The Squid's Ear Magazine


Konstrukt & Peter Brotzmann: Dolunay [VINYL 2 LPs + DOWNLOAD] (KARLRECORDS)

A reissue of the 2008 double LP, part of the continuing collaborations between great improvisers from around the globe with the Turkish Konstrukt quartet of Korhan Argüden on drums, Özün Usta on percussion, Umut Çağlar on guitar and Korhan Futacı on tenor & baritone saxophone, here joining with European Free Jazz legend Peter Brötzmann on alto & tenor saxophones and clarinet for this formidable studio recording from Istanbul.
 

Price: $37.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 24.00 units

Sample The Album:





product information:

Personnel:



Korhan Futaci-tenor saxophones, baritone saxophones

Umut Caglar-guitar

Ozun Usta-percssion

Korhan Futaci-drums

Peter Brotzmann-alto saxphone, tenor saxophone, clarinet


Click an artist name above to see in-stock items for that artist.




180gm double vinyl with Download Code

UPC: 5050580779303

Label: KARLRECORDS
Catalog ID: KR 094LP
Squidco Product Code: 32174

Format: LP
Condition: New
Released: 2022
Country: Germany
Packaging: Vinyl LP
Recorded by Ergin Özler & Taylan Özdemir at Deneyevi Studio, Istanbul on November 13, 2008.

Descriptions, Reviews, &c.

"The ongoing series / tradition of a KONSTRUKT release in august this time returns to the early beginning: the overdue double vinyl reissue of the Turkish free-formers' studio meeting with the German Free Jazz titan PETER BRÖTZMANN from 2008. Remastered by KASSIAN TROYER at D&M, Berlin.

As written in several info sheets before, the Istanbul-based collective led by multi-instrumentalist UMUT ÇAĞLAR (also member of KARKHANA) and reeds player KORHAN FUTACI has since its formation in 2008 created an impressive catalogue including collaborations / performances with significant musicians like Keiji Haino, Joe Mcphee, William Parker, Akira Sakata, Marshall Allen, Evan Parker, Thurston Moore, Michael Zerang, Alfred Harth or Alexander Hawkins - and Peter Brötzmann.

The German Free Jazz titan was invited to the Deneyevi Studio in the Turkish capital in november 2008 where they recorded "Dolunay", an album that was released three years later on a small label in Turkey only. Back then a quartet with drums AND percussion, guitar, reeds but NO bass player, KONSTRUKT and their iconic guest took off on a session full of fire and fury: shrieking reeds, thundering drums andandand ... Free Jazz of the wildest, most energetic and kathartic (afterwards) kind!"-KONSTRUKT


180gm double vinyl with Download Code

Artist Biographies

"Korhan Futacı: Turkish composer, saxophonist bio Gained recognition for his lyrics, compositions and saxophone performance on Tamburada's album 'Fantastik'. His audience grew with Dandadadan's album 'Sen Bana Birini Android'. Performed at Berlin, Antwerp, Istanbul, Akbank, Alanya and Afyon jazz festivals. Also innumerable times at concert venues in Istanbul, Ankara, Izmir, Bursa and Antalya. Shared the stage with many international artists. His debut album containing all his own lyrics and compositions was released in 2010. He worked with Andy Jackson, whom we know from Pink Floyd and David Gilmore albums. Second album 'Pavurya' met the audience in 2012. sound Chaos of İstanbul and musical journey of madness. line-up Korhan Futacı (vocal, saxophone) Özün Usta (percussion, vibraphone, acoustic effects) Ediz Hafızoğlu (drums and cymbals) Gökhan Şahinkaya (bass guitar) Selim Saraçoğlu (gitar Barlas) Tan Özemek (guitar Barlas) Görkem Karabudak (keyboards)"

-Salon (http://www.saloniksv.com/en/event/417/korhan-futaci-kara-orkestra)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Umut Çağlar Born 1972, Istanbul, Istanbul, Turkey Member of Dead Country, Konstrukt Genres Free Improvisation"

-RateYourMusic.com (http://rateyourmusic.com/artist/umut_caglar)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Özün Usta is a Turkish percussionist, known for the group Etnik Orchestra, Karkhana, Konstrukt, Korhan Futacı ve Kara Orkestra, and Tamburada.

