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Catalog ID: Hatology629
Squidco Product Code: 6328
Packaging: Cardstock foldover
Recorded at Charelstown Road Studio, in Hampton, New Jersey, on June 13th, 2006, by Paul Wickliffe.
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• Show Bio for Russ Lossing
"Russ Lossing (born 1960) is an American jazz pianist, composer, improviser, arranger, educator, scholar.
Lossing was born in Ohio in 1960, and is from Columbus, Ohio. He had classical piano lessons from the age of 5 and began studying jazz aged 13 in Columbus at the Jazz and Contemporary Workshop with Dave Wheeler. After high school Lossing went on the road with a wide variety of bands including jazz, funk, rock, pop and country music for four years before attending university. He obtained a Bachelor of Music in piano at Ohio State University in 1986. In the early 1980s meetings with composer John Cage had a big effect:
We only had two occasions to get together and talk, but any time spent with him was utterly valuable. He read through my scores we played piano together. His thing was creating, not emulating: don't copy; trust YOURSELF. I was already going in this direction but this experience, listening to Cage's concepts and philosophy in this setting, made so much sense.
Later life and career
Lossing has been part of the New York jazz scene since 1986. In 1988 he earned a Master of Music from the Manhattan School of Music. He has led or co-led numerous bands, including: his own trio with Masa Kamaguchi and Billy Mintz; Three-Part Invention with bassist Mark Helias and trumpeter Ralph Alessi; and duos with saxophonist Tim Berne, drummer Gerry Hemingway, and guitarist Ben Monder. Others are: trio with Paul Motian and Ed Schuller (Dreamer and As It Grows); trio with Mat Maneri and Mark Dresser (Metal Rat); trio with John Hebert and Jeff Williams (Phrase 6); quartet with Loren Stillman, John Hebert and Eric McPherson (Personal Tonal); King Vulture with Adam Kolker, Matt Pavolka and Dayeon Seok; and duos with saxophonist Loren Stillman, bassist John Hebert (Line Up,Hatology), and saxophonost Michael Adkins.
Lossing played with drummer Paul Motian over a period of 12 years and recorded Drum Music, a solo piano tribute album to him in 2011. The JazzTimes reviewer of Drum Music commented that "his two-fisted takes on 'Fiasco', 'Dance' and 'Drum Music' capture the great drummer's unpredictable and audacious rhythmic pulse. Lossing's stark re-imaginings of [... other Motian pieces] all vibrate with a new spirit of exploration." Swiss newspaper Der Sonntag wrote that "Drum Music is a stunning improvisational solo recital, a convincing plunge into 10 Motian compositions. This is music in between contemporary jazz and up to date tonal concert music."
Lossing has performed in some of the world's leading jazz festivals including the London, Vienna, Harlem, Cully (Switzerland), Toronto and Venice (Italy) Jazz festivals to name just a few. He has also performed in jazz clubs in New York and Europe including The Village Vanguard (with Paul Motian), Blue Note NYC, The Jazz Standard, Birdland, Porgy and Bess (Vienna), Unterfahrt (Munich), Jazz Club Ferrara (Italy) and many more over a span of 25 years.
In February 2016, Lossing was invited by John Zorn to do a week long residency at The Stone NYC in which he presented 12 of his ensembles over 6 nights.
Lossing has composed over 400 pieces of music in many genres including jazz, contemporary classical (solo piano works, string quartets, orchestral works and song cycles), song writing in various styles, pop, rock, funk, fusion (in early life), film scoring (30+ films). In 2015, he founded the record label Aqua Piazza."-Wikipedia (https://en.wikipedia.org/wiki/Russ_Lossing)
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1. All Things Arise 9:52
2. Interdependence, 7:10
3. From Within 4:00
4. Causes 5:58
5. Azure 1 7:12
6. Pent-Up House 3:08
7. Kathelin Grey 4:55
8. Alabama Song 6:14
9. Verse 7:28
10. Azure 2 5:17
descriptions, reviews, &c.
"For Lossing, improvisation is clearly a special act, a study in transparence and transformation, a creative exchange among the elements. One hears fresh relations of time and space. His acute sense of time connects inevitability to its absence. Space is heard in his sense of density, the room he can make around a note even at high speed, the contrasts between counterpoint and elegant strings of single notes. Space is also vertical in Lossing's music - in the ways that wide and tight intervals interact with chords. This solo CD seems almost two-sided, like the LP of tradition. There is a side of free improvisations followed by treatments of larger familiar themes. We might think of it as a voyage inward and a voyage outward; a journey forward followed by one into the past."-Stuart Broomer
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