The 6 piece Tya Ensemble of string, piano, percussion and vibraphone performs Swedish composer Magnus Granberg's beautifully delicate and dusky work, conceived from historic and recent song structures and written so that individual parts also may be performed as solo pieces, as heard in an extended ensemble version and four solo and one duo configuration.
Format: 2 CDs Condition: New Released: 2022 Country: Sweden Packaging: Cardboard Gatefold Recorded at Atlantis Metronome, in Stockholm, Sweden, on February 18th, 2022, by Niclas Lindstrom.
1. Night Will Fade And Fall Apart (for Ensemble) 43:46
CD2
1. Night Will Fade And Fall Apart (for Percussion) 2:25
2. Night Will Fade And Fall Apart (for Violin) 5:29
3. Night Will Fade And Fall Apart (for Cello) 5:50
4. Night Will Fade and Fall Apart (for Guitar) 6:34
5. Night Will Fade and Fall Apart (for Piano and Vibraphone) 31:28
sample the album:
descriptions, reviews, &c.
"Night Will Fade and Fall Apart was commissioned by Thanatosis Produktion in December 2020 and was written for the newly formed Tya Ensemble the following year. The piece takes as its points of departure a tiny handful of songs from two very different times and places: "Tres gentil cuer" and "En l'amoureux vergier" by the French, late medieval composer Solage as well as "My Foolish Heart", a popular song (and subsequent jazz standard) from the late 1940s by Victor Young and Ned Washington from whose lyrics the piece also borrows its title, albeit in a slightly modified manner. The rhythmic materials of the piece are all extracted from the songs of Solage and treated in different ways, whereas the harmonic materials are loosely derived from "My Foolish Heart".
Night Will Fade and Fall Apart is conceived as an ensemble piece where individual parts also may be performed as solo pieces. The ensemble piece consists of seven sets of musical materials as well as a set of guidelines on how to treat and navigate (individually as well as collectively) the different materials. The solo pieces in turn are compiled from the individual parts and may be organized and presented in a multitude of different ways. Night Will Fade and Fall Apart (for piano and vibraphone) consists of the harmonic materials from all seven sets and may also be performed as solo or duo pieces for either instruments. Here it is presented as a "canon of chords". The piano presents the extensive "theme" before the vibraphone enters and the piece ends with the vibraphone playing the complete sequence of chords backwards."- Magnus Granberg, April 2022.
"As I perceive it, in much of Magnus' work, going back as far as projects such as Sheriff, there's an in-drawing nurturing of self. However one may read the beautifully poetic, frequently melancholic nature of the titles of the pieces, this is far from a flattening of the nature of existence but rather a celebration of the interior life of the individual, both of the composer and his growing, attentive, audience, accumulated over time due to a remarkably consistent series of releases. Those familiar with Magnus' work will likely be aware of a 'looseness', an integrated opening for variations in the reading of the work that gently 'undermine' the pre-determined elements of composition.
There's a meditative, haunting stillness to much of Magnus' work, particularly on this double album of variations on a composition based upon a series of propositions, carefully defined parameters that suggest as much as they direct. The compositional information demarcating boundaries while gamefully opening them up to interpretation allowing for intricate readings by an empathetic company of musicians true to Magnus' high standards.
This is music for the twilight, the final rays, as our impaired vision of the solidity of things and their accompanying certainties, fall away.
When describing Magnus' working process I've a desire to flip Cage's 'purposeless play' to 'purposeful'. It appears to me Magnus knows the coordinates, the conditions under which his ship sails, certain he'll recognize the destination as a mirror of his own guiding principles, welcoming elements of the unknown within the carefully prescribed parameters of his personal cartography."-David Sylvian, April 2022