
Packaging: Cardstock foldover, 3 panels
"codex IX" recorded live on October 5, 2008 at the Judith Wright Centre for the Arts, Brisbane by Michael Hewes; "adrift" recorded live on November 29, 2007 at The Warehouse, London by Richard Barrett; "codex VII" recorded live on May 10, 2007 at deSingel, Antwerp by Kevin Strauwen.
"Three live performances of collaborative electroacoustic compositions from 2007-08, recorded in London, Brisbane and Antwerp, each exploring different points of contact between precomposed structures and spontaneous invention: a duo adrift (in memory of Paul Rutherford) with pianist Sarah Nicolls, a nonet codex IX (in memory of Mauricio Kagel) with the ELISION ensemble, and a 17-piece group with Ensemble Champ d'Action realising codex VII (to Vinko Globokar)."-psi
Artist Biographies
• Show Bio for Richard Barrett "Richard Barrett (Swansea, 1959) is internationally active as composer and performer, and also teaches at the Institute of Sonology in Den Haag. In December 2020 he was appointed to a new professorship in Research in Creative Music at the University of Leiden. His work encompasses a range from free improvisation to intricately-notated scores, and from acoustic chamber music to innovative uses of digital technology. Current projects include a major new cycle of works for the ELISION Ensemble, with whom Richard Barrett has been working regularly since 1990, and for the Chicago-based Fonema Consort. Ongoing performative collaborations include with Paul Obermayer (in FURT), Evan Parker, and several other improvising ensembles such as SKEIN (with Achim Kaufmann, Frank Gratkowski, Wilbert de Joode and others) and Colophony (with Jon Rose and Meinrad Kneer). Richard Barrett's principal composition teacher was Peter Wiegold, and he currently resides in Belgrade. His work as composer and performer is documented on over forty CDs, including seven discs devoted to his compositions and nine by FURT. In October 2020 he set up the digital label STRANGE STRINGS together with harpist Milana Zarić. His book Music of Possibility was published by Vision Edition in 2019." ^ Hide Bio for Richard Barrett • Show Bio for Richard Haynes "Richard Elliot Haynes • Performances of repertoire from the 16th to 21st centuries all over the world in a multitude of contexts whilst being based in Bern, Switzerland • Solo debut aged 17 with the Queensland Symphony Orchestra performing the Clarinet Concerto by John Veale • Concerto performances with the Berner Symphonieorchester, Camerata Ataremac, Christchurch Symphony Orchestra, Ensemble Proton, Melbourne Symphony Orchestra, National Symphony Orchestra of Ireland, Philharmonic Orchestra Vorpommern, Queensland Symphony Orchestra and Tasmanian Symphony Orchestra • First Prize winner of Australia's Young Performer of the Year and the Australian Art Music Award for Performance of the Year • First Prize winner of the International Concours Nicati Switzerland and the Eduard Tschumi Music Prize • Appearances at many of the major Australian, American and European festivals for classical and contemporary music, including the international arts festivals of Adelaide, Brisbane, Melbourne, Perth and Sydney, Holland Festival, Budapest, Paris and Warsaw Autumn Festivals, MaerzMusik Berlin, Archipel Geneva, Vienna Modern, the Festspiele of Berlin and Salzburg and New York's Lincoln Center Festival • Further orchestral engagements with the Christchurch Symphony Orchestra, Hagen Philharmonic Orchestra, Philharmonia Zurich, Queensland and Tasmanian Symphony Orchestras, the Radio Symphony Orchestras of the SWR (Stuttgart) and WDR (Cologne), RTÉ National Symphony Orchestra as principal, section and solo clarinettist • Regular international concert activity as a clarinettist with Basel Sinfonietta, Blattwerk Quintett, Collegium Novum Zurich, Elision Ensemble, Ensemble Garage, Ensemble Modern, Ensemble Musikfabrik, Ensemble Phoenix, Ensemble Proton, Ensemble Resonanz, Klangforum Wien, Manufaktur für Aktuelle Musik, Praesenz, Stroma and 175 East • Dedicatee of new solo works for clarinet by Samuel Andreyev, Trevor Bača, Richard Barrett, Jean-Pascal Chaigne, Robert Dahm, Chris Dench, Walter Feldmann, Füsun Köksal, Liza Lim, Timothy McCormack, Michael Norris, Enno Poppe, Nemanja Radivojević, Dominique Schafer and Jeroen Speak • Residencies at UC Berkeley, Canterbury, Griffith, Harvard, Huddersfield, Melbourne, Stanford and Sydney Universities as well as CALarts, New Zealand School of Music and the Hochschule für Musik Stuttgart with solo recitals, composer-performer collaborations, lectures, clarinet and chamber music coaching" ^ Hide Bio for Richard Haynes • Show Bio for Erkki Veltheim "Erkki Veltheim (b. 1976 Finland) is an Australian composer, improviser, performer and interdisciplinary artist. Erkki has been commissioned by the Adelaide Festival, Vivid Festival, Australian Art Orchestra and Soundstream Collective, and his pieces have been performed by groups such as the London Sinfonietta, Melbourne Symphony Orchestra and Sydney Symphony Orchestra. Recent projects include Gawanjalkmi (Song for the fallen) for voices and large ensemble (2015), in collaboration with Gurrumul and Jonno Yunupingu, commissioned by Skinnyfish and Gone West, Belgium; audiovisual performance work Another Other (2014/2016), with co-creators Anthony Pateras, Natasha Anderson and Sabina Maselli, commissioned by Chamber Made Opera; and audiovisual installation Fusion of Tongues (2015), commissioned by Punctum and La