Reinventing their band with the late drummer Alvin Fielder and saxophonist Kidd Jordan, the core trio of vocalist Kelley Hurt, pianist Christopher Parker and alto saxophonist Chad Fowler bring together drumming legend Brian Blade, bassist William Parker and trumpeter Marc Franklin for three extended works, rich journeys in expressive, soulful and lyrical free jazz
Label: Mahakala Music Catalog ID: MAHA-012 Squidco Product Code: 31690
Format: CD Condition: New Released: 2021 Country: USA Packaging: Digipack Recorded at Marigny Recording Studio, in New Orleans, Louisiana, in November, 2020, by Rick Nelson.
"Following their debut release, Garden Party, from 2019, Dopolarians return to New Orleans with their core group of Chad Fowler, Kelley Hurt, Christopher Parker, and William Parker joined by grammy award winning percussionist Brian Blade and first-call Memphis trumpeter Marc Franklin. Notably, The Bond is the first meeting of influential legends Brian Blade and William Parker. In The Bond, Dopolarians' signature sound of accessible, beautiful freely improvised music is on full display. From the most delicate balladry to roaring, Alice Coltrane-inspired screaming vamps, this record is a masterclass in soulful, lyrical free improvisation."-Mahakala Music"
"The Bond marks the return of Dopolarians, a sextet of avant-gardists and free musical explorers composed of alto saxophonist Chad Fowler, trumpeter Marc Franklin (subbing for the tenor player Kidd Jordan), vocalist Kelley Hurt, pianist Christopher Parker, bassist William Parker and drummer Brian Blade (replacing the late Alvin Fielder). The ensemble remains faithful to the essence of improvisation, responding to particular situations with their musical intuition and ability to speak up through their respective instruments.
The title track is a 20-minute journey that mixes spiritual dimensions and southern blues roots right at the beginning. The occasion allows us to appreciate the rich harmonic progressions on the piano, which are followed by trumpet and saxophone expansions with a predilection for higher pitches. Parker, the bassist, bounces things up with an odd, hopping groove that provides a functional framework for Fowler's silver-tongued improvisation. He is accompanied by Blade's thunderous bombardment of highly sculptural drum sounds. The drummer, who is rarely seen in this avant-jazz context, is a great addition to the group, employing all his known sensitivity to deal with the volatile atmospheres. The bass solo lies on dreamy piano, also enjoying leisurely adornments from the horns and Hurt's exploratory vocalise, which soon claims the attention while the other instruments surround it.
"The Emergence" kicks off as a densely webbed, frenzy romp with spiky horn peaks and rhythmic fragmentation. Then, it moves through a prolonged reflection that could be a bit of an endurance ride for the listeners, before returning to the dynamics that nimbly expand and contract, burning everything around.
The album closes with the stunning "The Release", whose ethereal beauty relies on modal embodiment and spiritual enlightenment, recalling Pharaoh Sanders and Alice Coltrane in their unchained abandon.
Although not as strong as the Dopolarians' 2019 debut Garden Party, The Bond creates some frisson while leading us to an extraordinary finale."-Filipe Freitas, Jazz Trail