The Squid's Ear Magazine


Cora, Tom / David Moss: Cargo Cult Revival (Klanggalerie)

Essential performers on the 80s Downtown NY scene, cellist Tom Cora and percussionist & vocalist David Moss released this album in 1983 on Fred Frith's Rift label, ten active and often absurd duo improvisation of informed interaction, intertwining strings, drums, odd rhythmic sources and strange vocal utterances, yielding to both serious improv and whimsical notions.
 

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product information:

Personnel:



Tom Cora-cello

David Moss-percussion, voice


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UPC: 5052571091623

Label: Klanggalerie
Catalog ID: GG351
Squidco Product Code: 30295

Format: CD
Condition: New
Released: 2021
Country: Germany
Packaging: Digipack
Recorded live at OAO studio, in Brooklyn, New York, in March, 1982, by Martin Bisi. Originally released in 1983 on vinyl LP by the Rift label with catalog code RIFT 5.

Descriptions, Reviews, &c.

"Tom Cora made his musical debut as drummer on a local US television programme. In the mid 1970s he played guitar for a Washington, D.C. jazz club house band. He took up the cello while an undergraduate at the University of Virginia and studied with cellist Pablo Casals' student Luis Garcia-Renart and later with vibraphonist Karl Berger. During this time he formed his own group, The Moose Skowron Tuned Metal Ensemble and began constructing instruments for it.

In 1979 Cora moved to New York City where he worked with Shockabilly guitarist Eugene Chadbourne. He performed at improvising clubs and venues in New York with John Zorn, Fred Frith, Butch Morris, Wayne Horvitz, David Moss, Toshinori Kondo and others. Cora also collaborated with George Cartwright and Bill Laswell which led to the formation of the art rock band Curlew in 1979. Cora remained with Curlew for over ten years and appeared on five of their albums. In 1982 Tom Cora and Fred Frith formed Skeleton Crew, an improvising rock and jazz band best known for their live performances where they played various instruments simultaneously.

David Moss' life was shaped by drumming and singing. First, his father's drum-set, Bertoia sound sculptures, duos with dancer Steve Paxton. Later, singing: at Berlin Philharmonie, Lincoln Center, Carnegie Hall, Salzburg Festival. In 2018/19 he received the German Music Authors Prize for experimental voice; sang in Olga Neuwirth's opera Lost Highway, sang Frank Zappa's music at the Venice Biennale; visited Taipei, Seattle and Bogota with Heiner Goebbels' Surrogate Cities; worked with video artist Lillevan. Moss received Guggenheim and DAAD Artist-in-Berlin Fellowships. He directs the Institute for Living Voice (and teaches).

In 1983 Tom and David recorded the album Cargo Cult Revival together which was released on Fred Frith's label Rift Records. For this first ever CD re-issue, it was remastered by Martin Bowes."-Klanggalerie


Artist Biographies

"Thomas Henry Corra (September 14, 1953 - April 9, 1998), better known as Tom Cora, was an American cellist and composer, best known for his improvisational performances in the field of experimental jazz and rock. He recorded with John Zorn, Butch Morris, and The Ex, and was a member of Curlew, Third Person and Skeleton Crew.

Tom Cora was born in Yancey Mills, Virginia, United States. He made his musical debut as drummer on a local television program and in the mid-1970s he played guitar for a Washington, D.C. jazz club house band. He took up the cello while an undergraduate at the University of Virginia and studied with cellist Pablo Casals' student Luis Garcia-Renart and later with vibraphonist Karl Berger. During this time he formed his own group, The Moose Skowron Tuned Metal Ensemble and began constructing instruments for it.

In 1979 Cora moved to New York City where he worked with Shockabilly guitarist Eugene Chadbourne, introducing the cello to the honky tonk circuits of North America. He performed at improvising clubs and venues in New York with John Zorn, Fred Frith, Andrea Centazzo, Butch Morris, Wayne Horvitz, David Moss, Toshinori Kondo and others. Cora also collaborated with George Cartwright and Bill Laswell which led to the formation of the art rock band Curlew in 1979 . Cora remained with Curlew for over ten years and appeared on five of their albums.