-Squidco 3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Korhan Futacı: Turkish composer, saxophonist bio Gained recognition for his lyrics, compositions and saxophone performance on Tamburada's album 'Fantastik'. His audience grew with Dandadadan's album 'Sen Bana Birini Android'. Performed at Berlin, Antwerp, Istanbul, Akbank, Alanya and Afyon jazz festivals. Also innumerable times at concert venues in Istanbul, Ankara, Izmir, Bursa and Antalya. Shared the stage with many international artists. His debut album containing all his own lyrics and compositions was released in 2010. He worked with Andy Jackson, whom we know from Pink Floyd and David Gilmore albums. Second album 'Pavurya' met the audience in 2012. sound Chaos of İstanbul and musical journey of madness. line-up Korhan Futacı (vocal, saxophone) Özün Usta (percussion, vibraphone, acoustic effects) Ediz Hafızoğlu (drums and cymbals) Gökhan Şahinkaya (bass guitar) Selim Saraçoğlu (gitar Barlas) Tan Özemek (guitar Barlas) Görkem Karabudak (keyboards)"

-Salon (http://www.saloniksv.com/en/event/417/korhan-futaci-kara-orkestra)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Born Remscheid, Germany on 6 March 1941; soprano, alto, tenor, baritone and bass saxophones, a-clarinet, e-flat clarinet; bass clarinet, tarogato.

Peter Brötzmann's early interest was in painting and he attended the art academy in Wuppertal. Being very dissatisfied with the gallery/exhibition situation in art he found greater satisfaction playing with semi-professional musicians, though continued to paint (as well as retaining a level of control over his own records, particularly in record sleeve/CD booklet design). In late 2005 he had a major retrospective exhibition jointly with Han Bennink - two separate buildings separated by an inter-connecting glass corridor - in Brötzmann's home town of Remscheid.

Self-taught on clarinets, he soon moved to saxophones and began playing swing/bebop, before meeting Peter Kowald. During 1962/63 Brötzmann, Kowald and various drummers played regularly - Mingus, Ornette Coleman, etc. - while experiencing freedoms from a different perspective via Stockhausen, Nam June Paik, David Tudor and John Cage. In the mid 1960s, he played with American musicians such as Don Cherry and Steve Lacy and, following a sojourn in Paris with Don Cherry, returned to Germany for his unorthodox approach to be accepted by local musicians like Alex von Schlippenbach and Manfred Schoof.

The trio of Peter Brötzmann, Peter Kowald and Sven-Ake Johansson began playing in 1965/66 and it was a combination of this and the Schoof/Schlippenbach Quintet that gave rise to the first Globe Unity Orchestra. Following the self-production of his first two LPs, For Adolphe Sax and Machine gun for his private label, BRÖ, a recording for Manfred Eicher's 'Jazz by Post' (JAPO) [Nipples], and a number of concert recordings with different sized groups, Brötzmann worked with Jost Gebers and started the FMP label. He also began to work more regularly with Dutch musicians, forming a trio briefly with Willem Breuker and Han Bennink before the long-lasting group with Han Bennink and Fred Van Hove. As a trio, and augmented with other musicians who could stand the pace (e.g. Albert Mangelsdorff on, for example, The Berlin concert), this lasted until the mid-1970s though Brötzmann and Bennink continued to play and record as a duo, and in other combinations, after this time. A group with Harry Miller and Louis Moholo continued the trio format though was cut short by Miller's early death.

