"Michael Pisaro was born in Buffalo in 1961. He is a composer and guitarist, a member of the Wandelweiser Composers Ensemble and founder and director of the Experimental Music Workshop, Calarts. His work is frequently performed in the U.S. and in Europe, in music festivals and in many smaller venues. It has been selected twice by the ISCM jury for performance at World Music Days festivals (Copenhagen,1996; Manchester, 1998) and has also been part of festivals in Hong Kong (ICMC, 1998), Vienna (Wien Modern,1997), Aspen (1991), London (Cutting Edge, 2007), Glasgow (INSTAL 2009), Huddersfield (2009), Chicago (New Music Chicago, 1990, 1991) and elsewhere.

He has had extended composer residencies in Germany (Künstlerhof Schreyahn, Dortmund University), Switzerland (Forumclaque/Baden), Israel (Miskenot Sha'ananmim), Greece (EarTalk) and in the U.S. (Birch Creek Music Festival, Wisconsin). Concert length portraits of his music have been given in Munich, Jerusalem, Los Angeles, Vienna, Merano (Italy), Brussels, New York, Curitiba (Brazil), Amsterdam, London, Tokyo, Austin, Berlin, Chicago, Düsseldorf, Zürich, Cologne, Aarau (Switzerland), and elsewhere.

He is a Foundation for Contemporary Arts, 2005 and 2006 Grant Recipient. Much of his music of the last several years is published by Edition Wandelweiser (Germany). Several CDs of his work have been released by such labels as Edition Wandelweiser Records, Compost and Height, confront, Another Timbre, Cathnor, Nine Winds and others, including most recently "transparent city, volumes 1-4", "an unrhymed chord", "hearing metal 1", "A Wave and Waves" and "harmony series (11-16)".

His translation of poetry by Oswald Egger ("Room of Rumor") was published in 2004 by Green Integer. He is Co-Chair of Music Composition at the California Institute of the Arts near Los Angeles. He has performed many of his own works and those of close associates Antoine Beuger, Kunsu Shim, Jürg Frey and Manfred Werder, and works from the experimental tradition, especially John Cage, Christian Wolff, James Tenney and George Brecht."

"Josten Myburgh: Perth-based musician, influenced (mostly) by early music, fluxus, footwork, hip-hop, Wandelweiser, free improvisation and folk music, and interested (broadly) in gentleness, silence, repetition, counterpoint, juxtaposition and nonsense.

I work for Tura New Music as a curator of their 'grassroots' concert and workshop programs, centred around experimental chamber music and free improvisation.

I am part of running the label Tone List, which represents some exploratory music activities in Perth through releasing records and organising concerts.

I've studied with Antoine Beuger, Lindsay Vickery (WAAPA), Stuart James (WAAPA), and also undertaken mentorships and emerging artist programs with Alessandro Bosetti, Perluigi Billone, James Ledger and Richard Barrett.

I've performed at Klangraum (Düsseldorf), AudioArt Festival (Krakow), Cable#8 (Nantes), 101 Scelsi/Cage Festival (Palermo), Tilde New Music & Sound Art (Melbourne) and the Totally Huge New Music Festival (Perth).​Music I've made is out on Edition Wandelweiser, Flaming Pines, Tone List, Ivory Tower Records.

I'm currently a PhD candidate at the Western Australian Academy of Performing Arts, and also teach there as a sessional lecturer. My research surrounds the intersections of radical philosophies of hope and experimental music communities.

I play composed music with Jameson Feakes and with the ensemble Breaking Waves. I also play free improvisation, usually with Michael McNab (Tchake), Emilio Gordoa, Sage Pbbbt, and eszetts. My solo performances often incorporate a mixture of composed laptop electronics, improvisation, voice, objects and 'non-musical' elements."

"Jameson Feakes - Perth Based Guitarist, Improvisor, Etc."