"A seemingly endless -- and endlessly eclectic -- series of releases made the innovative guitarist Eugene Chadbourne one of the underground community's most well-known and well-regarded eccentrics. Born January 4, 1954 in Mount Vernon, NY, Chadbourne was raised in Boulder, CO, by his mother, a refugee of the Nazi death camps. At the age of 11, the Beatles inspired him to learn guitar; later exposure to Jimi Hendrix prompted him to begin experimenting with distortion pedals and fuzzboxes. Ultimately, however, he became dissatisfied with the conventions of rock and pop, and traded in his electric guitar for an acoustic one, on which he began to learn to play bottleneck blues.

Perhaps Chadbourne's most significant formative discovery was jazz; initially drawn to John Coltrane and Roland Kirk, he later became an acolyte of the avant excursions of Derek Bailey and Anthony Braxton. Despite the huge influence music exerted over his life, however, Chadbourne first studied to become a journalist, but his career was derailed when he fled to Canada rather than fight in Vietnam; only President Jimmy Carter's declaration of amnesty for conscientious objectors allowed the vociferously left-wing Chadbourne to return to the U.S. in 1976, at which time he plunged headlong into the New York downtown music scene. After releasing his 1976 debut, Solo Acoustic Guitar, he began collaborating on purely improvisational music with the visionary saxophonist John Zorn and the acclaimed guitarist Henry Kaiser.

Quickly, Chadbourne carved out a singular style, comprised of equal parts protest music, free improvisation, and avant-garde jazz, topped off with his absurd, squeaky vocals. A complete list of Chadbourne's countless subsequent collaborations and genre workouts is far too lengthy and detailed to exhaustively document, although in the early '80s he garnered some of his first significant attention as the frontman of Shockabilly, a demented rockabilly revisionist outfit which also featured the well-known producer Kramer. Following the group's breakup, Chadbourne turned to his own idiosyncratic brand of country and folk, accurately dubbed LSD C&W on a 1987 release, the same year he joined the members of Camper Van Beethoven for a one-off covers project. In addition, he recorded with artists ranging from Fred Frith and Elliott Sharp to Evan Johns and Jimmy Carl Black, the original drummer in the Mothers of Invention; in between, he continued exploring unique styles inspired by music from the four corners of the globe, all the while issuing a seemingly innumerable string of records, most of them on his own Parachute label."

"Richard Bishop was born in Saginaw, Michigan in 1960. He is best known for his 26 year involvement with the band Sun City Girls and as an experimental solo guitarist whose work often reflects the shadow worlds of India, the Middle East, North Africa, and other points along the Gypsy trail.

"Technically, I began playing the guitar when I was 11. My parents bought me this cheap Buck Owens styled red, white and blue guitar and talked me into taking lessons. That lasted about three weeks - it just didn't work out.' A few years later I thought I would give it another try and proceeded to teach myself how to play the damn thing."

Richard, along with his brother Alan, left Michigan in 1979 and settled in Phoenix, AZ. In 1981 the brothers joined up with drummer Charles Gocher and formed the long-running experimental underground group Sun City Girls, who, from 1981-2007, produced an extensive discography of over 50 full length albums, 20 one-hour cassettes and a dozen 7" records. Also in the early 1980s Richard was a member of the group Paris 1942 which included Alan Bishop, J. Akkari (Jesse Srogoncik) and former Velvet Underground drummer Moe Tucker.

Bishop's first solo record, Salvador Kali, was released by John Fahey's esteemed Revenant Records label in 1998. It was issued under the name of Sir Richard Bishop (the name stuck). The album showcases Bishop's own particular obsessions and roots, drawing from a variety of worldwide sources. Locust Music issued his second record, Improvika (2004), which consisted of nine extemporaneous pieces for solo acoustic guitar. Up next was Fingering the Devil (2006), which was recorded at an impromptu session at London's Southern Studios on a day off during Bishop's 2005 European tour. This was followed by two more releases from Locust: Elektronika Demonika (2006), a recording of electronic sound experiments, containing no guitar at all; and While My Guitar Violently Bleeds (2007), featuring three extended compositions for acoustic and electric guitar. Richard's 30-minute film God Damn Religion, a seizure-inducing montage of occult imagery was released in 2008 on DVD, also by Locust.

In 2005, Bishop began performing full time as a solo artist, playing throughout Europe and the United States.

Bishop's next album, Polytheistic Fragments, was released by the Drag City label in 2007. It includes works for acoustic, electric and lapsteel guitar, plus two piano compositions. In 2009, Drag City issued The Freak of Araby which was Bishop's tribute to late Egyptian guitarist Omar Khorshid as well as a celebration of the Middle Eastern music that Bishop's grandfather often played for him as a young child.

Bishop's most recent full-length, Tangier Sessions, was released in 2015 by Drag City. It consists of a series of improvisations recorded in Tangier, Morocco in 2014 using a 19th century parlor guitar of mysterious origin (pictured below).

Additional SRB albums have been released by Unrock; Ideologic Organ; Southern Lord; VDSQ, and other labels.

In 2010, Bishop joined forces with fellow guitarist Ben Chasny (Six Organs of Admittance) and drummer extraordinaire Chris Corsano to create the group Rangda. Three full length Rangda releases have been issued by Drag City with additional LPs on Unrock and Ba Da Bing! Records."