The thirty-plus years of playing and recording free jazz and improvised music have produced, even on just recorded evidence, a list of associates and one-off combinations that include just about all the major figures in this genre: Derek Bailey (including performances with Company (e.g. Incus 51), Cecil Taylor, Fred Hopkins, Rashied Ali, Evan Parker, Keiji Haino, Misha Mengelberg, Anthony Braxton, Marilyn Crispell, Andrew Cyrille, Phil Minton, Alfred 23 Harth, Tony Oxley. Always characterised as an energy player - and the power-rock setting of Last Exit with Ronald Shannon Jackson, Sonny Sharock and Bill Laswell, or his duo performances with his son, Casper, did little to disperse this conviction - his sound is one of the most distinctive, life-affirming and joyous in all music. But the variety of Brötzmann's playing and projects is less recognised: his range of solo performances; his medium-to-large groups and, in spite of much ad hoc work, a stability brought about from a corpus of like- minded musicians: the group Ruf der Heimat; pianist Borah Bergman; percussionist Hamid Drake; and Die like a dog, his continuing tribute to Albert Ayler, with Drake, William Parker and Toshinori Kondo. Peter Brötzmann continues a heavy touring schedule which, since 1996 has seen annual visits to Japan and semi-annual visits to the thriving Chicago scene where he has played in various combinations from solo through duo (including one, in 1997, with Mats Gustafsson) to large groups such as the Chicago Octet/Tentet, described below. He has also released a number of CDs on the Chicago-based Okka Disk label, including the excellent trio with Hamid Drake and the Moroccan Mahmoud Gania, at times sounding like some distant muezzin calling the faithful to become lost in the rhythm and power of the music.

The "Chicago Tentet" was first organized by Brötzmann with the assistance of writer/presenter John Corbett in January 1997 as an idea for a one-time octet performance that included Hamid Drake and Michael Zerang (drums), Kent Kessler (bass) and Fred Lomberg-Holm (cello), Ken Vandermark and Mars Williams (reeds), and Jeb Bishop (trombone). The first meeting was extremely strong and warranted making the group an ongoing concern and in September of that same year the band was expanded to include Mats Gustafsson (reeds) and Joe McPhee (brass) as permanent members (with guest appearances by William Parker (bass), Toshinori Kondo (trumpet/electronics), and Roy Campbell (trumpet) during its tenure) - all in all a veritable who's who of the contemporary improvising scene's cutting edge. Though the Tentet is clearly led by Brötzmann and guided by his aesthetics, he has been committed to utilizing the compositions of other members in the ensemble since the beginning. This has allowed the band to explore an large range of structural and improvising tactics: from the conductions of Mats Gustafsson and Fred Lonberg-Holm, to the vamp pieces of Michael Zerang and Hamid Drake, to compositions using conventional notation by Ken Vandermark and Mars Williams, to Brötzmann's graphic scores - the group employs almost every contemporary approach to composing for an improvising unit. This diversity in compositional style, plus the variety in individualistic approaches to improvisation, allows the Tentet to play extremely multifaceted music. As the band moves from piece to piece, it explores intensities that range from spare introspection to all out walls of sound, and rhythms that are open or free from a steady pulse to those of a heavy hitting groove. It is clear that the difficult economics of running a large band hasn't prevented the group from continuing to work together since its first meeting. Through their effort they've been able to develop an ensemble sound and depth of communication hard to find in a band of any size or style currently playing on the contemporary music scene."

-EFI (European Free Improvisation Pages) (http://www.efi.group.shef.ac.uk/mbrotzm.html)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



Side A



Dolunay 10:24

Siyah 10:57



Side B



Kurtlar 10:10



Side CD



Makinalı 13:16



Side D



Tepe 3:24

Nokta 9:17

Related Categories of Interest:


Vinyl Recordings
Improvised Music
Jazz
Free Improvisation
European Improvisation, Composition and Experimental Forms
Peter Brotzmann
Quintet Recordings
Staff Picks & Recommended Items
Jazz Reissues
New in Improvised Music
Recent Releases and Best Sellers

Search for other titles on the label:
KARLRECORDS.