In 1982 Tom Cora and Fred Frith formed Skeleton Crew, an improvising rock and jazz band best known for their live performances where they played various instruments simultaneously. Cora and Frith were each one-man bands on stage and for their act, Cora constructed musical contraptions he could play with his feet. The band existed for five years during which time they toured Europe, North America and Japan extensively. They made two studio albums, Learn to Talk (1984) and The Country of Blinds (1986), the latter with Zeena Parkins who had joined the band in 1984. In October 1983 Skeleton Crew joined Duck and Cover, a commission from the Berlin Jazz Festival, for a performance in West Berlin, followed by another in February 1984 in East Berlin.

Cora was also a member of the improvising trio Third Person, formed in 1990 as a live collaboration with percussionist Samm Bennett and a "third person" who changed from concert to concert. Two CDs of some of their performances were released, The Bends in 1991 (with "third persons" Don Byron, George Cartwright, Chris Cochrane, Nic Collins, Catherine Jauniaux, Myra Melford, Zeena Parkins, and Marc Ribot) and Luck Water in 1995 (with "third person" Kazutoki Umezu).

Cora performed with a number of other bands, including Nimal with Momo Rossel and post-rock quartet Roof. In 1990, he played two concerts with Dutch anarcho-punk band, The Ex, and the success of this collaboration resulted in Cora performing hundreds of concerts with The Ex and appearing on two of their CDs. In 1995 in The Netherlands, Cora and Frith collaborated, as Skeleton Crew, on Etymology, a CD-ROM sound sample library of sonic sounds and wire manipulations.

Tom Cora died of malignant melanoma at the age of 44 in a hospital in the south of France, where he lived with his wife, singer Catherine Jauniaux, and their son, Elia Corra."

-Wikipedia (https://en.wikipedia.org/wiki/Tom_Cora)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"David Moss: Drumming and singing have shaped his musical life.First, his father's drum-set, Bertoia sound sculptures, duos with dancer Steve Paxton.

Later, singing: at Berlin Philharmonie, Lincoln Center, Carnegie Hall, Salzburg Festival.

2018/19: received the German Music Authors Prize for experimental voice; sang in Olga Neuwirth's opera, Lost Highway (Yuval Sharon, director); sang Frank Zappa's music at the Venice Biennale; visited Taipei, Seattle and Bogota with Heiner Goebbels' Surrogate Cities; worked with video artist Lillevan.

Moss received Guggenheim and DAAD Artist-in-Berlin Fellowships. He directs the Institute for Living Voice (and teaches).

In 2019 he made his debut at the ElbPhilharmonie, Hamburg as the baritone soloist in Xenakis ÄIS; with the Rundfunk-SymphonieOrchester Berlin under Peter Rundel

Moss has sung works by Luciano Berio, Carla Bley, Uri Caine, Johann & Richard Strauss, Gershwin, Neuwirth, Oehring, Bach and Coltrane. He is currently touring with the groove-trio Denseland, and with a solo program, Vox Paradiso.

Moss lives in Berlin, Germany."

-David Moss Website (https://www.davidmossmusic.com/bio/)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Role Of The Bait 5:35

2. The Goat Explains The Can (4 Parts) 5:45

3. Finger Hut 2:32

4. Monkey Lens 1:51

5. Unipods Are Pacifists 4:32

6. Boundary Janitor 3:01

7. The Wand Walks The Plank (3 Parts) 3:04

8. Business Is Not A Business 3:39

9. Employer Accident 4:13

10. Dog-In-Law 4:43

Related Categories of Interest:


Improvised Music
Free Improvisation
NY Downtown & Metropolitan Jazz/Improv
Stringed Instruments
Percussion & Drums
Unusual Vocal Forms
Duo Recordings
Last Copy of Items that will not be restocked...

Search for other titles on the label:
Klanggalerie.


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The Squid's Ear Magazine

The Squid's Ear Magazine

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