Bassist Raoul van der Weide formed this sophisticated Dutch piano trio with pianist Frank van Bommel and drummer Wim Janssen (the latter two part of Guus Janssen's trio) exploring instant composition in a variety of conceptual approaches, including richly lyrical music, darkly mysterious environments, and spirited and inventive interplay; an accomplished and encompassing album.
"The name is the cue to their point of view - an enticingly eccentric one at that. Though all three members are active participants on the Dutch scene (with bassist Raoul van der Weide and drummer Wim Janssen previously having teamed up in Guus Janssen trio's), the musical fruit of this collaboration suggests less a common ground than a mutually accepted, if temporary, mindset of wary speculation and creative skepticism.
These nine original pieces reveal qualities of spontaneous construction - tempos that emerge, drift, and dissolve before being reestablished; separate, barely related details that ultimately click together; conflicting gestures; familiar, yet abstracted motifs that skirt around the edges of song - while maintaining a firm grip on ensemble rapport. A good deal of this is due to pianist Frank van Bommel, whose previous projects include surveys of the Dick Twardzik and Eric Dolphy songbooks. The noirish, unruffled poise is his, whether it echoes of hip '50 swing ('Ball Shelley'), modest Wynton Kelly-type riffs ('Horsecombing'), modes of lyrical compression ('Klinkklaar'), or open intervals resonating in space in homage to Morton Feldman ('M.F.').
The plots thicken, though, as van der Weide's harmonic and textural digression and Janssen's terse rhythmic responses complicate the mood. The result is a trio that plays not only 'inside' and 'out', but turns the conventional piano trio format inside-out as well."-Art Lange