After 30 years of collaboration between French saxophonist Michel Doneda and Japanese double bassist Tetsu Saitoh, this 2016 recording was to be their last due to the premature passing of Saitoh, the two heard here in a trio with pianist Frederic Blondy recorded for Radio France in a remarkable and consuming performances of fully free and often darkly savage improvisation.
Format: CD Condition: New Released: 2021 Country: USA Packaging: Cardboard Gatefold Recording at Radio France, in Paris, France, on April 16th 2016, by France Musique.
"French soprano saxophonist Michel Doneda is recognized as a leading avant-garde, experimental, and free jazz improviser. He has been performing with legendary Japanese bassist Tetsu Saitoh for 30 years. On this recording they are joined by French pianist Frederic Blondy.
Sadly, this was to be their final document, a recording from Radio France before Tetsu's premature death. This recording is an incandescent dance that united Tetsu Saitoh, Michel Doneda and Frederic Blondy on the stage of the France Musique studio. It is a moment of music that brings together three fellow bodies, three sensibilities, three histories, and also three musical instruments taken as a whole, their multiple points of passage, their most intimate and savage correspondences.
Michel Doneda provides some of the ferocious moments on this record. Whether blowing on his soprano or his sopranino, his technique is recognizable articulate blowing that doesn't overpower the rest of the trio, but enhances its colors."-Relative Pitch
"Michel Doneda recently lost one of his most faithful friends and musical companions, the double bass player Tetsu Saïtoh. Relative Pitch now offers us a superb album recorded on April 16, 2016 on Radio-France bringing together the two improvisers and the remarkable piano explorer Frédéric Blondy. Spring Road 16 is comprised of two collective improvisations under the title of No Road part 1 and No Road part 2. The name Spring Road has been part of their peregrinations as a duo since the first recording Doneda / Saitoh (Spring Road 01 / Scissors 01), because, without a doubt, it was a spring enterprise just like this new album recorded at the beginning of spring when nature and emotions are reborn, the title No Road is quite relevant, as their sound investigations bring together a multitude of paths, reflections, sounds: we are in an unknown territory even if these artists have been exploring continuously for years. There is no starting point and destination road. An intrinsic quality of their collective approach is the avoidance of the virtuosic "solo" syndrome for a complementary, extremely free, pooling of extreme-specific sounds that aggregate, combine in a wild state, float and rise in space defying gravity, notions of musical forms, a possible concept of improvisation,... This is not an album demonstrating knowledge that artists make on their instruments, sax, piano and double bass, not even a "clearing" or the slightly superficial idea of soundpainting. The three musicians seek the rarest sounds, incredible sound resources, vibrations and frequencies in the moment which prove to be the most apt to maintain their mysteries. - Jean-Michel Van Schouwburg