Recommended & Related Releases:
Brotzmann, Peter / Paal Nilssen-Love
Chicken Shit Bingo
(Trost Records)
Often performing together as a duo after their initial 2004 Chicago Tentet encounter, drummer/percussionist Paal Nilssen and multi-reedist Peter Brötzmann typically released albums of live performances, this 2015 studio date in Antwerp unique in their catalog, an exemplary set of recordings, particularly with Brötzmann on a new contra-alto clarinet and Paal adding gongs to their improvisations.
Brotzmann / Toyozumi
TRIANGLE, Live at OHM, 1987
(NoBusiness)
Never before issued, this stunning concert between long-time collaborators, Japanese drummer Sabu Toyozumi and German multi-reedist Peter Brötzmann performing on tenor saxophone and tarogato, was captured live at OHM, in Koiwa, Tokyo in 1987, in an energetic and enthusiastic free concert of impressive skill and expression, a vital addition to the discography of both.
Brotzmann, Peter / Heather Leigh / Fred Lonberg-Holm
Naked Nudes
(Trost Records)
Part of Peter Brötzmann's 80th birthday concerts in his hometown of Wuppertal, the saxophonist assembled a trio from his typically duo partner, pedal steel guitarist Heather Leigh (Charalambides, Dream/Aktion Unit) and Chicago cellist and electronic improviser Fred Lonberg-Holm, performing the extended title track at INSEL | Kultur im ADA, along with two succinct improvisations.
Brotzmann, Peter / Han Bennink
Schwarzwaldfahrt [CD + BOOK]
(Trost Records)
Expanding on their 1977 FMP album of open-air improvisations by Peter Brotzmann and Han Bennink, recording in the Black Forest of Baden-Wurttemberg using wind instruments & percussion, the ambiance of birds and planes, water, drums from logs, &c.; an idiosyncratic and wonderful album of free possibilities, now paired with a book of photos from their excursion.
Schlippenbach, Alexander von
Globe Unity
(Corbett vs. Dempsey)
Wild, nearly unprecedented and an exhilarating direction in European Free Improvisation heard in the 1st recordings from 1966 of pianist Alexander von Schlippenbach's Globe Unity band, a 14-piece ensemble that included young saxophonists Peter Brötzmann, Gerd Dudek & Kris Wanders, bassist Peter Kowald, bass clarinetist Willem Breuker, trumpeter Manfred Schoof, &c.
Brotzmann, Peter / Fred Van Hove / Han Bennink
Jazz in der Kammer Nr.71
(Trost Records)
Recorded for radio for the series Jazz in der Kammer Nr 71, this 1974 concert was the first in East Germany for Peter Brötzmann, Fred Van Hove, and Han Bennink, bridging the divided German states through an energetic set of improvisations that extended traditional jazz with outrageous approaches to improv in an exciting, quirky and profoundly masterful set of European Free Jazz.
Big Bad Brotzmann Quintet
Bambule!
(Euphorium)
An intense concert of collective European Free Jazz in two extended improvisations recorded at naTo in Leipzig, German in 2019 from the quintet of Peter Brotzmann on tenor saxophone, clarinet & tarogato, Oliver Schwerdt on grand piano, percussion & little instruments, John Edwards and John Eckhardt on double bass, and Christian Lillinger on drums & percussion.
Big Bad Brotzmann Trio (feat John Edwards / John Eckhardt)
Hot Ass / Sexy Legs [3'' MINI CD]
(Euphorium)
Two recordings from naTo in Leipzig, Germany, the first an energetic free jazz romp from the Big Bad Brötzmann Trio of Peter Brötzmann on tenor sax & taragato, Oliver Schwerdt on piano & percussion and Christian Lillinger on drums & percussion; then a furtively powerful double bass duo between John Edwards and John Eckhardt, a tour de force of extended technique and deep sound.
Brotzmann, Peter Chicago Tentet
Ultraman vs. Alien Metron [SINGLE SIDED VINYL]
(Corbett vs. Dempsey)