Maison Folie, Belgium, for 'Mons 2015 - European Capital of Culture' program. Erkki has performed with the Australian Art Orchestra, Australian Chamber Orchestra, Berlin Philharmonic Orchestra, Elision and Ensemble Modern, and has featured as a soloist with the London Sinfonietta, Australian Opera and Melbourne Symphony Orchestra. He has long-standing collaborations with indigenous musician Gurrumul, improvising trumpet virtuoso Scott Tinkler, and composer-pianist Anthony Pateras. Erkki is a recipient of a 2013 Myer Creative Fellowship, and in 2014 was appointed Artistic Associate of Chamber Made Opera. He holds a Master of Arts, for which he researched connections between music and ritual." ^ Hide Bio for Erkki Veltheim • Show Bio for Richard Barrett "Richard Barrett (Swansea, 1959) is internationally active as composer and performer, and also teaches at the Institute of Sonology in Den Haag. In December 2020 he was appointed to a new professorship in Research in Creative Music at the University of Leiden. His work encompasses a range from free improvisation to intricately-notated scores, and from acoustic chamber music to innovative uses of digital technology. Current projects include a major new cycle of works for the ELISION Ensemble, with whom Richard Barrett has been working regularly since 1990, and for the Chicago-based Fonema Consort. Ongoing performative collaborations include with Paul Obermayer (in FURT), Evan Parker, and several other improvising ensembles such as SKEIN (with Achim Kaufmann, Frank Gratkowski, Wilbert de Joode and others) and Colophony (with Jon Rose and Meinrad Kneer). Richard Barrett's principal composition teacher was Peter Wiegold, and he currently resides in Belgrade. His work as composer and performer is documented on over forty CDs, including seven discs devoted to his compositions and nine by FURT. In October 2020 he set up the digital label STRANGE STRINGS together with harpist Milana Zarić. His book Music of Possibility was published by Vision Edition in 2019." ^ Hide Bio for Richard Barrett • Show Bio for Richard Barrett "Richard Barrett (Swansea, 1959) is internationally active as composer and performer, and also teaches at the Institute of Sonology in Den Haag. In December 2020 he was appointed to a new professorship in Research in Creative Music at the University of Leiden. His work encompasses a range from free improvisation to intricately-notated scores, and from acoustic chamber music to innovative uses of digital technology. Current projects include a major new cycle of works for the ELISION Ensemble, with whom Richard Barrett has been working regularly since 1990, and for the Chicago-based Fonema Consort. Ongoing performative collaborations include with Paul Obermayer (in FURT), Evan Parker, and several other improvising ensembles such as SKEIN (with Achim Kaufmann, Frank Gratkowski, Wilbert de Joode and others) and Colophony (with Jon Rose and Meinrad Kneer). Richard Barrett's principal composition teacher was Peter Wiegold, and he currently resides in Belgrade. His work as composer and performer is documented on over forty CDs, including seven discs devoted to his compositions and nine by FURT. In October 2020 he set up the digital label STRANGE STRINGS together with harpist Milana Zarić. His book Music of Possibility was published by Vision Edition in 2019." ^ Hide Bio for Richard Barrett • Show Bio for Tom Pauwels "Tom Pauwels (Bornem, Belgium, 1974) studied classical guitar in Brussels, Köln and Münster with Albert Sundermann, Hubert Käppel and Reinbert Evers respectively.In 1995, during his studies at the Brussels Conservatory, he was involved in the founding of Black Jackets Company, a Brussels collective of composers and performers. Ever since these early experiments he has been active in the field of contemporary music, both on classical and electric guitar. From 1999 until 2001 he was a regular member of Champ D'Action, the Antwerp-based ensemble for experimental music. Since 2002 he has works as a co-artistic leader for the new music ensemble ICTUS (Brussels). Project-wise, he performs with the London based Plus-Minus ensemble. He has recorded works by Craenen, Lachenmann, Shlomowitz, Van Eycken, Guiraud, Trapani and for Cyprès (Ictus) works by Oehring, Harada, Romitelli and Aperghis. After a five year research project on new music for guitar he became a 'Laureate of the Orpheus Institute' with the thesis 'De Echo van 't Saluut'. Between 2002 and 2017 he has been in charge of teaching new music for guitar at the Conservatory of Gent where he has developed an advanced master program with emphasis on contemporary chamber music in collaboration with the Spectra ensemble and Ictus. His broad interest in performance has led to collaborations with choreographers as Xavier Le Roy (see 'Mouvements für Lachenmann), Maud Le Pladec (see 'Professor', 'Poetry' and 'Concrete') and Andros Zins-Browne (The Funerals)" ^ Hide Bio for Tom Pauwels
10/2/2024
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10/2/2024
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10/2/2024
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10/2/2024
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Track Listing:
1. codex IX 37:04
2. adrift 22:24
3. codex VII 20:13
EMANEM & psi
Improvised Music
Electro-Acoustic
Electro-Acoustic Improv
European Improv, Free Jazz & Related
London & UK Improv & Related Scenes
Free Improvisation
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