Recorded during the 2002 studio sessions that yielded the albums A Short Visit to Nowhere and Broken English, this unreleased recording of a Mars Williams composition is issued as a 1-sided LP with the stellar lineup of Brötzmann with Williams, Ken Vandermark, Jeb Bishop, Fred Lonberg-Holm, Kent Kessler, Michael Zerang, Hamid Drake, Mats Gustafsson and Joe McPhee.
Mengelberg / Brotzmann / Parker / Bennink / Rutherford / Bailey / Bennink
Groupcomposing [VINYL]
(Our Swimmer)
Authoritative and playful free improvisation in the European Free Jazz style, this 1978 album on Misha Mengelberg and Han Bennink's Instant Composers Pool (ICP) label, included the pianist and drummer along with Peter Brotzmann, Peter Bennink and Evan Paker on sax, Paul Rutherford on trombone, and Derek Bailey on guitar, in a much-need reissue of this seminal album.
Brotzmann, Peter
Along The Way [BOOK]
(Corbett vs. Dempsey)
A beautiful 228 page limited edition hardcover book chronicling the last decade of artwork by saxophonist Peter Brotzmann, created spontaneously while on the road or between tours using materials at hand; featuring essays by Brotzmann, Thomas Milroth, John Corbett, Markus Muller, Sotiris Kontos, Stephen O'Malley, Heather Leigh and Karl Lippegaus.
Big Bad Brotzmann Trio
Biturbo!, Capt'n [3'' CD]
(Euphorium)
A companion 3" CD to the Karacho! album, with an additional dynamic improvisation from the same concert, the Big Bad Brotzmann Trio bringing together master multi-reedist Peter Brötzmann, here on tenor saxophone & clarinet, with pianist Oliver Schwerdt, also playing percussion & little instruments, and drummer/percussionist Christian Lillinger.
Big Bad Brotzmann Quintet
Karacho!
(Euphorium)
A superb example of European Free Jazz tradition, modern and amazingly creative, from the quintet of pianist Oliver Schwerdt and reedist Peter Brotzmann performing on tenor sax, tarogato & clarinet, with Christian Lillinger on drums & percussion and dual double bassists in John Edwards and John Eckhardt, performing a 50+ minute free masterpiece at club naTo in Liepzig, 2017.
Full Blast
Farewell Tonic [VINYL]
(Trost Records)
A fierce display of raw free improvisation from a concert that closed the open-minded and essential New York City venue Tonic in 2007, from the the Full Blast trio of Peter Brotzmann on reeds, Marino Pliakas on electric bass, and Michael Wertmuller on drums, playing to a receptive and excited crowd, with Brotzmann speaking to the audience before the final burner.
Brotzmann, Peter / Lonberg-Holm, Fred
Memories Of A Tunicate
(Relative Pitch)
While both improvisers were in New York City for the 2019 Vision Festival, multi-reedist and European Free Improv legend Peter Brötzmann met Chicago cellist and electronics artist Fred Lonberg-Holm to record their 3rd album together, their 1st album in the studio a diverse set of incredible concentration, with Brötzmann performing on tenor saxophone, woodwind, and clarinet.
Konstrukt / Otomo Yoshihide
Eastern Saga: Live at TUSK [VINYL + DOWNLOAD]
(KARLRECORDS)
The 4th of Karl Records' collaboration series brings Turkish free improvising group Konstrukt together with Japanese experimental improviser Otomo Yoshihide, recording at the Tusk Festival in 2018, Konstrukt configured as a quintet with two drummers, winds, guitar, synth and bass, Otomo adding guitar and turntables to create a dense, exultant and exotic brew of electrified improvisation.
London Jazz Composers Orchestra
That Time
(Not Two)
Released for their 50th anniversary, The LJCO, in configurations of up to 21 musicians including Derek Bailey, Trevor Watts, Evan Parker, Peter Brotzmann, &c., perform works by Kenny Wheeler, Barry Guy, Paul Rutherford and Howard Riley, captured live at the Berliner Jazztage in 1972; at Donaueschingen Musiktage in 1972; in the studio in 1980; and London's Round House in 1980.
Company
Trios [VINYL 2 LPs]
(Honest Jons Records)
Nine improvisers--Joelle Leandre, J.D.Parran, Ernst Reyseger, Hugh Davies, Jamie Muir, Peter Brotzmann, Evan Parker, Vinko Globokar, & John Corbett--joined Derek Bailey for this 1983 Company week, recording at the I.C.A. in London over 4 days in 1983, mostly performing in trio configurations, with one duo between Bailey & Reijseger, and a final ensemble with all 9 players.
ICP Tentet
Tetterettet
(Corbett vs. Dempsey)
10 years after drummer Han Bennink, pianist Misha Mengelberg, and saxophonist Willem Breuker formed the ICP co-op, Bennink & Mengelberg formed this 10-piece "Tetterettet", an all-star international group including Peter Brotzmann, Tristan Honsinger, John Tchicai, this their first incredible and far-ranging album, remastered and available on CD for the first time.
Full Blast
Rio [VINYL]
(Trost Records)
A limited live album from German saxophonist Peter Brotzmann's long-running Full Blast trio with the precise and dynamic Swiss rhythm section of Marino Pliakas on electric bass and Michael Wertmuller on drums, captured at Audio Rebel, in Rio de Janeiro, Brazil in 2016 as they tear through a tumultuous set of five burning improvisations of passionate playing.
Brotzmann, Peter / Heather Leigh
Sparrow Nights
(Trost Records)
Reedist Peter Brotzmann and guitarist Heather Lee has been one of Brotzmann's most current active collaborations, performing together for several years, here recorded beautifully in the studio for a 6-track LP and 10-track CD of sympathetic, emotional and articulate dialog from two musicians with an innate sense of timing and give and take borne from mutual experience.
Moore, Thurston / Umut Caglar
Dunia [VINYL]
(Astral Spirits)
Recorded in Istanbul, Turkey, guitarist Thurston Moore teams up with Konstrukt guitarist Umut Caglar to record these three rich and twisting pieces, each guitarist extracting unique performances from the other over three pieces that draw on technique and effects to create fragile and heavy sonic environments, an impressive album of modern guitar potential.
Brotzmann / van Hove / Bennink
1971
(Corbett vs. Dempsey)
Unreleased material from legendary European players Peter Brotzmann (sax), Fred Van Hove (piano) and Han Bennink (drums), captured live in 1971 for intensely heavy playing at the 2nd Internationales New Jazz Meeting Auf Burg Altena, and in detailed studio work at Radio Bremen.
Other Recommended Releases:
Friedl / Siewert
Lichtung
(KARLRECORDS)
Zeitkratzer director and pianist Reinhold Friedl meets with Martin Siewert (Radian, Fake the Facts, Dry Thrust) for three improvised explorations on piano, guitar and electronics, through the course of powerful transitions building from deep introspection into prickly, bellicose interaction, yielding to a brooding finale of subtle electronics and punctuation; profound.
Brotzmann, Peter / Paal Nilssen-Love
Chicken Shit Bingo [VINYL]
(Trost Records)
Often performing together as a duo after their initial 2004 Chicago Tentet encounter, drummer/percussionist Paal Nilssen and multi-reedist Peter Brötzmann typically released albums of live performances, this 2015 studio date in Antwerp unique in their catalog, an exemplary set of recordings, particularly with Brötzmann on a new contra-alto clarinet and Paal adding gongs to their improvisations.
Brotzmann / Van Hove / Bennink
Outspan No 2 [VINYL]
(Cien Fuegos)
Recorded a month after Outspan No 1, this album was captured live at 1974 Ost-West-Festival in Nurnberg, Germany from the legendary, masterfully amusing and absolutely serious trio of Peter Brötzmann on alto saxophone, tenor saxophone, clarinet, Fred Van Hove on piano, Han Bennink on drums, clarinet, homemade junk, everything, anything.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC